Kader Attia - Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions; Lucy + Jorge Orta Trazado de Indias : Parcelas Dominantes Argentina 1973 – 1983 (series), 2019 Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith
Kader Attia - Le grand miroir du monde, 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith
Kader Attia - Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith
Kader Attia - Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith
Kader Attia - Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith
Kader Attia - Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions; Lucy+Jorge Orta, Trazado de Indias : Parcelas Dominantes Argentina 1973 – 1983 (series), 2019. Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith
Kader Attia - Le grand miroir du monde (detail), 2017. Mirrors, Site specific dimensions. Photo: Oak Taylor-Smith
Lucy + Jorge Orta - Trazado de Indias : Parcelas Dominantes Argentina 1973 – 1983, 2019 & Triangular AAA. Argentina 1973 - 1976 (series), 2019. Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith
Lucy + Jorge Orta - Triangular AAA. Argentina 1973 - 1976 (series), 2019. Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith
Lucy + Jorge Orta - Trazado de Indias : Parcelas Dominantes Argentina 1973 – 1983, 2019 & Triangular AAA. Argentina 1973 - 1976 (series), 2019. Acrylic on canvas, 200 x 200 cm each. Photo: Oak Taylor-Smith
JR - Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana; Kader Attia, Le grand miroir du monde (detail), 2017. Mirrors. Site specific dimensions. Photo: Oak Taylor-Smith
JR - Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana; Kader Attia, Le grand miroir du monde (detail), 2017. Mirrors. Site specific dimensions. Photo: Oak Taylor-Smith
JR - Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana; Kader Attia, Le grand miroir du monde (detail), 2017. Mirrors. Site specific dimensions. Photo: Oak Taylor-Smith
JR - Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith
JR - Inside Out project - Pouvoir & Pouvoir, Galleria Continua / Les Moulins, 23 June 2019. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith
JR - Inside Out project - Pouvoir & Pouvoir, Galleria Continua / Les Moulins, 23 June 2019. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith
JR - Inside Out project - Pouvoir & Pouvoir, Galleria Continua / Les Moulins, 23 June 2019. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith
Michelangelo Pistoletto - Mar Mediterraneo | Mediterranean Sea, 2003-2005. Mirror, wood. 738 x 320 x 50 cm. Photo: Oak Taylor-Smith
Reynier Leyva Novo - El beso de Cristal, 2015. 70 engraved glass goblets. Variable dimensions. Photo: Oak Taylor-Smith
Reynier Leyva Novo - Epilogue, from the series The Weight of Death, 2016. Black lithographic ink used to print the Granma newspaper, 122,46 x 85,63 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Afro (500), 2005. Lightbox, 82 x 160 x 15 cm; Afro Coin (detail), 2005. Wood, Ø 90 cx 16 cm each; Afro (200), 2005. Lightbox, 82 x 153 x 15 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Afro (500), 2005. Lightbox, 82 x 160 x 15 cm; Afro Coin, 2005. Wood, Ø 90 cx 16 cm each; Afro (200), 2005. Lightbox, 82 x 153 x 15 cm. Photo: Oak Taylor-Smith
Carlos Garaicoa - La plus belle sculpture, c’est le pavé que l’on jette sur la gueule des flics, 2009. Books, cobblestone, wooden pedestal, 189,6 x 105 x 17 cm; Carlos Garaicoa, Abstraction - 4 Holes Blue, 1997. Duaflex colour photograph, 124 x 100 cm. Photo: Oak Taylor-Smith
Carlos Garaicoa - La plus belle sculpture, c’est le pavé que l’on jette sur la gueule des flics, 2009. Books, cobblestone, wooden pedestal, 189,6 x 105 x 17 cm; Carlos Garaicoa, Abstraction - 4 Holes Blue, 1997. Duaflex colour photograph, 124 x 100 cm. Photo: Oak Taylor-Smith
Carlos Garaicoa - Vallas Resistir, 1991. Black and white photograph mounted and laminated on Plexiglas, 125 x 150 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masques Rejetés (series), 2018. Wooden masks, mixed media. Variable dimensions. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 28 x 20 x 14 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 31 x 19 x 10 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 36 x 20 x 11 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 41 x 17 x 15 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 37 x 21 x 16 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 40 x 23 x 18 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 44 x 17 x 15 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 34 x 20 x 12 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 39 x 20 x 12 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 33 x 16 x 12 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 34 x 20 x 15 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masque Rejeté, 2018. Wooden masks, mixed media 32 x 20 x 15 cm. Photo: Oak Taylor-Smith
Susana Pilar - Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Susana Pilar - Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Susana Pilar - Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Susana Pilar - Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Susana Pilar - Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Susana Pilar - Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Colourful Stones (detail), 2019. Cobblestones, paint. 200 x 400 cm; Iván Capote, Ghost, 2008-2011. Oil on canvas 80 x 120 x 3 cm each; Iván Capote, Over and Over, 2015. Bronze, Ø 175 cm; Iván Capote, Incomplete Space, 2008-2014. Steel, sand, 57 x 70 x 70 cm; Pascale Marthine Tayou, Masques Rejetés (series) (detail), 2018. Wooden masks, mixed media. Variable dimensions. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Colourful Stones, 2019. Cobblestones, paint, 200 x 400 cm; Iván Capote, Over and Over (detail), 2015. Bronze, Ø 175 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masques Rejetés (series) (detail), 2018. Wooden masks, mixed media. Variable dimensions; Iván Capote, Incomplete Space, 2008-2014 Acier, Steel, sand, 57 x 70 x 70 cm; Pascale Marthine Tayou, Colourful Stones, 2019. Cobblestones, paint, 200 x 400 cm; Iván Capote, Over and Over, 2015. Bronze, Ø 175 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Masques Rejetés (series) (detail), 2018. Wooden masks, mixed media. Variable dimensions; Iván Capote, Incomplete Space, 2008-2014 Acier, Steel, sand, 57 x 70 x 70 cm; Pascale Marthine Tayou, Colourful Stones, 2019. Cobblestones, paint, 200 x 400 cm; Iván Capote, Over and Over, 2015. Bronze, Ø 175 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Colourful Stones (detail), 2019. Cobblestones, paint, 200 x 400 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Colourful Stones (detail), 2019. Cobblestones, paint, 200 x 400 cm. Photo: Oak Taylor-Smith
José Manuel Mesías - Representación planiscúbica del canto del Degollado, 201. Smashed wooden cage, 24 x 40 cm. Photo: Oak Taylor-Smith
Zhanna Kadyrova - DATA EXTRACTION – ARSENALE, KIEV (series), 2012. Asphalt, metal, epoxy resin, 30 x 21 cm each. Photo: Oak Taylor-Smith
Michelangelo Pistoletto - Rem(a)inders, 2010. Metal Buddah sculpture, used clothes, electronic components, wood, 300 x 450 cm; Michelangelo Pistoletto, Fame, Amore, Arte (detail), 1978-2019. Old suitcases, various materials. Variable dimensions. Photo: Oak Taylor-Smith
Michelangelo Pistoletto - Fame, Amore, Arte (detail), 1978-2019. Old suitcases, various materials. Variable dimensions. Photo: Oak Taylor-Smith
Michelangelo Pistoletto - Fame, Amore, Arte (detail), 1978-2019. Old suitcases, various materials. Variable dimensions. Photo: Oak Taylor-Smith
Ai Weiwei - Study of Perspective, Palazzo Strozzi, 2016. Colour photograph. 51 x 70 cm. Photo: Oak Taylor-Smith
Ai Weiwei - Study of Perspective, Palazzo Strozzi, 2016. Colour photograph. 51 x 70 cm. Photo: Oak Taylor-Smith
Ai Weiwei - Study of Perspective, Palazzo Strozzi, 2016. Colour photograph. 51 x 70 cm. Photo: Oak Taylor-Smith
Michelangelo Pistoletto - Terzo Paradiso, Boissy-le-Châtel, 2019, Brought chairs. Variable dimensions. Photo: Oak Taylor-Smith
Leila Alaoui - Crossings (series), 2013. Lambda print mounted on Dibond, 80 x 120 cm each; Pascale Martine Tayou, Yeoville (série), 2010. Dimensions variable. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Graffiti neon G, 2014. Neon lights, 200 x 145 cm; Pascale Martine Tayou, Yeoville, 2010. Neon lights, 68 x 167 x 8 cm; Leila Alaoui, Crossings, 2013. Lambda print mounted on Dibond, 80 x 120 cm. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Flâneurs de Montreuil (series), 2010. Resin. Variable dimensions. Photo: Oak Taylor-Smith
Pascale Marthine Tayou - Flâneurs de Montreuil (series), 2010. Resin. Variable dimensions. Photo: Oak Taylor-Smith
Shilpa Gupta - Untitled, 2006. Print on canvas, 101,6 x 134,6 cm; Shilpa Gupta, Untitled, 2014. Engraving on stone, 54,61 x 68,58 x 10,16 cm; Shilpa Gupta, Untitled, 2008. Print on canvas, 100 x 250 cm. Photo: Oak Taylor-Smith
Shilpa Gupta - Untitled (security belt), 2009. Belt, 100 cm; Shilpa Gupta, Untitled (doors), 2001. Used doors, Variable dimensions. Photo: Oak Taylor-Smith
Reynier Leyva Novo - Quien tiene acero tiene pan, 2016. Bronze, steel, wood. Variable dimensions. Photo: Oak Taylor-Smith
Reynier Leyva Novo - Quien tiene acero tiene pan (detail), 2016. Bronze, steel, wood. Variable dimensions. Photo: Oak Taylor-Smith
Reynier Leyva Novo - Quien tiene acero tiene pan (detail), 2016. Bronze, steel, wood. Variable dimensions. Photo: Oak Taylor-Smith