线上XXL
回忆陈箴
Chen Zhen’s "FIELD OF SYNERGY” is a work that offers a beautiful landscape on which to examine and understand the cruxes of his philosophy, outlook and artistic practices. This viewing room presents not only Chen Zhen’s first impressions upon seeing the gallery but also his perceptions of the space, his philosophical approach to managing the space and the realization of a work that is an insight not only into Chen Zhen’s personal story but also a tool with which we can understand what the artist called Transexperience, a new discourse that takes into account the spiritual, human, technological, material and immaterial worlds.
线上XXL
回忆陈箴
Chen Zhen’s "FIELD OF SYNERGY” is a work that offers a beautiful landscape on which to examine and understand the cruxes of his philosophy, outlook and artistic practices. This viewing room presents not only Chen Zhen’s first impressions upon seeing the gallery but also his perceptions of the space, his philosophical approach to managing the space and the realization of a work that is an insight not only into Chen Zhen’s personal story but also a tool with which we can understand what the artist called Transexperience, a new discourse that takes into account the spiritual, human, technological, material and immaterial worlds.
线上XXL
丹尼尔·布伦呈现“由此物及彼物”
在2015年的个展“由此物及彼物，场域特定就地创作：1965-2015年”（Una cosa tira l'altra, lavori in situ e situati, 1965-2015）中，丹尼尔·布伦（Daniel Buren）安装的金属框架脚手架，使常青画廊圣吉米那诺空间的前电影院空间给人带来了意想不到的感知。这显示出布伦作品的复杂性，他进行创作的意识形态方法，及其作品创造经验形式的能力。由此，丹尼尔·布伦改变了视觉艺术的边界，并在艺术与生活之间带来了新的交流。
线上XXL
丹尼尔·布伦呈现“由此物及彼物”
在2015年的个展“由此物及彼物，场域特定就地创作：1965-2015年”（Una cosa tira l'altra, lavori in situ e situati, 1965-2015）中，丹尼尔·布伦（Daniel Buren）安装的金属框架脚手架，使常青画廊圣吉米那诺空间的前电影院空间给人带来了意想不到的感知。这显示出布伦作品的复杂性，他进行创作的意识形态方法，及其作品创造经验形式的能力。由此，丹尼尔·布伦改变了视觉艺术的边界，并在艺术与生活之间带来了新的交流。
