Galleria Continua
北京
圣吉米那诺
穆琳
哈瓦那
罗马
圣保罗
巴黎
迪拜

Pascale Marthine Tayou, Open Wall, 2010, neon signs, cables, Photo Oak Taylor-Smith

Loris Cecchini, Waterbones (Sensitive Chaos), 2016, 1000 stainless steel elements, site specific dimensions, Photo Oak Taylor-Smith

exhibition view LE CENTQUATRE-PARIS, Photo Oak Taylor-Smith

exhibition view LE CENTQUATRE-PARIS, Photo Oak Taylor-Smith

Loris Cecchini, Waterbones (Sensitive Chaos), 2016, 1000 stainless steel elements, site specific dimensions, Photo Oak Taylor-Smith

exhibition view LE CENTQUATRE-PARIS, Photo Oak Taylor-Smith

exhibition view LE CENTQUATRE-PARIS, Photo Oak Taylor-Smith

然娜·卡迪罗娃 , Market, 2017, cement, tiles, Photo Oak Taylor-Smith

Zhanna Kadyrova, Market, 2017, cement, tiles, Photo Oak Taylor-Smith

Zhanna Kadyrova, Market, 2017, cement, tiles, Photo Oak Taylor-Smith

然娜·卡迪罗娃 , Market, 2017, cement, tiles, Photo Oak Taylor-Smith

Loris Cecchini, Waterbones (Sensitive Chaos), 2016, 1000 stainless steel elements, site specific dimensions, Photo Oak Taylor-Smith

利拉 · 阿拉维, Les Marocains, 2010-2014, Inkjet print on wallpaper, site specific dimensions, Photo Oak Taylor-Smith

卡德尔·阿提亚, Le grand miroir du monde, 2017, mirrors, dimensions in situ, Photo Oak Taylor-Smith

卡德尔·阿提亚, Le grand miroir du monde, 2017, mirrors, dimensions in situ, Photo Oak Taylor-Smith

Kader Attia, Le grand miroir du monde, 2017, mirrors, dimensions in situ, Photo Oak Taylor-Smith

exhibition view LE CENTQUATRE-PARIS, Photo Oak Taylor-Smith

Pascale Marthine Tayou, Arbre de vie (Tree of life), 2015, Olive tree, crystal masks, fabric, sand, glass stones, 400 x 450 x 450 cm, Photo Oak Taylor-Smith

Moataz Nasr, Freedom of Expression 3000 Kilometers, 2015, 2 street signs, 26 x 80 cm each, Photo Oak Taylor-Smith

Lucio Fontana, Concetto spaziale, Attese, 1965, water-based paint on canvas, 39,37 x 31,88 in<br>Enrico Castellani, Superficie bianca, 1999, acrylique sur toile formée, 150 x 200 cm<br>Agostino Bonalumi, Bianco, 1988, vinyl-based tempera on shaped canvas, 28,74 x 36,22 inch, Courtesy Tornabuoni Art, Paris, Photo Oak Taylor-Smith

Andreas Schmitten, Prop. No. 2, 2013, plastic, wood, fluorescent tubes, 280 x 330 x 270 cm, Courtesy de l’artiste et KÖNIG GALERIE, Berlin, Photo Oak Taylor-Smith

贝林德·德·布鲁伊克, -009-, 2011-2012, 2012, wood, glass, iron, rope, textile, 325 x 235 x 398 cm, Photo Oak Taylor-Smith

陈箴, Zen Garden, 2000, alabaster, metal, plastic plants, wood, sand, small stones, light bulbs, 175 x 340 x 300 cm, Photo Oak Taylor-Smith

Moataz Nasr, The Petro Beads, 2014, 34 gas containers, metal, site specific dimensions, Photo Oak Taylor-Smith

Luis Enrique López-Chavez, La Educación Sentimental, 2017, black paint, plaster figures, variable dimensions, Photo Oak Taylor-Smith

Luis Enrique López-Chavez, La Educación Sentimental, 2017, black paint, plaster figures, variable dimensions, Photo Oak Taylor-Smith

Iván Argote, The Other, Me and the Others, 2017, steel, wood, damping system, 1500 x 300 x 160 cm, Courtesy de l’artiste et Perrotin, Photo Oak Taylor-Smith

丹尼尔·布伦, Une diagonale pour un périmètre, 1970-2017, travail in situ<br>Anish Kapoor, Untitled, 2016, alabaster, 100 x 79 x 67 cm, Photo Oak Taylor-Smith

丹尼尔·布伦, Une diagonale pour un périmètre, 1970-2017, travail in situ<br>Anish Kapoor, Untitled, 2016, alabaster, 100 x 79 x 67 cm, Photo Oak Taylor-Smith

Anish Kapoor, Untitled, 2013, stainless steel and resin, 220 x 222 x 40,5 cm, Photo Oak Taylor-Smith

Reynier Leyva Novo, Un día feliz | A Happy Day FC, series “Fidel Castro”, 2016, Ultrachrome Printing, barium paper 300g, Photo Oak Taylor-Smith

Carlos Garaicoa, Sloppy Joe's Bar dream…, 1995, wood and tile bar painted by hand, wine, photographs, juke box, music, glasses, and shelves, dimensions variables, Photo Oak Taylor-Smith

Ahmed Mater, Magnetism Installation, 2008, magnet and iron shavings, 200 x 90 x 90, Photo Oak Taylor-Smith

Sislej Xhafa, Father, 2013, red granite tombstone with telephone receiver, 85 x 61,5 x 30,5 cm, Photo Oak Taylor-Smith