卡德尔·阿提亚 | 常青画廊
Galleria Continua
北京
圣吉米那诺
穆琳
哈瓦那
罗马
圣保罗
巴黎
迪拜

View of the exhibition: "Narrative Vibrations", 2017, Mixed media installation, La Biennale di Venezia, Photo Oak Taylor-Smith

View of the exhibition:"Narrative Vibrations", 2017, Mixed media installation, La Biennale di Venezia, Photo Oak Taylor-Smith

View of the exhibition:"Narrative Vibrations", 2017, Mixed media installation, La Biennale di Venezia, Photo Oak Taylor-Smith

View of the exhibition:"Narrative Vibrations", 2017, Mixed media installation, La Biennale di Venezia, Photo Oak Taylor-Smith

View of the exhibition: "Narrative Vibrations", 2017, Mixed media installation, La Biennale di Venezia, Photo Oak Taylor-Smith

View of the exhibition: "Narrative Vibrations", 2017, Mixed media installation, La Biennale di Venezia, Photo Oak Taylor-Smith

Le grand miroir du monde, 2017, mirrors, site specific dimension, Photo Ela Bialkowska

Le grand miroir du monde, 2017, mirrors, site specific dimension, Photo Ela Bialkowska

Le grand miroir du monde, 2017, mirrors, site specific dimension, Photo Ela Bialkowska

Noise, silence, 2017, metal, fabric, foam, wood, site specific installation, Photo Ela Bialkowska

Noise, silence, 2017, metal, fabric, foam, wood, site specific installation, Photo Ela Bialkowska

Noise, silence, 2017, metal, fabric, foam, wood, site specific installation, Photo Ela Bialkowska

Objects of desire, 2017, stuffed animals, wooden sculptures, antique mask, metal stand, zinc-coated shelves, site specific installation, Photo Ela Bialkowska

Objects of desire, 2017, stuffed animals, wooden sculptures, antique mask, metal stand, zinc-coated shelves, site specific installation, Photo Ela Bialkowska

Objects of desire, 2017, stuffed animals, wooden sculptures, antique mask, metal stand, zinc-coated shelves, site specific installation, Photo Ela Bialkowska

Objects of desire, 2017, stuffed animals, wooden sculptures, antique mask, metal stand, zinc-coated shelves, site specific installation, Photo Ela Bialkowska

Sombre joie, 2017, light box, 167 x 125 x 15 cm, Photo Ela Bialkowska

Sombre joie, 2017, light box, 167 x 125 x 15 cm, Photo Ela Bialkowska

Rituel #3, 2017, mirror, fabric, 200 x 125 cm about, Photo Ela Bialkowska

Rituel #3, 2017, mirror, fabric, 200 x 125 cm about, Photo Ela Bialkowska

Traces of infinity, 2017, steel plate, rust, 175 x 300 x 8 cm, Photo Ela Bialkowska

Traces of infinity, 2017, steel plate, rust, 175 x 300 x 8 cm, Photo Ela Bialkowska

Traces of infinity, 2017, steel plate, rust, 175 x 300 x 8 cm, Photo Ela Bialkowska

Untitled (platine DJ), 2017, consolle, record player, mixer, mirroring stainless steel, overall dimension: 190 x 120 x 140 cm, Photo Ela Bialkowska

Untitled (platine DJ), 2017, consolle, record player, mixer, mirroring stainless steel, overall dimension: 190 x 120 x 140 cm, Photo Ela Bialkowska

Eternelle promesse, 2017, metal letters, site specific dimension, Photo Ela Bialkowska

Eternelle promesse, 2017, metal letters, site specific dimension, Photo Ela Bialkowska

Work on memory #2, 2017, collage, 82 x 102 x 3 cm, Photo Ela Bialkowska

Work on memory #2, 2017, collage, 82 x 102 x 3 cm, Photo Ela Bialkowska

Work on memory #3, 2017, collage, 82 x 102 x 3 cm, Photo Ela Bialkowska

Work on memory #3, 2017, collage, 82 x 102 x 3 cm, Photo Ela Bialkowska

chaos+repair=universe, 2016, mirrors, metal wires, diameter 60 cm approx, Photo Axel Schneider © MMK Frankfurt

chaos+repair=universe, 2016, mirrors, metal wires, diameter 60 cm approx, Photo Axel Schneider © MMK Frankfurt

chaos+repair=universe, 2016, mirrors, metal wires, diameter 60 cm approx, Photo Axel Schneider © MMK Frankfurt

Réfléchir la Mémoire / Reflecting Memory, 2016, video HD,, 48’, Photo Vanni Bassetti

Réfléchir la Mémoire / Reflecting Memory, 2016, video HD,, 48’, still from video

Réfléchir la Mémoire / Reflecting Memory, 2016, video HD,, 48’, still from video

Réfléchir la Mémoire / Reflecting Memory, 2016, video HD,, 48’, still From video

Réfléchir la Mémoire / Reflecting Memory, 2016, video HD,, 48’, still From video

Ring Theory, 2015, mirrors, iron, metal wires, 100 x 500 x 500 cm, Photo Oak Taylor-Smith

Ring Theory, 2015, mirrors, iron, metal wires, 100 x 500 x 500 cm, Photo Oak Taylor-Smith

Ring Theory, 2015, mirrors, iron, metal wires, 100 x 500 x 500 cm, Photo Oak Taylor-Smith

Ring Theory, 2015, mirrors, iron, metal wires, 100 x 500 x 500 cm, Photo Oak Taylor-Smith

Repair, Culture's agency #1, 2014, marble sculpture, repaired antique wooden board with inscriptions in Arabic, 2 wooden bases, installation dimension variable, Photo Patrick Lears, exhibition "Continuum of Repair: The Light of Jacob's Ladder" Whitechapel Gallery London, 2014

Repair, Culture's agency #1, 2014, marble sculpture, repaired antique wooden board with inscriptions in Arabic, 2 wooden bases, installation dimension variable, Photo Alessandra Ammirati, exhibition "Continuum of Repair: The Light of Jacob's Ladder" Whitechapel Gallery London, 2014

Arab Spring, 2014, 16 broken museum showcases, 10 showcases: 220 x 100 x 100 cm; 6 showcases: 220 x 180 x 100 cm, site specific installation, Photo Oak Taylor-Smith

Arab Spring, 2014, 16 broken museum showcases, 10 showcases: 220 x 100 x 100 cm; 6 showcases: 220 x 180 x 100 cm, site specific installation, Photo Oak Taylor-Smith

Arab Spring, 2014, 16 broken museum showcases, 10 showcases: 220 x 100 x 100 cm; 6 showcases: 220 x 180 x 100 cm, site specific installation, Photo Oak Taylor-Smith

Arab Spring, 2014, 16 broken museum showcases, 10 showcases: 220 x 100 x 100 cm; 6 showcases: 220 x 180 x 100 cm, site specific installation, Photo Andrea Rossetti, Exhibition Art Basel Unlimited 2015

Independence disillusion, 2014, oil on canvas, 26 elements; installation dimension variable, Photo Oak Taylor-Smith

Independence disillusion, 2014, oil on canvas, 40 x 27,38 cm, Photo Oak Taylor-Smith

Independence disillusion, 2014, oil on canvas, 40 x 23,45 cm, Photo Oak Taylor-Smith

Independence disillusion, 2014, oil on canvas, 40 x 31,97 cm, Photo Miguel Ángel Emérico

Traditional Repair, Immaterial Injury, 2014, metallic staples, wire, concrete, site specific sculpture

Traditional Repair, Immaterial Injury, 2014, metallic staples, wire, concrete, site specific sculpture, Photo Oak Taylor-Smith

Akt 4: Natur / Act 4: Nature, MIMESIS AS CONTROL (Mimesis als Kontrolle), 2013, vitrine, taxidermied animal (monkey), mask, objects, 213 x 180 x 67 cm, Photo Ela Bialkowska

Akt 4: Natur / Act 4: Nature, MIMESIS AS CONTROL (Mimesis als Kontrolle), 2013, vitrine, taxidermied animal (monkey), mask, objects, 213 x 180 x 67 cm, Photo Ela Bialkowska

Soldat Blessé, Masque de Maladie, 2013, bust in Carrara marble, mask Pende (beginning XX° s.) from Congo , 2 wooden bases, installation dimension variable (approx: bust 80 x 50 x 32 cm, mask 20 x 17 x 12 cm), Photo Sebastiano Pellion di Persano

Soldat Blessé, Masque de Maladie, 2013, bust in Carrara marble, mask Pende (beginning XX° s.) from Congo , 2 wooden bases, installation dimension variable (approx: bust 80 x 50 x 32 cm, mask 20 x 17 x 12 cm), Photo Sebastiano Pellion di Persano

The Repair, 2012, diptych of 80 slides, 15' (approx), loop, Photo Sebastiano Pellion di Persano

The Repair, 2012, diptych of 80 slides, 15' (approx), loop, Photo Sebastiano Pellion di Persano

The Repair, 2012, diptych of 80 slides, 15' (approx), loop, Photo Sebastiano Pellion di Persano

The Repair from Occident to Extra-Occidental Cultures, 2012, mixed media, variable dimensions, Commissioned and produced by dOCUMENTA (13) with the support and courtesy of the artist, 常青画廊 圣吉米那诺 / 北京 / Le Moulin, Galerie Krinzinger, Galerie Christian Nagel. Further support by Fondation nationale des arts graphiques et plastiques, France, Aarc—Algerian Ministry of Culture e Centre National des Arts Plastiques, France, Photo Roman März

The Repair from Occident to Extra-Occidental Cultures, 2012, mixed media, variable dimensions, Commissioned and produced by dOCUMENTA (13) with the support and courtesy of the artist, 常青画廊 圣吉米那诺 / 北京 / Le Moulin, Galerie Krinzinger, Galerie Christian Nagel. Further support by Fondation nationale des arts graphiques et plastiques, France, Aarc—Algerian Ministry of Culture e Centre National des Arts Plastiques, France, Photo Ela Bialkowska

The Repair from Occident to Extra-Occidental Cultures, 2012, mixed media, variable dimensions, Commissioned and produced by dOCUMENTA (13) with the support and courtesy of the artist, 常青画廊 圣吉米那诺 / 北京 / Le Moulin, Galerie Krinzinger, Galerie Christian Nagel. Further support by Fondation nationale des arts graphiques et plastiques, France, Aarc—Algerian Ministry of Culture e Centre National des Arts Plastiques, France, Photo Ela Bialkowska

The Repair from Occident to Extra-Occidental Cultures, 2012, mixed media, variable dimensions, Commissioned and produced by dOCUMENTA (13) with the support and courtesy of the artist, 常青画廊 圣吉米那诺 / 北京 / Le Moulin, Galerie Krinzinger, Galerie Christian Nagel. Further support by Fondation nationale des arts graphiques et plastiques, France, Aarc—Algerian Ministry of Culture e Centre National des Arts Plastiques, France, Photo Ela Bialkowska

The Repair from Occident to Extra-Occidental Cultures, 2012, mixed media, variable dimensions, Commissioned and produced by dOCUMENTA (13) with the support and courtesy of the artist, 常青画廊 圣吉米那诺 / 北京 / Le Moulin, Galerie Krinzinger, Galerie Christian Nagel. Further support by Fondation nationale des arts graphiques et plastiques, France, Aarc—Algerian Ministry of Culture e Centre National des Arts Plastiques, France, Photo Ela Bialkowska

The Repair from Occident to Extra-Occidental Cultures, 2012, mixed media, variable dimensions, Commissioned and produced by dOCUMENTA (13) with the support and courtesy of the artist, 常青画廊 圣吉米那诺 / 北京 / Le Moulin, Galerie Krinzinger, Galerie Christian Nagel. Further support by Fondation nationale des arts graphiques et plastiques, France, Aarc—Algerian Ministry of Culture e Centre National des Arts Plastiques, France, Photo Ela Bialkowska

Holy Land, 2007-2010
21 mirrors
7 mirrors: 190 x 83 cm; 8 mirrors: 170 x 75 cm; 6 mirrors: 150 x 63 cm, Photo Ela Bialkowska

Holy Land, 2007-2010
21 mirrors
7 mirrors: 190 x 83 cm; 8 mirrors: 170 x 75 cm; 6 mirrors: 150 x 63 cm, Photo Ela Bialkowska

Holy Land, 2007-2010
21 mirrors
7 mirrors: 190 x 83 cm; 8 mirrors: 170 x 75 cm; 6 mirrors: 150 x 63 cm, Photo Oak Taylor-Smith