陈箴 | 常青画廊
Galleria Continua
北京
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Jardin-Lavoir, 2000, beds, metal, wood, water, hydraulic system, objets trouvés, 700 x 2000 x 1800 cm about, © ADAGP Paris, Photo Oak Taylor-Smith

Synergie silencieuse, 2000, Metal, glass, tubes of copper, system of gas circulation, ashes of newspapers, waste of electric and electronic objects, 250 x 700 x 50 cm, Photo Ela Bialkowska

Jardin-Lavoir, 2000, beds, metal, wood, water, hydraulic system, objets trouvés, 700 x 2000 x 1800 cm about, © ADAGP Paris, Photo Oak Taylor-Smith

Jardin-Lavoir, 2000, beds, metal, wood, water, hydraulic system, objets trouvés, 700 x 2000 x 1800 cm about, © ADAGP Paris, Photo Oak Taylor-Smith

Jardin-Lavoir, 2000, beds, metal, wood, water, hydraulic system, objets trouvés, 700 x 2000 x 1800 cm about, © ADAGP Paris, Photo Oak Taylor-Smith

Jardin mémorable, 2000, bronze, metal, 130 x120 x 120 cm each element, 119,5 x 119,5 x 3 cm each plate, © ADAGP Paris, Photo Bertrand Huet

Jardin mémorable, 2000, bronze, metal, 130 x 120 x 120 cm each element, 119,5 x 119,5 x 3 cm each plate, © ADAGP Paris, Photo Lucio Ghilardi

Purification Room, 2000, Objets-trouvés, clay, h. 350 x 800 x 600 cm, © ADAGP Paris, Photo Ela Bialkowska

Purification Room, 2000, Objets-trouvés, clay, h. 350 x 800 x 600 cm, © ADAGP Paris, Photo Ela Bialkowska

Purification Room, 2000, Objets-trouvés, clay, h. 350 x 800 x 600 cm, © ADAGP Paris, Photo Ela Bialkowska

Lumière innocente, 2000, metal bed, plastic tubes, light bulbs, 115 x 165 x 110 cm, © ADAGP Paris, Photo Ela Bialkowska

Lumière innocente, 2000, metal bed, plastic tubes, light bulbs, 115 x 165 x 110 cm, © ADAGP Paris, Photo Ela Bialkowska

Zen Garden (2), 2000, alabaster, metal, plastic plants, wood, sand, small stones, light bulbs, 175 x 340 x 300 cm, © ADAGP Paris, Photo Ela Bialkowska

Zen Garden (2), 2000, alabaster, metal, plastic plants, wood, sand, small stones, light bulbs, 175 x 340 x 300 cm, © ADAGP Paris, Photo Ela Bialkowska

Zen Garden (2), 2000, alabaster, metal, plastic plants, wood, sand, small stones, light bulbs, 175 x 340 x 300 cm, © ADAGP Paris, Photo Ela Bialkowska

Zen Garden (2), 2000, alabaster, metal, plastic plants, wood, sand, small stones, light bulbs, 175 x 340 x 300 cm, © ADAGP Paris, Photo Ela Bialkowska

Un Village sans frontières, 2000, chair and colored candles, 50 x 32 x 25 cm, © ADAGP Paris, Photo Ela Bialkowska

La lumière intérieure du corps humain, 2000, crystal, 43 x 300 x 160 cm, © ADAGP Paris, Photo Ela Bialkowska

Jue Chang, Dancing Body – Drumming Mind (The Last Song), 2000, lits, chaises, métal, bois, peau de vache, ficelle, cordes, 230 x 1800 x 1200 cm, © ADAGP Paris, Photo Ela Bialkowska

Jue Chang, Dancing Body – Drumming Mind (The Last Song), 2000, lits, chaises, métal, bois, peau de vache, ficelle, cordes, 230 x 1800 x 1200 cm, © ADAGP Paris, Photo Ela Bialkowska

Jue Chang, Dancing Body – Drumming Mind (The Last Song), 2000, lits, chaises, métal, bois, peau de vache, ficelle, cordes, 230 x 1800 x 1200 cm, © ADAGP Paris, Photo Ela Bialkowska

Crystal Landscape of Inner Body
(Serpent), 2000, crystal, metal, glass, 95 x 70 x 190 cm, © ADAGP Paris, Photo Ela Bialkowska

Crystal Landscape of Inner Body
(Serpent), 2000, crystal, metal, glass, 95 x 70 x 190 cm, © ADAGP Paris, Photo Ela Bialkowska

Crystal Landscape of Inner Body
(Serpent), 2000, crystal, metal, glass, 95 x 70 x 190 cm, © ADAGP Paris, Photo Ela Bialkowska

Crystal Landscape of Inner Body
(Serpent), 2000, crystal, metal, glass, 95 x 70 x 190 cm, © ADAGP Paris, Photo Ela Bialkowska

Crystal Landscape of Inner Body
(Serpent), 2000, crystal, metal, glass, 95 x 70 x 190 cm, © ADAGP Paris, Photo Ela Bialkowska

PERFORMANCE: Jue Chang, Dancing Body – Drumming Mind (The Last Song), 2000, wood, metal, chairs, beds, cowhide, string, ropes, 230 x 1800 x 1200 cm, GEM (Haags Gemeentemuseum), Den Haag, The Netherlands, 2004, © ADAGP Paris

PERFORMANCE: Jue Chang, Dancing Body – Drumming Mind (The Last Song), 2000, wood, metal, chairs, beds, cowhide, string, ropes, 230 x 1800 x 1200 cm, Palais de Tokyo, Paris, 2003, © ADAGP Paris

PERFORMANCE: Jue Chang, Dancing Body – Drumming Mind (The Last Song), 2000, wood, metal, chairs, beds, cowhide, string, ropes, 230 x 1800 x 1200 cm, Shanghai Art Museum, Shanghai, 2016, © ADAGP Paris

Même lit, rêves différents, 1999, chinese bed, metal, Plexiglas, fabric, mattress, matches, polistirene balls, fan, motion sensor, television, 400 x 600 x 800 cm, © ADAGP Paris, Photo Ela Bialkowska

Même lit, rêves différents, 1999, chinese bed, metal, Plexiglas, fabric, mattress, matches, polistirene balls, fan, motion sensor, television, 400 x 600 x 800 cm, © ADAGP Paris, Photo Ela Bialkowska

Un-interrupted Voice, 1998, wooden chairs, wood, cow skin, rope, 90 x 150 x 45 cm, © ADAGP Paris, Photo Alicia Luxem

Fu Dao / Fu Dao, Upside-down Buddha / Arrival at Good Fortune, 1997, metal, bamboo, Buddha Statues, found objects, 550 x 800 x 350 cm, © ADAGP Paris, ©1997

Fu Dao / Fu Dao, Upside-down Buddha / Arrival at Good Fortune, 1997, metal, bamboo, Buddha Statues, found objects, 550 x 800 x 350 cm, © ADAGP Paris, ©1997

Fu Dao / Fu Dao, Upside-down Buddha / Arrival at Good Fortune, 1997, metal, bamboo, Buddha Statues, found objects, 550 x 800 x 350 cm, © ADAGP Paris, ©1997

Instrument musical, 1996, wood, Chinese chamber pots, metal, sound system, 68 x 121 x 45 cm, © ADAGP Paris, Photo Rémi Lavalle

Lands-Objectscape, 1995, metal, glass, earth, objects, neon, red acrylic paint, 100 x 110 x 30 cm, © ADAGP Paris, Photo Marco Minò

Lands-Objectscape, 1995, metal, glass, earth, objects, neon, red acrylic paint, 100 x 110 x 30 cm, © ADAGP Paris, Photo Marco Minò

Testament / Déchiffrer, 1993, metal, wood, fabric, black acrylic paint, newspaper ash, ropes, 300 x 250 x 500 cm (variable mesures), © ADAGP Paris, Photo Oak Taylor-Smith

Testament / Déchiffrer, 1993, metal, wood, fabric, black acrylic paint, newspaper ash, ropes, 300 x 250 x 500 cm (variable mesures), © ADAGP Paris, Photo Oak Taylor-Smith

Testament / Déchiffrer, 1993, metal, wood, fabric, black acrylic paint, newspaper ash, ropes, 300 x 250 x 500 cm (variable mesures), © ADAGP Paris, Photo Oak Taylor-Smith

Auto-censure, 1993, metal, typewriter, Plexiglas, stone, red pigment powder, 85 x 125 x 25 cm, © ADAGP Paris

L'Autel - Rouge, blanc, noir, 1993, metal, wood, glass, self-adhesive plastic sheet, rice paper, black, white and red acrylic paint, aluminum, sand, water, red, white and black pigment powder, 159 x 100 x 35 cm, © ADAGP Paris, Photo Rémi Lavalle

L'Autel - Rouge, blanc, noir, 1993, metal, wood, glass, self-adhesive plastic sheet, rice paper, black, white and red acrylic paint, aluminum, sand, water, red, white and black pigment powder, 159 x 100 x 35 cm

L'Autel n° 15, 1993, metal, galss, self-adhesive plastic sheet, rice paper, black and white acrylic paint, sand, water, objects, 137 x 93,5 x 21,5 cm, © ADAGP Paris, Photo Ela Bialkowska

L'Autel n° 15, 1993, metal, galss, self-adhesive plastic sheet, rice paper, black and white acrylic paint, sand, water, objects, 137 x 93,5 x 21,5 cm, © ADAGP Paris, Photo Ela Bialkowska

L'Autel n° 15, 1993, metal, galss, self-adhesive plastic sheet, rice paper, black and white acrylic paint, sand, water, objects, 137 x 93,5 x 21,5 cm, © ADAGP Paris, Photo Ela Bialkowska

L'Autel n° 15, 1993, metal, galss, self-adhesive plastic sheet, rice paper, black and white acrylic paint, sand, water, objects, 137 x 93,5 x 21,5 cm, © ADAGP Paris, Photo Ela Bialkowska

Le Retour des fantômes de l’homme - Find Reincarnation in Another's Corpse, 1992, Wood, earth, metal, 99 nickel-plated found objects, photographs, red and black acrylic paint, Plexiglas, 182 x 750 x 800 cm (variable dimensions), © ADAGP Paris, Photo Éric Angels

Le Retour des fantômes de l’homme - Find Reincarnation in Another's Corpse, 1992, Wood, earth, metal, 99 nickel-plated found objects, photographs, red and black acrylic paint, Plexiglas, 182 x 750 x 800 cm (variable dimensions), © ADAGP Paris, Photo Éric Angels

Le Retour des fantômes de l’homme - Find Reincarnation in Another's Corpse, 1992, Wood, earth, metal, 99 nickel-plated found objects, photographs, red and black acrylic paint, Plexiglas, 182 x 750 x 800 cm (variable dimensions), © ADAGP Paris, Photo Éric Angels

Le Coffre / Le Fantôme, 1992, Wood, metal, nickel-plated found object, photograph, red and black acrylic paint, Plexiglas, 76 x 42 x 20 cm (closed), © ADAGP Paris, Photo Ela Bialkowska

Le Coffre / Le Fantôme, 1992, Wood, metal, nickel-plated found object, photograph, red and black acrylic paint, Plexiglas, 76 x 42 x 20 cm (closed), © ADAGP Paris, Photo Ela Bialkowska

Les Textes de la lumière / La Lumière des textes, 1992, Metal, glass, neon, red pigment powder, earth, objects, red adhesive letters, 190 x 140 x 31 cm, © ADAGP Paris, Photo Ela Bialkowska

Les Textes de la lumière / La Lumière des textes, 1992, Metal, glass, neon, red pigment powder, earth, objects, red adhesive letters, 190 x 140 x 31 cm, © ADAGP Paris, Photo Ela Bialkowska

Les Textes de la lumière / La Lumière des textes, 1992, Metal, glass, neon, red pigment powder, earth, objects, red adhesive letters, 190 x 140 x 31 cm, © ADAGP Paris, Photo Ela Bialkowska

Les Textes de la lumière / La Lumière des textes, 1992, Metal, glass, neon, red pigment powder, earth, objects, red adhesive letters, 190 x 140 x 31 cm, © ADAGP Paris, Photo Ela Bialkowska

Météorite, 1992, Metal, glass, bauxite, aluminium, photograph, red acrylic paint, 30 x 30 x 30 cm - shelf 20 x 30 x 40 c, © ADAGP Paris, Photo Rémi Lavalle

Météorite, 1992, Metal, glass, bauxite, aluminium, photograph, red acrylic paint, 30 x 30 x 30 cm - shelf 20 x 30 x 40 cm, © ADAGP Paris, Photo Rémi Lavalle

La Légèreté / Le Poids, 1991, Metal, glass, stone, newspaper ash, newspapers, 216 x 155 x 40 cm, © ADAGP Paris, Photo Andrea Rossetti

La Légèreté / Le Poids, 1991, Metal, glass, stone, newspaper ash, newspapers, 216 x 155 x 40 cm, © ADAGP Paris, Photo Andrea Rossetti

La Légèreté / Le Poids, 1991, Metal, glass, stone, newspaper ash, newspapers, 216 x 155 x 40 cm, © ADAGP Paris, Photo Andrea Rossetti

La Légèreté / Le Poids, 1991, Metal, glass, stone, newspaper ash, newspapers, 216 x 155 x 40 cm, © ADAGP Paris, Photo Andrea Rossetti

Le Produit naturel / Le Produit artificiel, 1991, metal, Plexiglas, artificial flowers, mirror screen printed, cow dung, 297 x 170 x 55 cm, © ADAGP Paris, Photo Ela Bialkowska

Le Produit naturel / Le Produit artificiel, 1991, metal, Plexiglas, artificial flowers, mirror screen printed, cow dung, 297 x 170 x 55 cm, © ADAGP Paris, Photo Ela Bialkowska

Le Produit naturel / Le Produit artificiel, 1991, metal, Plexiglas, artificial flowers, mirror screen printed, cow dung, 297 x 170 x 55 cm, © ADAGP Paris, Photo Ela Bialkowska

Le Produit naturel / Le Produit artificiel, 1991, metal, Plexiglas, artificial flowers, mirror screen printed, cow dung, 297 x 170 x 55 cm, © ADAGP Paris, Photo Ela Bialkowska

Le Chemin / Le Radeau de l’écriture, 1991, Railway sleepers, metal, red acrylic paint, stones, newspapers, books, 60 x 300 x 250 cm, © ADAGP Paris, Photo Marco Minò

Le Chemin / Le Radeau de l’écriture, 1991, Railway sleepers, metal, red acrylic paint, stones, newspapers, books, 60 x 300 x 250 cm, © ADAGP Paris, Photo Daniel Moulinet

Le Chemin / Le Radeau de l’écriture, 1991, Railway sleepers, metal, red acrylic paint, stones, newspapers, books, 60 x 300 x 250 cm, © ADAGP Paris, Photo Daniel Moulinet

Jetons divins / Caisse démoniaque, 1991, metal, wood, objects, 250 x 150 x 100 cm, © ADAGP Paris, Photo Ela Bialkowska

Jetons divins / Caisse démoniaque, 1991, metal, wood, objects, 250 x 150 x 100 cm, © ADAGP Paris, Photo Ela Bialkowska

Jetons divins / Caisse démoniaque, 1991, metal, wood, objects, 250 x 150 x 100 cm, © ADAGP Paris, Photo Ela Bialkowska

Mémoire 4, 1989, Oil on paper, collage of rice paper on canvas and India ink, 60 x 90 cm, © ADAGP Paris, Photo Lorenzo Fiaschi