卡洛斯·加莱高亚, Jardin Japonais, 1997, Installation: stones, wood, sand, capitals, text in vinyl and color photography, Variable dimensions, photos 100 x 80 cm. Ph Oak Taylor-Smith
卡洛斯·加莱高亚, Jardin Japonais, 1997, Installation: stones, wood, sand, capitals, text in vinyl and color photography, Variable dimensions, photos 100 x 80 cm. Ph Oak Taylor-Smith
卡洛斯·加莱高亚, Jardin Japonais, 1997, Installation: stones, wood, sand, capitals, text in vinyl and color photography, Variable dimensions, photos 100 x 80 cm. Ph Oak Taylor-Smith
卡洛斯·加莱高亚, Jardin Japonais, 1997, Installation: stones, wood, sand, capitals, text in vinyl and color photography, Variable dimensions, photos 100 x 80 cm. Ph Oak Taylor-Smith
卡洛斯·加莱高亚, Jardin Japonais, 1997, Installation: stones, wood, sand, capitals, text in vinyl and color photography, Variable dimensions, photos 100 x 80 cm. Ph Oak Taylor-Smith
卡洛斯·加莱高亚, Portfolio, 2013, Installation. Eight engraved brass sheets, 29.7 x 21 cm each one, Black velvet, leather case, wood and metal, 41.5 x 33 x 9 cm. Ph Oak Taylor-Smith
卡洛斯·加莱高亚, De la serie Blueprints / From the Series Blueprints, 2012, Hand cut adhesive tapes on cutting mat, 60 x 45 cm each. Ph Oak Taylor-Smith
CELIA-YUNIOR WITH LUIS GÁRCIGA, Siempre hay gente que dice eso, 2009-2017, Cement bares, post-its, Variable dimensions. Ph Oak Taylor-Smith
ELIZABET CERVIÑO, Consumación, 2017, 59 glass bowls, rain water, Variable dimensions. Ph Oak Taylor-Smith
ELIZABET CERVIÑO, Testimonio de la brisa; Farallones, 2016-2017, Iron Oxide on Linen, 300 x 200 cm each. Ph Oak Taylor-Smith
ELIZABET CERVIÑO, Testimonio de la brisa; Farallones, 2016-2017, Iron Oxide on Linen, 300 x 200 cm each. Ph Oak Taylor-Smith
ELIZABET CERVIÑO, Testimonio de la brisa; Farallones, 2016-2017, Iron Oxide on Linen, 300 x 200 cm each. Ph Oak Taylor-Smith
Iván Capote, Dislexia, 2003-2016, Bronze, steel, industrial oil and electric motor, 40 cm diameter, 14 cm tall. Ph Oak Taylor-Smith
José Mesías, El ojo del relojero, 2014, Wooden table, glasses, fragments of watches, 6x14x26 cm. Ph Oak Taylor-Smith
José Mesías, La tierra es plana y así son nuestros pasos, 2012, Shoe, 30 x 40 cm. Ph Oak Taylor-Smith
乔斯·雅雀, El río y la fabrica, 2017, Environment - Site specific, Variable dimensions. Ph Oak Taylor-Smith
乔斯·雅雀, El río y la fabrica, 2017, Environment - Site specific, Variable dimensions. Ph Oak Taylor-Smith
乔斯·雅雀, El río y la fabrica, 2017, Environment - Site specific, Variable dimensions. Ph Oak Taylor-Smith
Luis López-Chávez, Contra los Poetas, 2017, Installation, fragments of wood, paint on polyurethane and table, Variables dimensions. Ph Oak Taylor-Smith
Luis López-Chávez, Serie La Distancia Sin título, 2014, Oil on linen, 120 x 135 cm. Ph Oak Taylor-Smith
Luis López-Chávez, Serie La Distancia: El encargo #2, 2017, Oil on linen, 190 x 240 cm. Ph Oak Taylor-Smith
Luis López-Chávez, Serie La Distancia: El encargo #1, 2017, Oil on linen, 190 x 240 cm. Ph Oak Taylor-Smith
Osvaldo Gonzáles, Tautología, 2017, 8 plexiglass plate and scotch, 65 x 55 cm each. Ph Oak Taylor-Smith
Osvaldo Gonzáles, Tautología, 2017, 8 plexiglass plate and scotch, 65 x 55 cm each. Ph Oak Taylor-Smith
Osvaldo Gonzáles, Tautología, 2017, 8 plexiglass plate and scotch, 65 x 55 cm each. Ph Oak Taylor-Smith
Osvaldo Gonzáles, Tautología, 2017, 8 plexiglass plate and scotch, 65 x 55 cm each. Ph Oak Taylor-Smith
Osvaldo Gonzáles, Tautología, 2017, 8 plexiglass plate and scotch, 65 x 55 cm each. Ph Oak Taylor-Smith
Osvaldo Gonzáles, Muro/Muro, 2017, Scotch tape and fluorescent light, Variable dimensions. Ph Oak Taylor-Smith
Reynier Leyva Novo, El deseo de morir por otros, 2012, Polyester resin casts of the original weapons, a bullet, three revolvers, four machetes. Ph Oak Taylor-Smith
Reynier Leyva Novo, Un día feliz | A Happy Day FC, 2016, Ultrachrome printing, barium paper 300. Ph Oak Taylor-Smith
Reynier Leyva Novo, Un día feliz | A Happy Day FC, 2016, Ultrachrome printing, barium paper 300. Ph Oak Taylor-Smith
Reynier Leyva Novo, El deseo de morir por otros, 2012, Polyester resin casts of the original weapons, a bullet, three revolvers, four machetes. Ph Oak Taylor-Smith
Yoan Capote, Isla, 2017, Oil, cement, nails and fish-hooks on panel of plywood and linen, 102 x 221 x 10 cm. Ph Oak Taylor-Smith
Susana Pilar, A la historia se le mira de frente, 2017, Performance, drawing, 11 x 14 cm drawing. Ph Oak Taylor-Smith
Susana Pilar, Re-territorialización, 2016, Video installation single, Variable dimensions. Ph Oak Taylor-Smith
Susana Pilar, El Escándalo de lo Real, 2006-2007, Photography and medical report of artificial insemination, 28 x 22 cm medical report, 20 x 30 cm photography. Ph Oak Taylor-Smith
Yonel Hidalgo, Restauración (barrer), 2017, Drawings on carbon paper, wood, Four panels 80 cm x 110 cm each. Ph Oak Taylor-Smith
Yonel Hidalgo, Campionario, 2014, Oil on canvas in eight wooden boxes, 32 x 32 x 14 cm. Ph Oak Taylor-Smith
Yornel Martínez, Estatua de Buda con chicles, 2010, Buddha statue, chewing gums, Variable dimensions. Ph Oak Taylor-Smith