蔡国强,1957年出生于中国泉州市。他在上海戏剧学院接受了舞台设计的培训,随后他的作品跨越了绘画、装置、视频和表演等多个艺术媒介。在1986至1995年居住在日本期间,他在绘画中探索了火药的性质,这一探索最终促成了他标志性的爆破事件的创作。
蔡国强于1999年获得第48届威尼斯双年展金狮奖,2009年获得第20届福冈亚洲文化奖,2015年获得巴奈特与安娜莉·纽曼基金会奖,2016年获得博讷芬特当代艺术奖(BACA)。2012年,他被授予普利美奖(Praemium Imperiale)五位荣誉奖得主之一,这一奖项表彰艺术领域的终身成就,不包括诺贝尔奖的类别。此外,他还获得了美国国务院颁发的首届艺术奖,以表彰他在国际文化交流中的杰出贡献。蔡国强还担任了2008年北京夏季奥运会开闭幕式的视觉与特效总监。
他的许多个展和项目包括:2006年在纽约大都会艺术博物馆展出的《蔡国强屋顶:透明纪念碑》,以及2008年在纽约所罗门·R·古根海姆博物馆举办的回顾展《我想相信》。他的首个巴西个展《人民达芬奇》于2013年在巴西利亚、圣保罗和里约热内卢三座城市巡展,这成为当年全球最受欢迎的在世艺术家展览,吸引了超过一百万名观众。2015年6月,蔡国强在中国泉州惠屿岛创作了爆破作品《天空梯》,该作品成为2016年Netflix纪录片《天空梯:蔡国强的艺术》的核心部分,纪录片由奥斯卡奖得主凯文·麦克唐纳执导。
蔡国强在美国过去十年中最大规模的公共艺术项目《萤火虫》于2017年9月在费城启动。他最近的爆破作品《彩色蘑菇云》于12月2日在芝加哥实现。他在2017年的个展包括:莫斯科普希金国家美术馆的《蔡国强:十月》和马德里普拉多博物馆的《绘画的精神:蔡国强》。
他目前在纽约生活和工作。
个展节选
2016
Cai Guo-Qiang: My Stories of Painting, Bonnefantenmuseum, Maastricht, The Netherlands
2015
Peasant da Vincis, Museo della Scienza e della Tecnologia Leonardo da Vinci, Milan, Italy
Penglai / Horai, Satoyama Museum of Contemporary Art, Tokamachi, Niigata, Japan
There and Back Again, Yokohama Museum of Art, Yokohama, Japan
Unmanned Nature, Whitworth Art Gallery, Manchester, UK
2014
Impromptu, Fundación Proa, Buenos Aires, Argentina
The Ninth Wave, Power Station of Art, Shanghai, China
Moving Ghost Town, Aspen Art Museum, Aspen, USA
2013
Falling Back to Earth, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia
Da Vincis do Povo, Centro Cultural Banco do Brasil and Museu dos Correios, Brasilia; Centro Cultural Banco do Brasil and Museu dos Correios, São Paulo, Brazil
2012
Spring, Zhejiang Art Museum, Hangzhou, China
Sky Ladder, MOCA, Museum of Contemporary Art, Los Angeles, California, USA
A Clan of Boats, Faurschou Foundation, Copenhagen, Denmark
Beijing Games: Sketches and Video, the Greenhouse, St Peter Port, Guernsey, Channel Islands, UK
2011
Move Along, Nothing to See Here, Cohen Gallery, Brown University, Providence, USA
1040M Underground, IZOLYATSIA, Platform for Cultural Initiatives, Donetsk, Ukraine
Saraab, Mathaf, Arab Museum of Modern Art in Doha, Qatar
2010
Sunshine and Solitude, Museo Universitario Arte Contemporáneo, Mexico City, Mexico
Odyssey, Museum of Fine Arts, Houston, permanent gunpowder drawing installation in the Tsung and Wei Fong Chao Arts of China Gallery
Head On, National Museum of Singapore, Singapore
Travels in the Mediterranean, Museum of Modern and Contemporary Art, Nice, France
Peasant da Vincis, Rockbund Art Museum, Shanghai, China
2009
Fallen Blossoms, Philadelphia Museum of Art and The Fabric Workshop and Museum, Philadelphia, USA
Hanging Out in the Museum, Taipei Fine Arts Museum, Taipei, Taiwan
Cai Guo-Qiang: I Want to Believe, Guggenheim Bilbao (organised in collaboration with the Solomon R. Guggenheim Museum, New York), Spain
2008
The 7th Hiroshima Prize: Cai Guo-Qiang, Hiroshima City Museum of Contemporary Art, Japan
Cai Guo-Qiang: I Want to Believe, National Art Museum of China, Beijing (organized in collaboration with the Solomon R. Guggenheim Museum, New York), China
Cai Guo-Qiang: I Want to Believe, Solomon R. Guggenheim Museum, New York, USA
2007
Light Passage: Cai Guo-Qiang & Shiseido, Shiseido Gallery, Tokyo, Japan
Cai Guo-Qiang: Inopportune: Stage One, Seattle Art Museum, Seattle, USA
2006
Inopportune, SITE Santa Fe, New Mexico, USA
Stage, special project, Galleria Continua, San Gimignano, Italy
Transparent Monument, The Metropolitan Museum of Art, New York, USA
Long March: Chinese Contemporary Art Education Panel, Yan’an, China (curator)
Long Scroll, National Gallery of Canada, Shawinigan, Quebec, Canada
DMoCA 3, Echigo-Tsumari Triennial, Japan (curator)
Head On, Deutsche Guggenheim, Berlin, Germany
Searching for Dreams in the Canals, Suzhou Museum, China
2005
On Black Fireworks, Institut Valencia d’Art Modern, Valencia, Spain
Black Rainbow, Institut Valencia d’Art Modern, Valencia, Spain
Virgin Garden: Emersion, China Pavilion, 51st Biennale Di Venezia, Venice, Italy (curator)
Paradise, The Zacheta National Gallery of Art, Warsaw, Poland
Life Beneath the Shadow, Fruitmarket Gallery, Edinburgh, UK
Aeolian Garden, Arte all’Arte, Arte Continua, UMoCA exhibition by Jennifer Wen Ma (curator), Colle di Val d’Elsa, Italy
Tornado: Explosion, Project for the Festival of China, John F, Kennedy Center for the Performing Arts, Washington, DC, USA
2004
Traveler, Freer & Sackler Gallery and Hirschhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, USA
Inopportune, MASS MoCA, North Adams, USA
2003
Pause: DMoCA Inaugural Exhibition with Kiki Smith, Niigata, Japan (curator)
For Your Pleasure Matrix 204, University of California Berkeley Art Museum, Berkeley, USA
An Arbitrary History, S.M.A.K. Gent, Belgium
Ye Gong Hao Long: Explosion Project for Tate Modern, Tate Modern, London, UK
Explosion Event: Light Cycle Over Central Park, Asia Society and Museum, New York, USA
Light Cycle: Explosion Project for Central Park, Creative Time, New York, USA
Man, Eagle and Eye in the Sky: Kite Project for Siwa, Egypt, Siwa, Egypt
2002
Cai Guo-Qiang, Shanghai Art Museum, Shanghai, China
Cai Guo-Qiang’s CHADO Pavilion—Homage to Tenshin Okakura, Hakone Open Air Museum, Hakone, Japan
Transient Rainbow, Museum of Modern Art, New York, US
Ethereal Flowers, Galleria Civica di Arte Contemporanea Trento, Trento, Italy
2001
Impression Oil Drawings, Charles H. Scott Gallery, Vancouver, Canada
Performing Chinese Ink Painting, Contemporary Art Gallery, Vancouver, Canada
UMoCA and inaugural exhibition by Ni Tsai-chin Who Is the Happiest?, Arte all’ Arte, Arte Continua, Colla di Val d’Elsa, Italy (curator)
An Arbitrary History, Musee d’art Contemporain Lyon, Lyon, France Artistic Direction for APEC Cityscape Fireworks, Asia Pacific Economic Cooperation, Shanghai, China
2000
Project for Projects, Fondation Cartier pour l’ art Contemporain, Paris, France
Ascending a Staircase. 69th Regiment Armory, New York, USA
1999
I Am the Y2K Bug, Kunsthalle Wien, Vienna, Austria
1998
Daydreaming, Eslite Gallery, Taipei, Taiwan
Daydreaming, Eslite Gallery, Taipei, Taiwan
No Construction, No Destruction: Bombing the Taiwan Museum of Art, Taiwan Museum of Art, Taichung, Taiwan
1997
Flying Dragon in the Heavens, Louisiana Museum of Modern Art, Humblebaek, Denmark
Cultural Melting Bath: Projects for the 20th Century, Queens Museum of Art, New York, USA
1996
The Century with Mushroom Clouds - Projects for the 20th Century, Nevada, Nuclear Test Site, Salt Lake, New York, USA
1994
Calendar of Life, Gallery APA, Nagoya, Japan
From the Pan-Pacific, Iwaki City Art Museum, Fukushima, Japan
The Horizon from the Pan-Pacific, Iwaki, Fukushima, Japan
Concerning Flame, Tokyo Gallery, Tokyo, Japan
Chaos, Setagaya Art Museum, Tokyo, Japan
1993
Long Mai (The Dragon Meridian), P3 art and environment, Tokyo, Japan
Project to Extend the Great Wall of China by 10,000 Meters, Jiayuguan City, China
1992
Wailing Wall–From the Engine of Four Hundred Cars, IBM Kawasaki, City Galley, Kawasaki, Japan
1991
Primeval Fireball: The Project for Projects, P3 art and environment, Tokyo, Japan
1990
Works 1988/89, Osaka Contemporary Art Center, Osaka, Japan
群展节选
2016
Culture City of East Asia 2016, Todaiji Temple, Nara, Japan
The Great Animal Orchestra, Fondation Catier pourtour l'Art Contemporain, Paris, France
2015
Echigo-Tsumari Art Triennial 2015, Tsunan Mountain Park, NiigataPrefecture, Japan
Harmony and Transition, Marta Herford, Herfod, Germany
Arts & Foods. Rituals since 1851, Triennale de Milano, Milan, Italy
Scenes for a New Heritage: Contemporary Art from the Collection, Museum of Modern Art (MoMA), New York, NY
Parasophia: Kyoto International Festival of Contemporary Culture, Kyoto Municipal Museum of Art, Kyoto, Japan
2014
China’s Changing Landscape: Contemporary Chinese Ink, Nordiska Akvarellmuseet, Skârhamn, Sweden
Solaris Chronicles, Atelier de la Mécanique, Campus LUMA, Arles, France
Guess What? Hardcore Contemporary Art’s Truly a World Treasure: Selected Works from YAGEO Foundation, The National Museum of Modern Art, Tokyo, Japan
Vivid Memories, Fondation Cartier pour l’art contemporain, Paris, France
I Look At Things..., Faurschou Foundation, Copenhagen, Denmark
2013
Ravaged, M-Museum Leuven, Belgium
White Light/White Heat, Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, Italy
Mamac 20 ans d'art contemporain, Musée d'Art Moderne et d'Art Contemporain, Nice, France
Portrait of the Times – 30 Years of Chinese Contemporary Art, Power Station of Art, Shanghai, China
Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, New York, United States
2012
Dialogues with Contemporary Art from Museum Collection, Setagaya Art Museum, Tokyo, Japan
Echigo-Tsumari Art Triennial 2006, Tsunan Mountain Park, NiigataPrefecture, Japan
Extra-Large, Forum Grimaldi Monaco, Monaco
Longing for Perfection, 21 Years of Collecting by the Kröller-Müller Museum, Kröller-Muller Museum, Otterlo, The Netherlands
Swept Away: Dust, Ashes, and Dirt in Contemporary Art and Design, Museum of Arts and Design, New York
Heaven and Hell. From Magic Carpets to Drones, Boghossian Foundation, Brussel, Belgium
2011
Windflower, Perceptions of Nature, Kröller-Muller Museum, Otterlo, The Netherlands
Invisibleness is Visibleness: International Contemporary Art Collection of a Salaryman Daisuke Miyatsu, Agora Art Project x Space, Taipei, Taiwan
RegressProgress, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Water, Fire and the Earth, Contemporary Art Museum, Kumamoto, Japan
2010
Nuit Electriques, Multimedia Art Museum, Moscow
Collector’s Choice / Collector’s Voice, Asian Art Museum, San Francisco, USA
Berliner Bilder, Koidl Kunsthalle, Berlin, Germany
Post Monument, XIV International Sculpture Biennale of Carrara Arts and Cities, Aichi Triennale 2010
Alpha Omega, DESTE Foundation Centre For Contemporary Art, Athens, Greece
The Beauty of Distance: Songs of Survival in a Precarious Age, 17th Biennale of Sydney, Sydney, Australia
2009
The Sky within My House: Contemporary Art in 16 Patios of Cordoba, Municipal Archive of Cordoba, Cordoba, Spain
Bike Rides, Aldrich Museum of Contemporary Art, Ridgefield, USA
The 4th Fukuoka Asian Art Triennial, Fukuoka, Japan
Stages, (organized by the Artstrong Foundation), Emmanuel Perrotin, Paris, France
Meeting Point, 10th Havana Bienal, Cuba
El Patio de mi Casa, Arte Contemporaneo en 16 Patios de Còrdoba, Cordoba, Spain
2008
ACADEMIA Qui es-tu?, Chapelle de l’Ecole Nationale Supérieure des Beaux Arts, Paris
Prospect .1, New Orleans for creative arts, New Orleans, USA
New Ink Art: Innovation and Beyond. Hong Kong Art: Open Dialogue Exhibition Series II, Hong Kong Museum of Art, Hong Kong, China
Shu: Reinventing Books in Contemporary Chinese Art, Honolulu Academy of Arts (organized in collaboration with the China Institute Gallery), New York, USA
God & Goods: Spirituality and Mass Confusion, Villa Manin Centro d’Arte Contemporanea, Cordoipo, Italy
Blood on Paper: The Art of the Book, Victoria and Albert Museum, London, UK
Martian Museum of Terrestrial Art, Barbican Gallery, London, UK
2007
Artempo: Where Time Becomes Art, Palazzo Fortuny, Venice, Italy
6 Billion Perps Held Hostage! Artists Address Global Warming, Andy Warhol Museum, Pittsburgh, USA
Of Nature and Friendship: Modern Chinese Paintings from the Khoan and Michael Sullivan Collection, Seattle Asian Art Museum, Seattle, USA
Journeys: Mapping the Earth and Mind in Chinese Art, Metropolitan Museum of Art, New York, USA
2006
Searching for Dreams in the Canals, Suzhou Museum, China
Shu: Reinventing Books in Contemporary Chinese Art, China Institute Gallery, New York, USA; Traveled to Seattle Asian Art Museum, USA
Out of Time: A Contemporary View, Museum of Modern Art, New York, USA
Echigo-Tsumari Art Triennial 2006, Tsunan Mountain Park, NiigataPrefecture, Japan
Min Tai Yuan Museum Collection, Min Tai Yuan Museum, Quanzhou, China
Eldorado, Musee d’Art Moderne Grand-Duc Jean, Luxembourg
Chinese Relativity: Part 1, Stefan Stux Gallery, New York, USA
2005
Dreaming Now, The Rose Art Museum, Brandeis University, Waltham, USA
Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago, USA
Trading Place, Taipei Museum of Contemporary Art, Taipei, Taiwan
Licht and Schatten, Museum Kuppersmuhle, Duisburg, Germany
[My private] Heroes, MARTa Herford, Herford, Germany
Can Buildings Curate, Storefront for Art and Architecture, New York, USA
Translation, Palais de Tokyo, Paris, France
Quantum Grids, Sert Gallery, Carpenter Center for the Arts, Harvard University Art Museums, Cambridge, Massachusetts
The Wall, Millennium Monument Art Museum, Beijing, China; University at Buffalo Art Galleries, Buffalo, New York
Made for This World, Queensland Art Gallery, Brisbane, Australia
2004
International Film Festival Rotterdam: Exposing Cinema, Rotterdam, The Netherlands
The Snow Show, Rovaniemi, Finland
All Under Heaven, Museum of Contemporary Art Antwerp, Antwerp, Belgium
26th Bienal Internacional Sao Paulo, Sao Paulo, Brazil
Miramar Air Show, San Diego Museum of Art and Marine Corps Air Station, San Diego, USA
Past in Reverse, San Diego Museum of Art, San Diego, USA
2003
Somewhere Better Than This Place, The Contemporary Arts Center, Cincinnati, USA
Pulse, Art, Healing, and Transformation, The Institute of Contemporary Art, Boston, USA
Alore, Chine?, Centre Pompidou, Paris, France
The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings and Sculptures, Museum of Fine Art, Houston, USA
Drawing Show, University of Florida, Gainsville, Florida, USA
2002
Painting without Painting, Museum für bildende Künste, Leipzig, Germany
Necessity of Relationship, Galleria Civica di Arte Contemporanea, Trento, Italy
Art That Heals, Apexart Gallery, New York, USA
M Meeting, Zhejiang Library, Hangzhou, China
ev+ a 2002, Limerick City Gallery of Art, Limerick, Ireland
Red Continent, Gwangju Art Museum, Gwangju, Korea
The Power of Art—The 2nd Inaugural Show of the Prefectural Museum of Art, The Prefectural Museum of Art, Hyogo, Kobe, Japan
Tokachi International Contemporary Art Exhibition: Demeter, Obihiro, Japan
Magnet: Foreign Artists in Tuscany, Luigi Pecci Center for Contemporary Art, Pistoia, Itala
The Galleries Show, The Royal Academy of Art, London, UK
3rd Biennale de Montréal-2002, Montréal, Canada
The First Guangzhou Triennial Reinterpretation: A Decade of Experimental Chinese Art, Guangdong Museum of Art, Guangzhou, China
Ce Qui Arrive, Fondation Cartier pour l’art contemporain, Paris, France
2001
Visual environment for Asunder, Yin Mei Dance, Danspace, St. Mark’s Church, New York, USA
Gift, Palazzo Papesse, Siena, Italy; Scottsdale Museum of Contemporary Art, Arizona, USA; The Bronx Museum of the Arts, Bronx, USA
Locus/Focus, Sonsbeek 9, Arnhem, The Netherlands
Project Refreshing, 49th Venice Biennale, Venice, Italy
Valencia de Bienale, Valencia, Spain
Mega Wave, Yokohama 2001 International Triennale of Contemporary Art, Yokohama, Japan
Form Follows Fiction, Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy
2000
Gratitude, Taiwan Museum of Art, Taiwan
Art-Worlds in Dialogue, Museum Ludwig, Cologne, Germany
Gratitude, Taiwan Museum of Art, Taiwan
Wall, National Museum of History, Taiwan
Outbound, Houston Contemporary Arts Museum, Houston, USA
2000 Biennial Exhibition, Whitney Museum of American Art, New York, USA
Over the Edges, SMAK, Gent, Belgium
Biennale of Sydney 2000, Art Gallery of New South Wales, Sydney, Australia
The Act of Resistance, Koldo Mitxelena Kulturunea, Donostia-San Sabastian, Spain
Art/Unlimited/Basel/2000, Art/31/Basel, Basel, Switzerland
Sharing Exoticism, 5th Lyon Biennale of Contemporary Art, Lyon, France
The Quite in the Land, Museu de Arte Moderna da Bahia, Salvador, Brazil
Echigo-Tasumari Art Triennial, Niigata, Japan
media_city_seoul, Seoul Metropolitan Museum, Seoul, South Korea
Open End—MoMA 2000, Museum of Modern Art, New York, USA
Shanghai Spirit, Shanghai Biennial, Shanghai Museum of Art, China
1999
Panorama 2000, Centraal Museum Utrecht, Netherlands
Opening S.M.A.K, Museum of Contemporary Art, Gent, Belgium
Looking for a Place, The Third International Biennial, SITE Santa Fe, USA
International Currents in Contemporary Art, Guggenheim Museum Bilbao, Spain
Hiriya in the Museum: Artists’ and Architects’ Proposals for Rehabilitation of the Site, Tel Aviv Museum of Art, Israel
Aperto over All, 48th Venice Biennial, Italy
Beyond The Future, The Third Asia-Pacific Triennial of Contemporary Art, Brisbane, Australia
Kunstwegen, Stadtische Galerie Nordhorn, Nordhorn, Germany
Zeitwenden, Kunstmuseum Bonn, Bonn, Germany
Art-Worlds in Dialogue, Museum Ludwig, Cologne, Germany
1998
Wounds: Between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, Sweden
La Ville, le Jardin, la memoire: 1998, 2000, 1999, Academie de France a Rome, Rome, Italy
Where Heaven and Earth Meet, Art Museum of the Center for Curatorial Studies, Bard College, NY, USA
Site of Desire, Taipei Fine Arts Museum, Taipei, Taiwan
Global Vision: New Art from the 90's part II, Deste Foundation, Athens, Greece
Inside Out: New Chinese Art, P.S.1 Contemporary Art Center, New York, USA; San Francisco Museum of Modern Art & Asian Art Museum of San Francisco, San Francisco, USA; MARCO, Monterey, Mexico; Tacoma Art Museum and Henry Art Gallery, Seattle, USA
Crossings, National Gallery of Canada, Ottawa, Canada
Issey Miyake Making Things, Fondation Cartier pour l'art contemporain, Paris, France; ACE Gallery, New York, USA; Museum of Contemporary Art Tokyo, Japan
Remanence, Melbourne Festival, Melbourne, Australia
1997
Promenade in Asia II, Shiseido Gallery, Tokyo, Japan
Performance Anxiety, Museum of Contemporary Art, Chicago, USA; Museum of Contemporary Art, San Diego, U.S.A.; SITE, Santa Fe, USA
Future, Past, Present, 47th Venice Biennial, Italy
On Life, Beauty, Translation, and Other Difficulties, 5th International Istanbul Biennial, Turkey
Cities on the Move, Secession, Vienna, Austria; Museum of Contemporary Art Bordeaux, Bordeaux, France; P.S.1, New York, USA; Louisiana Museum of Modern Art, Humblebaek, Denmark, Hayward Gallery London, UK; Kiasma Museum of Contemporary Art, Helsinki, Finland
1996
In the Ruins of Twentieth Century, The Institute for Contemporary Art, P.S.1 Museum, New York, USA
Between Heavens and Earth - Aspects of Contemporary Japanese Art II, Nagoya City Art Museum, Japan; Tamayo Museum, Mexico City, Mexico
Asian-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Australia
Universalis, 23rd International Biennial of Sao Paulo, Brazil
Origins and Myths of Fire - New Art from Japan, China and Korea, The Museum of Modern Art, Saitama, Japan
The Red Gate, Museum van Hedendaagse kunst, Gent, Belgium
The Hugo Boss Prize 1996, Guggenheim Museum Soho, New York, USA
1995
The 51st Scripps Ceramics Annual, Ruth Handler Williamson Gallery, Scripps College, USA
The 1st Johannesburg Biennial, Johannesburg, South Africa
Art in Japan Today 1985-1995, Museum of Contemporary Art, Tokyo, Japan
Transculture, 46th Venice Biennial, Venice, Italy
Across the Water, Watarium Museum of Contemporary Art, Tokyo, Japan
1994
Promenade in Asia, Shiseido Gallery, Tokyo, Japan
Making New Kyoto '94, Kyoto, Japan
Open System, Contemporary Art Gallery, Art Tower Mito, Ibaragi, Japan
Well Spring, Bath Festival Exhibition, Bath, UK
Creativity in Asian Art Now, Hiroshima City Museum, Hiroshima, Japan
Heart of Darkness, Rijksmuseum Kruller-Muller, Otterlo, The Netherlands
1993
Outdoor Workshop ‘93, The Shigaraki Ceramic Cultural Park, Shigaraki, Japan
Silent Energy, Museum of Modern Art, Oxford, UK
1992
The 7th Japan Ushimado International Art Festival, Okayama, Japan
Exceptional Passages, Museum City Project, Fukuoka, Japan
Looking for Tree of Life, the Museum of Modern art, Saitama, Japan
Das Kunstwerk in Zeitaleer Seiner Telekommunizerbarkeit, Vienna, Austria
Encountering the Others, The Kassel International Art Exhibition, Hann Munden, Germany
1991
Exceptional Passages, Museum City Project, Fukuoka, Japan
1990
Museum City Tenjin ‘90, Fukuoka, Japan
Chine Demain pour hier, Pourrieres, Aix-en-Provence, France
The 7th Japan Ushimado International Art Festival, Okayama, Japan
1989
'89 Tama River Fussa Art Exhibition, Tokyo, Japan
1985
Wuyi-Shan Open Air Exhibition, Fujian, China
The Shanghai and Fujian Youth Modern Art Joint Exhibition, Fuzhou City Museum, Fujian, China
《舞台》Stage,2006,特定场所项目。摄影:Duccio Nacci
《舞台》Stage,2006,特定场所项目
《舞台一的印象》Impressions of Stage One,2006,纸上火药、背胶木板,77 x 230厘米
蔡国强:烟花与火药打造“爆炸性”的当代艺术生涯
如今,居住和工作于纽约的蔡国强,或许是当代中国艺术家中在国际舞台上最具先锋精神的代表之一。他以烟花表演而闻名;蔡国强也使用火药来创作绘画作品,例如他最近在马德里的普拉多博物馆和佛罗伦萨的乌菲兹美术馆举办的个展中展出的作品。
蔡国强1957年出生于中国泉州市,成长于一个“艺术之家”,因为他的父亲是村里有名的画家。他的作品包括绘画、录像、装置和行为艺术。火药的使用并不是对传统的引用,而是源于艺术家与社会关系中的一种冲突。在其职业生涯初期,他使用火。他将油画点燃,并用吹风机将油漆吹到画布上。通过这种方式,他试图与自然元素如火和风产生共鸣。蔡国强在艺术中始终寻找一种解放的元素,以释放他的个性。他被火药的本质所吸引,因为它既具有创造性又具有破坏性。爆炸的瞬间在他的作品中至关重要;他对爆炸本身着迷。这是一个将时间和空间结合的瞬间。艺术家希望表现不可见的世界。爆炸之后,与宇宙融为一体。在绘画中,他试图以可见的方式表现出不可见的事物。
蔡国强曾在1999年第48届威尼斯双年展上获得金狮奖,2009年获得第20届福冈亚洲文化奖,2015年获得巴恩和安娜莉·纽曼基金会奖,以及2016年博内凡丹当代艺术奖。