“重返埃及”，常青画廊展览现场，巴黎，2023。摄影: Allison Borgo
自学成才的著名艺术家莫塔兹·纳塞尔（Moataz Nasr）决定追随自己的激情，放弃最初的经济学职业道路。他搬离家乡亚历山大，来到开罗旧城区开设了一个工作室，开始了他的艺术创作生涯。纳塞尔在本地获得了许多奖项并赢得了认可，直到2001年赢得第八届开罗国际双年展的大奖后，正式进入国际艺术界。从那时起，他参加了威尼斯、首尔、圣保罗和波哥大双年展等大型国际展览。今天，他被认为是泛阿拉伯当代艺术的杰出代表之一。他的作品展示了伊斯兰世界正在进行的复杂文化进程，超越了个性和地理界限，表达了非洲大陆的忧虑和痛苦。归属特定地缘政治和文化背景的感觉以及与故土保持联系的需要，是艺术家生活和创作的重要元素。纳塞尔认为艺术和生活是不可分割的。
莫塔兹·纳塞尔被认为是泛阿拉伯当代艺术的重要代表之一。与他同一代的艺术家们一起，他于1998年在开罗创立了Townhouse，这是该国历史上第一个独立的展览空间。2001年，他赢得第八届开罗国际双年展大奖，奠定了他作为国际艺术家的地位。纳塞尔参加的群展包括由Francesco Bonomi和Emanuela Mazzonis策展的“海洋是我的土地”（2013，罗马MAXXI）；“阿拉伯当代建筑、文化与身份”（2014，丹麦路易斯安那现代艺术博物馆）；由Simon Njami策展的“都会：非洲首都”（2017，巴黎La Villette）；“时间的感官：非洲的视频和基于电影的艺术”（2017，洛杉矶艺术博物馆和史密森尼国家非洲艺术博物馆，华盛顿）；由Marco Scotini策展的银川双年展（2018，中国银川）；由Mazdak Faiznia策展的国际当代艺术展（2018，埃里温）。2017年，他被选中代表埃及参加第57届威尼斯双年展。在埃及馆中，他展示了沉浸式装置作品《山》。
2018年，纳塞尔受邀参加“阿布扎比艺术2018 Beyond”活动，并在阿联酋艾因的历史遗址创作了特定场地作品。2019年，他受邀参加哈瓦那双年展，并在菲亚克“户外艺术”展中在巴黎杜伊勒里花园展示了作品《太阳船》。最近的个展包括2019年在安德里亚卡斯特尔德尔蒙特由Achille Bonito Oliva策展的“临界空间”展，以及在圣吉米尼亚诺Galleria Continua由Simon Njami策展的“失乐园”展。2021年，纳斯尔凭借原创电影《山》赢得了“AVIFF-艺术电影节”戛纳奖。2023年，他以宏伟的作品参加了首届伊斯兰艺术双年展：Awwal Bait。
个展节选
2024
Bottle Neck, Galleria Continua, Dubai, UAE
2023
Retour d'Égypt, Galleria Continua, Paris, FR
2022
Tectonic Shift, Spostamento Tettonico, Galleria Continua, San Gimignano, IT
2021
Delicate Balance, North Carolina Museum of Art, Raleigh, USA
2019
Paradise Lost, curated by Simon Njami, Galleria Continua, San Gimignano, IT
The liminal space, curated by Achille Bonito Oliva, Castel del Monte, IT
2017
The Mountain, Egyptian Pavilion, 57th Biennale of Venice, Venice, IT
2016
Avalanche, Galleria Continua, Les Moulins, FR
2014
Untitled, Art Talks gallery, Cairo, EG
2013
The Journey of a Griffin, curated by Ilaria Mariotti, Villa Pacchiani, Santa Croce sull’Arno, IT
Harmonia, Centro Espositivo per le Arti Contemporanee SMS, San Michele degli Scalzi, Pisa, IT
Tectonic Shift, Galleria Continua, Le Moulin, FR
2012
Collision, Lawrie Shabibi, Dubai, UAE
Moataz Nasr / Hidden Landscape, Akershus Fortress, Oslo, NO
The Tunnel, Galleria Continua, Beijing, CN
2011
In a Nutshell, Selma Feriani Gallery, London, UK
Moataz Nasr -The Maze (The People Want the Fall of the Regime), MAP, Mobile Art Production, Gothenburg, SE
Réactions en chaîne, Château de Blandy-les-Tours, Blandy, FR
The Other Side of the Mirror, Galleria Continua, San Gimignano, IT
2008
A Memory Fills with Holes, Galleria Continua, San Gimignano, IT
Cairo walk, Sultan Gallery, Sabhan, KW
2006
Moataz Nasr, The Khalid Shoman Foundation, Darat al Funun, Amman, JO
Entrapment, Galleria Continua, San Gimignano, IT
2005
The Echo, Touchstones Art Gallery, Rochdale, UK
2004
Moataz Nasr, Falaki Gallery, The American University in Cairo, EG
Moataz Nasr, Townhouse Gallery, Cairo, EG
2003
Moataz Nasr, Franco Riccardo Gallery, Napoli, IT
Moataz Nasr, Espace-La Bodega Gallery, Cairo, EG
2001
Moataz Nasr, Townhouse Gallery, Cairo, EG
2000
Moataz Nasr, Egyptian Cultural Center in Paris, FR
1999
Moataz Nasr, Al Ahram House Gallery, London, UK
Moataz Nasr, Akhnaton Gallery, Centre of Fine Art, Cairo, EG
群展节选
2023
From The Ground Up, Galleria Continua, Dubai, UAE
Awwal Bait, Islamic Arts Biennale, Jeddah, KSA
2022
In the Heat, Galleria Continua, Dubai, UAE
2021
Truc à Faire, curated by JR, Galleria Continua, Paris, FR
Ithra - Seeing & Perceiving - King Abdulaziz Center for World Culture - Ithra, Dhahran, Saudi Arabia
Biennial of Macao, curated by Qiu Zhijie, Macao
Never Cross the Same River Twice, International Contemporary Film Performance, Curated by Kisito Assangni, Athens, Grece
Forever is Now, Curated by Simon Watson, Cairo, Egypt
2020
Sculpture Projects, 1-54 Contemporary African Art Fair, Marrakech, MA
Orientalismos / Orientalism, IVAM – Institut Valencià d’Art Modern, Valencia, ES
2019
13 Bienal de la Habana, Habana, CU
Do ut Do, curated by Andrea Viliani, Parco Archeologico di Pompei, Pompei, IT
Fiac Hors Les Murs, Jardin des Tuileries, Paris, FR
2018
2nd Yinchuan Biennale, curated by Marco Scotini, Yinchuan, CH
International Contemporary Art Exhibition ICAE, Yaravan, Armenia, AM
The Fabric of Felicity, Garage Museum of Contemporary Art, Moscow, RUS
Persona Grata, Palais de la Porte Dorée - Musée National de l'histoire de l'immigration, Paris, FR
Abu Dhabi Art - Beyond, Al Jahili Fort, Abu Dhabi, UAE
2017
Ciao Italia, curated by Stéphane Mourlane and Dominique Païni, Musée National de l’Historie de l’Immigration, Paris, FR
Metropolis, Afriques Capitales, curated by Simon Njami, La Villette, Paris, FR
2016
D’une Méditerranée, l’autre, curated by Francesco Bonami, Emanuela Mazzonis, Pascal Neveux and Ricardo Vazquez, FRAC Provence Alpes-Côte d’Azur and Hôtel des Arts, Toulon, FR
Essentiel paysage, Musée d’Art Contemporain Africain, Foundation Alliances, Marrakesh, MA
Icastic-Anything to Declare?, Camera di Commercio, Prato, IT
Senses of Time: Video and Film-based Arts of Africa, curated by Karen Milbourne, Los Angeles County Museum of Art and the Smithsonian's National Museum of African Art, Washington US
Dak'Art - Biennale de l'Art Africain Contemporain, Dakar, SN
Da Sud a Sud, Fondazione Corriere della Sera, Bari, IT
A place in Time, curated by Helen Pheby, Winter Sculpture Fair, Nirox, Krugersdorp, ZA
2015
Follia Continua!, Le CENTQUATRE, Paris, FR
Icastica, curated by Fabio Migliorati, Arezzo, IT
The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, curated by Simon Njami, Smithsonian National Museum of African Art, Washington, US
All The World’s a Mosque, Ancient Theatre of Carthage, Carthage, TN
Too early, too late: Middle East and Modernity, Pinacoteca Nazionale di Bologna, Bologna, IT
Forum européen Arts et Territoires, Abbaye de Noirlac, Bruère-Allichamps, FR
2014
The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, curated by Simon Njami, SCAD – Savannah College of Art and Design, Savannah, US and MMK, Museum für Moderne Kunst, Frankfurt am Main, DE
Galleria Continua at Le Bristol, Le Bristol Hotel, Paris, FR
“Made by... Feito por Brasileiros”, a creative invasion, Cidade Matarazzo, Sao Paolo, BR
Park in Progress 11, Nicosia, CY
Easts – Contemporary Visions. Villa Ada Meets the World, Multicultural Festival, Rome, IT
The sea is my land - artisti dal Mediterraneo, curated by Francesco Bonami, Emanuela Mazzonis, Triennale, Milan, IT and MAXXI, Rome, IT
Arab Contemporary - Architecture, Culture and Identity, Louisiana Museum of Modern Art, Humlebæk, DK
2013
Terms and Conditions, Singapore Art Museum, SG
Tappeti estremi, da Timbuctù all’Arte Contemporanea, Fondazione 107, Turin, IT
Video(works), Athr Gallery, Jeddah, UAE
In peace and with compation. 5th Caravan Festival of the Arts, Cairo, EG and London, UK
Métamorphose, FITE - Festival International des Textiles Extraordinaires, Hue, VN
Every Day Matters, Faurschou Foundation, Copenhagen, DK
Turbulences II, curated by David Rosenberg and Pierre Sterckx, Boghossian Foundation - Villa Empain and Espace culturel Louis Vuitton, Bruxelles, BE
Pen to Paper, Al Madad Foundation, Jeddah, SA
Cadavre exquis, suite méditerranéenne, Musée Granet and Marseille Provence 2013, Aix-en-Provence, FR
2012
Long Live Free Art!, curated by Fatenn Mostafa, Art Talks Egypt, Cairo, EG
In Spite of it All, curated by Hoor Al Qasimi, Sharjah Art Foundation, Sharjah, UAE
Fictions and dissentions, curated by Firat Arapoglu, 3rd International Çanakkale Biennial, Çanakkale, TR
Par Nature, Le CENTQUATRE, Paris, FR
Métamorphose, FITE - Festival International des Textiles Extraordinaires, Musée Bargoin, Clermont-Ferrand, FR
Where is the Time?, Foundation IZOLYATSIA - Platform for Cultural Initiatives, Donetsk, UK
Mediterraneo: incontri o conflitti?, Palazzo Gargasole, Gagliano del Capo, IT
Radici, Memoria, Identità e Cambiamento nell’arte di oggi, a cura di Eugenio Viola, Fondazione Malvina Menegaz per le Arti e le Culture, Palazzo De Sanctis Castelbasso, IT
Neon. La materia luminosa dell’arte, curated by David Rosenberg and Bartolomeo Pietromarchi, MACRO, Rome, IT
Arab Express, The Latest Art from the Arab World, Mori Art Museum, Tokyo, JP
Revolutionary Bodies, L'animal a l'esquena, Celrà, Girona, ES
Dak'Art, African Contemporary Art Biennale, Dakar, SN
Intrecci, curated by Alessandra Bagnera, Museo delle Trame Mediterranee, Gibellina, IT
Moataz Nasr-Loris Cecchini, Studio Carlotta Pesce, Bologna, IT
A bordo del Cuore d’Oro, curated by Julia Draganovic, 7th edition of Bologna Art First - Arte Fiera, Palazzo d'Accursio, Bologna, IT
Histories of Now: Six artists from Cairo, Museum School and the Museum of Fine Arts, Boston, US
2011
Resistance, DARB 1718, Cairo, EG
Dancing on the Edge Festival, Amsterdam, NL
Miniatures, 14th Islamic Art Festival, Sharjah Museum, Sharjah, UAE
FIAC hors les murs, Jardin des Tuileries, Paris, FR
Images Affranchies, Banque du Maroc, Marrakesh, MA
Machine-RAUM festival, curated by Beral Madra and Moataz Nasr, Vejle Art Museum, Spinderhallerne and Bryggen, DK
A Rock and a Hard Place, Old Intersections-Make it New, 3rd Thessaloniki Biennale of Contemporary Art, State Museum of Contemporary Art (SMCA), Thessaloniki, GR
The Mystical Self, curated by Cecilia Freschini, ARTVerona and [.BOX], Milan, IT
Revolutionary Bodies, Asinara and Berchidda, IT
Resistance, Amsterdam, NL
2010
Fames: Family Vaudeville, curated by Power Ekroth, DARB 1718, Cairo, EG
Sphères 3, Galleria Continua, Le Moulin, Boissy-le-Chatel, FR
21st Century: Art in the first Decade, Gallery of Modern Art, Brisbane, AU
Time After Time: Actions and Interactions, curated by Taraneh Hemami with Valerie Imus and Maysoun Wazwaz, Southern Exposure, San Francisco, US
Hiwar, DARB 1718, Cairo, EG
Rencontres PICHA, 2nd Lubumbashi Biennale, Lubumbashi, CG
Miraggi, Castelli in terra di Brindisi e Taranto, curated by Achille Bonito Oliva and Giusy Caroppo, Brindisi, IT
GEO-graphics. A map of ART practices in AFRICA, past and present, curated by David Adjaye, Anne-Marie Bouttiaux (RMCA), Koyo Kouoh, Nicola Setari, Bozar - Centre for Fine Art, Bruxelles, BE
Idoles, Galleria Continua, Le Moulin, FR
Un peu, beaucoup, passionnement…, Galerie Alice Mogabgab, Beirut, LB
Barakat: The Gift, Stux Gallery, New York, US
Hiwar / Discussion, Galerie Le Violon Bleu, Sidi Bou Said, TN
Il piacere del collezionista, Finstral, Unterinn am Ritten, IT
African Marketplace, International Film Festival, Rotterdam, NL
Light/Sound/VideoNight, Finstral, Unterinn am Ritten, IT
2009
Taswir, Islamische Bildwelten und moderne, Martin-Gropius-Bau, Berlin, DE
Macedonian Museum of Contemporary Art, Thessaloniki International Fair, Thessaloniki, GR
Made in Afrika, National Museum, Nairobi, KE
Amnesia, Nairobi Arts Trust and Contemporary Art of East Africa (CCAEA), Nairobi, KE
[un]defined09 - Merano Arts Festival, Caserma F. Rossi, Merano, IT
Reflections of Africa, MAMA - National Museum of Modern and Contemporary Art, Algiers, DZ
The African Contemporary Art, Exhibition center, Algiers, DZ
Tawassol – Contact, Artericambi, Verona, IT
Festival International d’Art Video de Casablanca, Faculté des Lettres et des Sciences Humaines de Ben M’Sik, Casablanca, MA
Mediterranean, Palazzo Rospigliosi, Rome, IT
Traversées, Bab Rouah and Bab Elkbir, Rabat, MA
Coexistencias / Coexistences, 2nd Canary Islands Biennale, Centro de Arte La Regenta, Las Palmas de Gran Canaria, ES
MidEast Cut, The Danish Film Institute & Backyard Gallery, Copenhagen, DK
Shoes, Ebdaa Art Gallery, Cairo, EG
2008
Al Madina, Ebdaa Art Gallery, Mohandessin, EG
Traversées, Darb 1718, Cairo, EG
Resilence, Galleria Continua, Le Moulin, FR
Les Recontres Internationales de la Photo, Centre Cervantes, Fez, MA
Traversées (Crossings), Grand Palais, Paris, FR
11 Atists from Africa Remix – fringe touring exhibition, Mbabane, SZ; The Cultural center of Maputo, Maputo, MZ; Alliance Francaise, Pretoria; Alliance Francaise, Port Elizabeth; Alliance Francaise, Johannesburg; The cultural center of Windhoek, Windhoek, ZA.
2007
Dans la ville et au-delà, Recontres Africaines de la Photographie de Bamako 2007, Paris, FR
11 artists from Africa Remix – fringe touring exhibition, Maseru LS, Durban, Cape Town, ZA
Machine-RAUM – a biennale for video art and digital culture, Vejle Art Museum, Vejle, DK
The Sneeze, Durban Art gallery, Durban, ZA
L’invention de la mémoire, Espace Jeumon, Saint-Denis, RE
24th Memorial NADEŽDA PETROVIĆ, Belgrade, RS
AFRICA REMIX, Johannesburg Art Gallery, Johannesburg, ZA
A.B.O., curated by Achille Bonito Oliva, Artefiera, Bologna, IT
2006
Another World. Bamako 2005, La Centrale Electrique - European Center for Contemporary Art, Bruxelles, BE
AFRICA REMIX, Moderna Museet, Stockholm, SE
Un autre monde – 6e édition de la photographie de Bamako, BnF - Bibliothèque National de France, Paris, FR
L'image révélée : de l'orientalisme à l'art contemporain, Musee de la Ville de Tunis, Palais Kheireddine, Tunis, TN
3rd Echigo-Tsumari Art Triennial 2006, JP
AFRICA REMIX, Mori Art Museum, Tokyo, JP
Cross-Currents: Water as a Metaphor for (African) Identity?, Tufts University Art Gallery, Aidekman Arts Center, Medford, US
Ghosts of Self and State, Monash University Museum of Art, Monash, Melbourne, AU
2005
Bamako Biennale for African Photography, ML
2nd International Triennale of Contemporary Art, Yokohama, JP
7th Sharjah Biennale, UAE
AFRICA REMIX, Centre Pompidou, Paris, FR
Mediterranean Encounters, various locations, IT
Forming with Light, Palace of Art, Opera House, Cairo, EG
4x4, Artists Space, Broadway, New York, US
Imagining the Book, Alexandria Library, EG
Loose Your Identity, Kunstverein Kreis, Ludwigsburg, DE
French Cultural Center, Damascus, SY
AFRICA REMIX, Hayward Gallery, London, UK
2004
La Forma delle Nuvole - Arte all’Arte 9, curated by Achille Bonito Oliva and James Putnam, Arte Continua, Montalcino, San Gimignano, Poggibonsi, Colle Val D’Elsa, Siena, Buonconvento, IT
25th Sao Paolo Biennale, Sao Paolo, BR
Busan Biennale, Busan, KP
AFRIKA REMIX, Museum Kunst Palast, Dusseldorf, DE
Dak’art, 7th Dakar Biennale, Dakar, SN
Le Opera e I giorni, Triennale, Certosa di Padula, IT
Milly Pozzi Arte Contemporanea, Como, IT
Sneeze 80x80, Athens, GR
Castello di Trani, Bari, IT
2003
50th Biennale di Venezia, Venice, IT
Espacio Arte Contemporaneo Camargo, ES
Disorientation, House of World Cultures, Berlin, DE
2002
Dak’art, 6th Dakar Biennale, SN
Unplugged, Arts Electronica Festival, Linz, AT
Video Marathon, Chisinau, MD
Galleria Civica d'Arte Contemporanea Premio Suzzara, Suzzara, IT
You Can Touch, Espace Karim Francis, Cairo, EG
2001
Intresecus-Extrincus, Studio Casoli, Milan, Italy
Ambiente: Le Area Non Protette, Palazzo Pretorio Sala del Consiglio Communale, Sondrio, Italy
Cairo Modern Art Exhibition in Denhag, Holland
8th International Cairo Biennale. Opera Arts Palace, Egypt. Awarded the Grand Prize
Participated with Martin McInally in Al Nitaq Festival, Downtown, Cairo, Egypt
2000
The Palm Tree, Mashrabeya Gallery, Cairo, EG
Group exhibition with Egyptian and Italian artists, Gezira Art Center, Cairo, EG
For Jerusalem, Hanager Opera House, Cairo, EG
La Bodega, Cairo, EG
5th Cairo International Biennale for Ceramics, Opera House Arts Palace, Cairo, EG
Nitaq Festival of Art, Downtown, Cairo, EG
1999
27th National Exhibition for Fine Arts, Opera House Arts Palace, Cairo, EG
Small Artworks at the Center of Art Cairo, EG
1998
26th National Exhibition for Fine Arts, Akhnaton Center of Art, Cairo, EG
The First Show for Artists over 35 years and honored, Museum of Fine Arts (Hussein Sobhy), Alexandria, EG
4th Cairo International Biennale for Ceramics, Center of Art, Cairo, EG
The Days of Kom Ghorab, Hanager Gallery, Cairo, EG
1997
25th National Exhibition for Fine Arts, Center of Art, Cairo, EG
Heliorama, French Cultural Center, Heliopolis, Cairo, EG.
1996
24th National Exhibition for Fine Arts, Center of Art, Cairo, EG
1995
7th Salon of Youth, Center of Art, Cairo, EG
“瓶颈”，常青画廊展览现场，迪拜，2024。摄影：Musthafa Aboobaker
“瓶颈”，常青画廊展览现场，迪拜，2024。摄影：Musthafa Aboobaker
“瓶颈”，常青画廊展览现场，迪拜，2024。摄影：Musthafa Aboobaker
“瓶颈”，常青画廊展览现场，迪拜，2024。摄影：Musthafa Aboobaker
“瓶颈”，常青画廊展览现场，迪拜，2024。摄影：Musthafa Aboobaker
“重返埃及”，常青画廊展览现场，巴黎，2023。摄影: Allison Borgo
“重返埃及”，常青画廊展览现场，巴黎，2023。摄影: Allison Borgo
《甲虫》，2023，木材和火柴、亚克力，150 x 150 厘米。摄影：Allison Borgo
《甲虫》，2023，木材和火柴、亚克力，150 x 150 厘米。摄影：Allison Borgo
《构造变迁》Tectonic Shift，2022，木材，90 x 90 厘米。摄影：Ela Bialkowska
《构造变迁》Tectonic Shift，2022，木材，90 x 90 厘米。摄影：Ela Bialkowska
《显现》Come to Light，2019，水晶，45 x 30 x 30 厘米。摄影：Ela Bialkowska，OKNO Studio
《显现》Come to Light，2019，水晶，45 x 30 x 30 厘米。摄影：Ela Bialkowska，OKNO Studio
《Om El Saad（奴隶市场）》Om El Saad (The Slave Market)，2019，Dibond板上的数码激光冲印棉纸，150 x 210厘米。摄影：Ela Bialkowska，OKNO工作室
《Om El Saad（奴隶市场）》Om El Saad (The Slave Market)，2019，Dibond板上的数码激光冲印棉纸，150 x 210厘米。摄影：Ela Bialkowska，OKNO工作室
《G塔》G Tower，2019，燃气罐。摄影：Ela Bialkowska，OKNO Studio
《G塔》G Tower，2019，燃气罐。摄影：Ela Bialkowska，OKNO Studio
《避难所》，2019，木材。摄影：Ela Bialkowska，OKNO Studio
《避难所》，2019，木材。摄影：Ela Bialkowska，OKNO Studio
《阿波菲斯》Apophis，2019，木材。摄影：Ela Bialkowska，OKNO Studio
《阿波菲斯》Apophis，2019，木材。摄影：Ela Bialkowska，OKNO Studio
《碎玻璃》Shattered Glass，2019，水晶，88 x 140 厘米。摄影：Ela Bialkowska，OKNO Studio
《碎玻璃》Shattered Glass，2019，水晶，88 x 140 厘米。摄影：Ela Bialkowska，OKNO Studio
《石油珠子》Petro Beads，2019，34个燃气容器、金属，特定场地尺寸。摄影：Ela Bialkowska，OKNO Studio
《石油珠子》Petro Beads，2019，34个燃气容器、金属，特定场地尺寸。摄影：Ela Bialkowska，OKNO Studio
《太阳船》，2018，木材，3.5 x 直径10米，展览现场，杜乐丽花园。摄影：Maxime Bessieres
《太阳船》，2018，木材，3.5 x 直径10米，展览现场，杜乐丽花园。摄影：Maxime Bessieres
《太阳船》，2018，木材，3.5 x 直径10米，展览现场，杜乐丽花园。摄影：Maxime Bessieres
《山》，2017，视频装置，12分钟。摄影：Oak Taylor-Smith
《山》，2017，视频装置，12分钟。摄影：Oak Taylor-Smith
《山》，2017，视频装置，12分钟。摄影：Oak Taylor-Smith
《山》，2017，视频，12分钟，视频静帧
《山》，2017，视频，12分钟，视频静帧
《山》，2017，视频装置，12分钟。摄影：Ela Bialkowska, OKNO Studio
《宣礼塔》The Minaret，2016，木材、铁、灯光、水晶，600 x 600 x 670 厘米 - 木雕：500 x 300 x 300 厘米。摄影：Bernardo Ricci
《宣礼塔》The Minaret，2016，木材、铁、灯光、水晶，600 x 600 x 670 厘米 - 木雕：500 x 300 x 300 厘米。摄影：Bernardo Ricci
《玫瑰（奴隶市场）》，2016，Dibond板上数码激光冲印棉纸，摘自何塞·希门内斯·阿兰达（1837-1903）的《待售奴隶》，185 x 146.5 厘米，©普拉多博物馆。摄影：Ela Bialkowska
《罗马假日》Vacanze romane，2013，8辆比亚乔Vespa，侧面：170厘米。摄影：Cesare Bonifazi Martinozzi
《罗马假日》Vacanze romane，2013，8辆比亚乔Vespa，侧面：170厘米。摄影：Cesare Bonifazi Martinozzi
《罗马假日》Vacanze romane，2013，8辆比亚乔Vespa，侧面：170厘米。摄影：Cesare Bonifazi Martinozzi
《狮鹫的归来》The return of a Griffin，2013，聚氨酯泡沫结构、皮革，约160 x 130.5 x 64.4 厘米。此作品得到了Renato Corti SpA的宝贵支持。结构的3D模型由比萨国家研究委员会（CNR-ISTI）视觉计算实验室慷慨提供。摄影：Ela Bialkowska
《狮鹫的归来》The return of a Griffin，2013，聚氨酯泡沫结构、皮革，约160 x 130.5 x 64.4 厘米。此作品得到了Renato Corti SpA的宝贵支持。结构的3D模型由比萨国家研究委员会（CNR-ISTI）视觉计算实验室慷慨提供。摄影：Ela Bialkowska
《狮鹫的归来》The return of a Griffin，2013，聚氨酯泡沫结构、皮革，约160 x 130.5 x 64.4 厘米。此作品得到了Renato Corti SpA的宝贵支持。结构的3D模型由比萨国家研究委员会（CNR-ISTI）视觉计算实验室慷慨提供。摄影：Ela Bialkowska
《狮鹫的归来》The return of a Griffin，2013，聚氨酯泡沫结构、皮革，约160 x 130.5 x 64.4 厘米。此作品得到了Renato Corti SpA的宝贵支持。结构的3D模型由比萨国家研究委员会（CNR-ISTI）视觉计算实验室慷慨提供。摄影：Ela Bialkowska
《阿拉伯式花纹 I（失落的遗产）》Arabesque I (Lost Heritage)，2013，火柴、木材、亚克力，180 x 180 x 10 厘米。摄影：Oak Taylor-Smith
《阿拉伯式花纹 I（失落的遗产）》Arabesque I (Lost Heritage)，2013，火柴、木材、亚克力，180 x 180 x 10 厘米。摄影：Oak Taylor-Smith
《Elshaab》，2012，25个陶瓷人物，每个约27 x 6 x 10 厘米。摄影：Oak Taylor-Smith
《Elshaab》，2012，25个陶瓷人物，每个约27 x 6 x 10 厘米。摄影：Oak Taylor-Smith
《Elshaab》，2012，25个陶瓷人物，每个约27 x 6 x 10 厘米。摄影：Oak Taylor-Smith
《气球》，2012，气球，每个70 x 21 x 21 厘米。摄影：Oak Taylor-Smith
《气球》，2012，气球，每个70 x 21 x 21 厘米。摄影：Oak Taylor-Smith
《气球》，2012，气球，每个70 x 21 x 21 厘米。摄影：Oak Taylor-Smith
《Khayameya》，2011-2012，木板上的火柴、亚克力，200 x 200 x 10 厘米。摄影：Ela Bialkowska
《Khayameya》，2011-2012，木板上的火柴、亚克力，200 x 200 x 10 厘米。摄影：Ela Bialkowska
《Khayameya》，2011-2012，木板上的火柴、亚克力，200 x 200 x 10 厘米。摄影：Ela Bialkowska
《迷宫（人民想推翻政权）》The Maze (The People Want the Fall of the Regime)，2011，草地上库法体书法，特定场地项目，法国巴黎杜乐丽花园（2011年10月18日至23日），28 x 28米。摄影：Oak Taylor-Smith
《迷宫（人民想推翻政权）》The Maze (The People Want the Fall of the Regime)，2011，草地上库法体书法，特定场地项目，法国巴黎杜乐丽花园（2011年10月18日至23日），28 x 28米。摄影：Oak Taylor-Smith
《迷宫（人民想推翻政权）》The Maze (The People Want the Fall of the Regime)，2011，草地上库法体书法，特定场地项目，法国巴黎杜乐丽花园（2011年10月18日至23日），28 x 28米。摄影：Oak Taylor-Smith
《融合与显现》Merge and Emerge，2011，3段视频、每段6分25秒，循环播放
《融合与显现》Merge and Emerge，2011，3段视频、每段6分25秒，循环播放
《融合与显现》Merge and Emerge，2011，3段视频、每段6分25秒，循环播放
《融合与显现》Merge and Emerge，2011，3段视频、每段6分25秒，循环播放
《融合与显现》Merge and Emerge，2011，3段视频、每段6分25秒，循环播放
《融合与显现》Merge and Emerge，2011，3段视频、每段6分25秒，循环播放
莫塔兹·纳塞尔：对共享经验与愿望的合唱式探索
通过多种艺术表现形式，包括绘画、雕塑、摄影、视频和绘图，莫塔兹·纳塞尔探讨了社会、哲学、历史、地理和政治问题。他的研究领域源于他多样的根源，这些根源与世界其他地方紧密相连。尽管深深植根于他的出生地，艺术家却与更广泛的当代社会无缝融合。他利用自己的地理起源作为超越政治和宗教边界的借口，与不同的历史和文化展开对话。他的整个作品表达了将集体动态可视化的愿望，从对既个体又普遍的个性进行细致入微的记录开始。
