邱志杰于1969年出生在中国福建省漳州。
作为艺术家，邱志杰以他的书法和水墨画、摄影、视频、装置和表演作品而闻名。他的艺术代表了一种新型的实验性沟通，融合了中国文人传统与当代艺术、社会参与和艺术的自我解放力量。
作为艺术评论家，邱志杰出版了多部著作，包括《图像与后现代主义》（2002年）、《给我一个面具》（2003年）、《自由的极限》（2003年）、《摄影之后的摄影》（2004年）、《论全艺术》（2012年）。
他的作品目录包括：《打破冰封》（2009年）、《时间的形状》（2007年）、《记忆的考古学》（2006年）等。
他还于1996年策划了中国首个视频艺术展，并在1999年至2005年期间策划了一系列后感性展览，推广了中国年轻一代艺术家。2012年，他担任第九届上海双年展“再激活”的首席策展人；2017年，他是第57届威尼斯双年展中国馆的首席策展人。
由于《南京长江大桥项目》的作品，他曾入围古根海姆基金会颁发的雨果·博斯奖。他在2009年获得中国艺术奖的年度艺术家奖，并于2016年被提名同一奖项。
他的作品被全球主要博物馆和机构收藏，包括纽约的古根海姆博物馆、大都会艺术博物馆、旧金山亚洲艺术博物馆、路易·威登基金会、克里斯汀·迪奥基金会、尤伦斯基金会、柏林新艺术协会和悉尼的白兔画廊。
1992
教育背景
Graduated from the Printmaking Department of Zhejiang Academy of Fine Arts (now China Academy of Art, CAA), Hangzhou, Zhejiang Province, China
Dean and professor of the School of Experimental Art at the Central Academy of Fine Arts, professor of the School of Intermedia Art at China Academy of Art
2022
个展节选
Qiu Zhijie, Talbot Rice Gallery, the University of Edinburgh, UK
2020
Lectures, GALLERIA CONTINUA, Beijing, China
2019
Ici un dragon, Passage Sainte-Croix, Nantes, France.
Mappa Mundi, UCCA, Beijing, China.
2018
Qiu Zhijie – Mappa Mundi, Ullens Center for Contemporary Art, Beijing, CN
Qiu Notes On The Colorful Lantern Scroll Project, Minsheng Art Museum, Beijing, CN
Journey without Arrivals, Lunds Konsthall, Sweden.
Maps of Surnames, Facebook Headquarter, San Francisco, USA. (permanent installation)
Qiu Zhijie, Living Writing, 21st Century Museum of Contemporary Art, Kanazawa, JP
2017
Journey without Arrivals, Van Abbe Musuem, Eindhoven. Travelled to: Centre d'Art Contemporain, Geneve (catalogue)
2016
Racing Against Time, Galleria Continua, San Gimignano
-Isms at the end of the world, Fengmian Art Space Gallery, Guangzhou2015
Qiu Notes on the Lantern Festival Project, Museum of Contemporary Art of CAA, Hangzhou
2014
Qiu Zhijie, Solo Exhibition, Hanart TZGallery, Art Basel, Switzerland
The Spirit in All Beings: Qiu Zhijie Art Exhibition, MeiLun Art Museum, Changsha, CN
Everything has Its Soul, Meilun Art Museum, Hunan Arts-Press, Changsha, China
Homogeneity: The Nanjing Yangzi River Bridge Project, Museum of Nanjing Art Academy, Nanjing
Playground, Matthias Arndt Gallery, Gillman Barracks, Singapore
2013
Qiu Zhijie – Satire, Galleria Continua Beijing, China
Qiu Zhijie – Text-ure, Tian Ren He Yi Art Center, Hang Zhou, China
Bird eye, Hanart TZ Gallery, Hong Kong, China
The Universe of Naming, Spring workshop, Hong Kong, China
Unicorn & Dragon, Foundation Querini Stampalia, Venice, Italy
2012
Bi-Cities Exhibitions of Chinese New Painting: Qiu Zhijie-Tathagata, Tian Ren He Yi Art Center, Hangzhou, China
Blueprints, Witte de With, Rotterdam, The Netherlands
2011
Qiu Zhijie: Deja Vu, Hanart TZ Gallery, Hong Kong, China
Energy, Times Square, Hong Kong, China
Cell, Pace Beijing, Beijing, China
2009
Mochou, Chambers Fine Art, New York, USA
A Suicidology of The Nanjing Yangzi River Bridge 4 - Twilight of The Idols, The world 's Cultural Palace, Berlin, Germany
A Suicidology of The Nanjing Yangzi River Bridge 3 - Breaking Through the Ice, UCCA, Beijing, China
2008
A Suicidology of The Nanjing Yangzi River Bridge 1 - Ataraxic of Zhuang Zi, Zendai Museum of Modern Art, Shanghai, China
A Suicidology of The Nanjing Yangzi River Bridge 2 -The Bridge, Nanjing, Under the Heaven, The Singapore Tyler Print Institute, Singapore
The Bridge, Nanjing , Under the Heaven, Hanart Gallery, Hong Kong, China
Nanjing: A bridge, A City, Guanxiang Art Center, Taipei
2007
The Shape of Time, Chambers Fine Art, New York, USA
Cryptogram, Hanart Gallery, Hong Kong, China
Archeology of Memory, Long March Space, Beijing, China
2006
Let There Be Light, Grace Li Gallery, Zurich, Switzerland
2005
Light and Words, Hanart TZ Gallery, Hong Kong, China
Melancholy Man, Gallery Loft, Paris, France
Black and White Zoo, Gallery of Dartington Art Academy, Darlington, UK
2004
Social Portrait, Courtyard Gallery, Beijing, China
2003 - 2004
Asian Parallel Times, Hong Kong Art Museum, Hong Kong, Casa Asia, Barcelona, Spain, & Shenzhen Art Institute, Shenzhen, China
2003
UFO: Qiu Zhijie’s Photography/Calligraphy, Gallery Loft, Paris, France
2001
Qiu Zhijie, Gallery Gen, Koshigaya, Japan
Invisibility: Qiu Zhijie, Ethan Cohen Fine Arts, New York, USA
2000
Touch, Orient Foundation, Macau
1999
Calendar 1998, Gallery of the Central Academy of Fine Arts, Beijing, China
Innate Forces C Mixed Media: Works by Qiu Zhijie, Art Beatus Gallery, Vancouver, Canada
1997
Logic: 5 Video-Installations, Gallery of the Central Academy of Fine Arts, Beijing , China
2020
群展节选
The Illustrated Word: Artwork Inspired by Calligraphy, Chambers Fine Art, New York, USA
2019
Eldorama, Lille 3000 , Lille, FR
Tomorrow is the question, ARoS Museum, Copenhagen, Denmark
Leaving the Echo Chamber, Sharjah Biennal 14, Sharja Art Foundation, Sharja, UAE
2018
Map of Utopia, The 9th Asia Pacific Triennial of Contemporary Art (APT9) QUAGOMA, Brisbane Australia.
New Ink Art in China 1978-2018, Minsheng Art Museum, Beijing, CN
40×40:From 1978 To 2018, Powerlong Museum, Shanghai, CN
40 years of Chinese Contemporary Photography, OCAT Shenzhen, Shenzhen, CN
Reconstructing Utopia, The Oct Art&Design Gallery, Shenzhen, CN
The Fuck Off Generation - Chinese Art In The Post-Mao Era, Ethan Cohen, New York City, USA
2017
Art and China after 1989: Theater of the World, Solomon R. Guggenheim Museum, New York, USA
Crossing, Art Museum of Nanjing University of the Arts, Nanjing, CN
Landmark - Mapping Contemporary Chinese Art, Jiade Artistic Center, Beijing, CN
In Progress, CAFA School of Experimental Art, Beijing, CN
Flowing Time – New Media Art From China, Corsia Delle Donne, Rome, IT
Image Core Sample, chi K11 Art Space, Shanghai, CN
40 Years Of Chinese Contemporary Photography (1976-2017), Three Shadows Photography Art Centre, Beijing, CN
The 2nd Session of Changjiang International Photography & Video Biennale, Chongqing Museum of Contemporary Art, Chongqing, CN
2016
BenTu des artistes chinois dans la turbulence des mutations, LV foundation, Paris
Architecture of life, Berkeley Art Museum, USA
Language Pavilion, M21 Museum, Shanghai, CN
Thirty Year of Body Art Performance Happening Project Art Documents of China, Minsheng Art Museum, Beijing, CN
Take me out, chi K11 art museum, Shanghai, CN
Why the Performance, Ming Contemporary Art Museum, Shanghai, CN
Shanshui Within, Museum of contemporary Art, Shanghai, CN
Collecting The Past Towards The Present - A Conversation Between Now And Then, BA Art Space, Shanghai, CN
Dunhuang – Song of the living Beings, Himalayas Art Museum Shanghai, Shanghai, CN
2015
All The Worlds Future, 56th Venice Biennale, Venice, IT (Catalogue)
Stereognosis Zone, Redtory Museum of Contrmporary Art, Guangzhou, CN
Copyleft Appropriation Art in China, Shanghai Contemporary Art Museum, Shanghai, CN
Jingshen, Pac Padiglione D’arte Contemporanea, Milan, Italy
Ancient Heritage: New Scenery a Contemporary Historical Path by the West Lake, SanshangArt, Hangzhou, CN
Sudden Change of Idea - An Exhibition on Comparative Study between Chinese and German Conceptual Art, United Art Museum, Hubei, CN
Zhangzhou 100 Artists Beijing Exhibition, National Art Museum of China, Beijing, CN
Revolution in Tradition: China's Post-Ink Painting Era, Galerie Nathalie Obadia Paris-Brussels
The Civil Power, Beijing Minsheng Art Museum, Beijing, CN
The 21st National Art Exhibition, Today Art Museum, Beijing, CN
Fervent China - Contemporary Monumental Sculptures, Les Anciens Abattoirs de Mons, BE
2014
How to (…) Things That Don't Exist, 31st São Paulo Biennial, São Paulo
Advance through Retreat, Rockbund Art Museum, Shanghai, CN
On site: Cross Contextual Ink Art Experience, Himalayas Museum, Shanghai, CN
2013
Hangzhou Triennial of Fiber Art, Hangzhou, China
Ink Art: Past as Present in Contemporary China, Metropolitan Museum of Art, New York, USA
The Origin of Dao: New Dimensions in Chinese Contemporary Art, Hong Kong Museum of Art, Hong Kong, CN
Insightful Charisma, Shanghai Himalayas Museum, Shanghai, CN
Beyond Tradition – Chinese Contemporary Ink, Hong Kong Convention and Exhibition Centre, Hong Kong, China / Christie’s New York Private Sales Gallery, New York, USA
AAC Award for the Most Influential Participants of Chinese Art, Today art Museum, Beijing, China
Contemporary Art and Process of the Society – Chinese Contemporay Art, Documenta Organizer Circle Art Center, Shenzhen, China
New Framework – Chinese Avant – garde photography 1980s-90s, Blindspot Annex & Blindspot Gallery
Inaugural Exhibition of Shanghai Himalayas Museum Himalayas Museum, Shanghai, China
The Origin of Dao: New Dimensions in Chinese Contemporary Art, Hong Kong Museum of Art, Hong Kong, China
The Grand Canal - Collateral Event of the 55th International Art Exhibition –La Biennale di Venezia,Museo Diocesano d’Arte Sacra, Venice, Italy
Chinese Contemporary Ink, Hong Kong Convention and Exhibition Centre, Hong Kong, China
2012
Face, Minsheng Art Museum, Shanghai, China
Eine andere Moderne: Zeigenossische Chinesische Tuschemalerei, Kunsthaus Hamburg GmbH, Germany
The First Xinjiang Biennal, Xingjiang International Exhibition Center, China
Blueprints (2012) – Qiu Zhijie and Shanghai Biennale Curatorial Summit, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands
Ink Painting Exhibition, Saatchi gallery, London, UK
2011
How to Become an Empty Man, Hanart Square, Hong Kong, China
Guanxi: Contemporary Chinese Art, Guangdong Museum of Art, Guangzhou, China
Hanart T Z Gallery at ART STAGE SINGAPORE, Singapore
The Fourth Guangzhou Triennal, Guangdong Museum of Art, Guangzhou, China
XUAN ETC, Shanghai Gallery of Art, Shanghai, China
The Second Chinese Characters Festival between Taiwan and Mainland, Taipei, Taiwan
Kaza Ana / Air Hole: Another Form of Conceptualism from Asia, The National Museum of art, Osaka
2010
Shanghai Biennale, Shanghai Art Museum, Shanghai, China
Brainstorming: Qiu Zhijie and Total Art Studio, Guangdong Museum of Art, Guangzhou, China
Reshaping History – Chinart from 2000 to 2009, National Convention Center, Beijing, China
2009
Art in Use: Sculptural Objects, Pao Gallery, Hong Kong Arts Center, Hong Kong, China
Media Art China 2009: Timelapse, A Swiss- China Media Art Exhibition, NAMOC, Beijing, China
Breaking Forecast: 8 Key Figures of China's New Generation Artists, UCCA, Beijing, China
Fukutake House Echigo-Tsumari Art Triennal 2009, Fukutake House, Japan
ShContemporary, Shanghai Exhibition Center, Shanghai, China
The 4th Fukoka Asian Art Triennale 2009, Fukoka Asian Art Museum, Japan
Future Together, Arario Gallery, Beijing, China
Venice Biennale, Venice, Italy
BLADE – Beeconstruct Leifeng Pagoda, SZ Art Center, Beijing, China
Broadsheet Notations, Tang Contemporary Art, Hong Kong, China
Paper, paper, Chambers Fine Art, New York, USA
2008
FOTOFEST 2008- China The Twelfth International Biennale of Photography and Photo-related Art of Houston, Houston, USA
Crosscurrent New Media Art, Osage Gallery, Singapore
A Question of Evidence, Thyssen-Bornemisza Art Contemporary, Wien, Austria
Time-lag: the New Force of Chinese Contemporary Art, Magee Art Gallery, Madrid, Spain
Farewell to Post-colonialism: the Third Guangzhou Triennale, Guangdong Art Museum, Guangzhou, China
Unpack: Creation and Education of Chinese Contemporary Art, Museum of China Art Academy, Hangzhou, China
Art Charity China, Museum of Central Art Academy, Beijing, China
We Are Your Future – Second Moscow Biennale, Moscow, Russia
Our Future: The Guy & Myrian Ullens Foundation Collection, UCCA, Beijing, China
Dior and Chinese Contemporary Artists, UCCA, Beijing, China
Where Are We?, Beijing Center for Arts, Beijing, China
Dream or Reality – Chinese Art Today, Chambers Fine Art, Amsterdam, Holland
2007
Time: Possibility of The Time Expression, Central Academy of Art, Beijing, China
The Real Things: Contemporary Chinese Art, Tate Liverpool, Liverpool, UK
Forget Reality!, Universal Studio, Beijing, China
First Polar Biennale, Ushuaia, Argentina
Collective Identity, Chinese Art Center, Manchester, UK
Moscow Biennale: I Am Your Future, Moscow, Russia
Post Socialism, National Gallery, Moscow, Russia
Asian-Europe Mediations: Contemporary Asian and European Art, Museum Narodowe, Poznan, Poland
Dream Place, A Space, Beijing, China
To the Horizon of Shangri-La, Frac Lorraine, France
China Under Construction: Contemporary Art from the People’s Republic, Deborah Colton Gallery, Houston, USA
Why Go to Tibet, Long March Space, Beijing, China
Soft Power: Asian Attitude, Zendai Museum of Modern Art, Shanghai, China
Performa 07, Chinatown, New York, USA
2006
Personal Space: New Perspectives from China, Thomas Erben Gallery, New York, USA
6th Gwuangju Biennale, Korea
We- Zhang Peili and Qiu Zhijie, CAA Art Space, Hangzhou, China
Shu: Reinventing Books in Chinese Contemporary Art, China Institute Gallery, New York, USA
Transposition – Translating Performance, Kampnagel, Hamburg, Germany
2005
Living in Interesting Times – A Decade of New Chinese Photography, The Open Museum of Photography, Tel Hai, Israel
On the Edge: Contemporary Chinese Artists Encounter the West, Cantor Arts
Center, Stanford University, Stanford, USA
Trading Place, Taipei Museum of Contemporary Art, Taipei, Taiwan
The Response of Today’s Art to Hans Christian Andersen, Millennium Art Museum, Beijing, China
Traces & Omens: Noorderlicht 2005 Festival, Groningen, The Netherlands
Fairy Tales Forever: Homage to Andersen, ARoS Aarhus Kunstmuseum, Denmark
International Triennale of Contemporary Art, Yokohama, Japan
In the Deep of Reality: A Case of Chinese Contemporary Art, Hangzhou, China
The Second Reality: Photographs from China, European Commission, Brussels, Belgium
Video Zoom China, Sala 1 Gallery, Rome, Italy
Young Chinese Contemporary Art, Red Bull Hangar 7, Salzburg, Austria
2004
Me, Me, Me!, Courtyard Gallery, Beijing, China
Dot/Proliferation and Penetration: Visual Expression from Paper and Ink Art, National Gallery of Malaysia, Malaysia
Space Anew: Qiu Zhijie, Wang Jianwei, & Yang Fudong, Shanghai Gallery of Art, Shanghai, China
Between The Past and the Future, International Center of Photography, New
York, & The David and Alfred Smart Museum of Art, the University of Chicago, Chicago, USA
Hua Jia Di Artists, China Art Seasons Gallery, Beijing, China
Technology of the Visible: the 5th Shanghai Bienniale, Shanghai Art Museum, Shanghai, China
20 Years Old, Hanart Gallery & Hong Kong Art Center, Hong Kong, China
The Monk and the Demon, Musee d’Art Contemporain de Lyon, Lyon, France
Light as Fuck!: Shanghai Assemblage 2000 – 2004, The National Museum of Contemporary Art, Norway
2003
The Minority Is Subordinate to the Majority, Bizart, Shanghai, China
Tower of Babel, Mainz City Museum, Germany
Left Hand, Right Hand, 798 Dashanzi Art Zone, Beijing, China
Trojan Horse Project, Shenghua Art Center, Nanjing, China
Leftside, Leftbank Art Gallery, Beijing, China
Experimental Reality Show, Ritan Park, Beijing, China
Two Fold Time: Asian Art Exhibition, Museum of CAA, Hangzhou, China
Distance, Guangdong Art Museum, Guangzhou, China
That’s China, Centre Pompidou, Paris, France
Post-Sense Sensibility: Inside Story, Beijing Children Theater, Beijing, China
Chinese Maximalism, Millennium Art Museum, The Hall of Modern Art, Beijing, China
Chine[s]: Experimental Video and Cinema for China and Taiwan, Center Wallonie, Bruxelles, Belgium
How We Live, Queensland Art Gallery, Australia
2002
The 25th San Paolo Biennale, San Paolo, Brazil
Gwangju Biennale, Gwangjiu, Korea
The Third Space in the Fourth World: Multimedia Art of China and Netherlands, Eastlink Art, Shanghai, China
The First Guangzhou Triennal, Guangdong Museum of Art, Guangzhou, China
Too Much Flavour, 3H Art Center, Shanghai / Avant-garde Hakaren, Singapore
Pingyao International Photography Festival, Pingyao, China
Long March: A Walking Visual Display, China
2001
Translated Act, Haus Der Kulturen der Welt, Berlin, Germany / Queens Museum of Art, New York, USA
Digital Arts Festival, Loft New Medium Art Center, Beijing, China
Virtual Future, Guangdong Art Museum, Guangzhou, China
Hot Pot, Kunstnernes hus, Oslo, Norway
Extreme Asia, Gallery Loft, Paris, France
Mantic Ecstasy, Hangzhou, Shanghai and Beijing, China
Post Sense and Sensibility: Spree, Beijing Film Academy, Beijing, China
Asia-Pacific New Media Art Festival, Australia
Next Wave News, Loft New Medium Art Center, Beijing, China
The 3rd Mercosul Biennale, Mercosul, Brazil
Cross: The Urban Public Environmental Solution Exhibition, Modern Art Museum, Chengdu, China
Sound Art 2, Jiezi Yuan Art Space, Beijing, China
20 Years Experiment of Ink Painting, Guangdong Fine Art Museum, Guangzhou, China
Re-shuffle, Shenzhen Sculpture Academy, Shenzhen, China
The First Chengdu Biennale, Chengdu, China
Retribution, Jiezi Yuan Art Space, Beijing, China
Synchronize, Gothe Institute, Hong Kong, China
The 16th Asian International Art Exhibition, Guangdong Fine Art Museum, Guangzhou, China
Post-sense Sensibility: Spree, Beijing Film Academy, Beijing, China
2000
Life Style of the Future, Xieyang Island, Guangxi, China
Chinese Scene: Conceptual Photography, Seansons Gallery, Beijing, China
Medial and Internet Art of China, Jilin Art Academy, Changchun, China
Sapporo Artist in Residence, CAI, Sapporo, Japan
Family?: Contemporary Art Project, International Furniture Center, Shanghai, China
Touch – Multimedia/Performance Arts, Guangzhou, China
Chinese Performance, J.G.M Gallery, Paris, France
Echo Point, Hanart TZ Gallery, Hong Kong, China
Inside Out: New Chinese Art, Hong Kong Arts Museum, Hong Kong, China
Asia-Pacific New Media Art Festival, Australia
Unusual & Usual, Yuangong Modern Art Museum, Shanghai, China
Power of the World, Faulconer Gallery, Grinnell College, Iowa, USA
Family?: Contemporary Art Project, International Furniture Center, Shanghai, China
1999
Post-sense Sensibility: Alien Bodies and Delusion, Beijing, China
Unveiled Reality: Contemporary Photography, Art Beatus Gallery, Vancouver, Canada
Transience: Chinese Experimental Art at the End of the Twentieth Century, TheDavid and Alfred Smart Museum of Art, the University of Chicago, Chicago , University of Oregon, Museum of Art, Eugene, Oregon & Hood Museum of Art, Dartmouth College, New Hampshire, USA
Fast>>Forward: New Chinese Video Art, Center of Contemporary Art, Macau
The 14th Asian International Art Exhibition, Fukoka Asian Art Museum, Japan
99’ Chinese-Japanese Contemporary Art Exchange, Fuzhou Art Academy, Fuzhou, China
Power of the Word, Taiwan Museum of Art, Taizhong, Taiwan
Chinese-Hong Kong Video Festival, Museum of Site, Hong Kong, China
Beijing in London, Institute of Contemporary Art, London, UK
Contemporary Chinese Architecture Exhibition, National Museum of Art, Beijing, China
Food for Thought: An Insight in Chinese Contemporary Art, Canvas World Art/Canvas Foundation, Amsterdam, The Netherlands
Chinese Contemporary Art, Gallery Loft, Paris, France
Chinese Contemporary Photography and Video, International Arts Festival, Tachikawa, Japan
Post-sense Sensibility: Alien Bodies and Delusion, Beijing, China
1998
Inside Out, PS1, New York, USA
Trade of Beijing, Present Art Center, Beijing, China
Transmediale – 98: the 11th Video Festival, Podewil, Berlin, Germany
Esperanto ’98, Jack Tilton Gallery, New York, USA
Asia-Pacific: Contemporary Art Exhibition, Fuzhou Art Academy, Fuzhou, China
Per Video: Video From Artist International, Ludwig Museum, Koln, Germany
Photography As Concept, Stadtmuseum, Esslingen, Germany
Videonale 8, Bonner Kunstverein, Bonn, Germany
Muumedia Festival ’98, Kiasma Museum of Contemporary Art, Helsinki, Finland
0431-Video and Computer Art, Changcun, China
Is Me! : A Profile of Chinese Contemporary Art in the 90s, Taimiao, Beijing, China
1997
Drive, Fujian Art Academy, Fuzhou, China
Faces and Bodies of The Middle Kingdom, Gallery Rudolfium, Prague, Cz
Demonstration of Video Art ’97 China, Gallery of the Central Academy of Fine Arts, Beijing, China
New Image: Conceptual Photography, Visual Art Center, Beijing, China
New Photography Artist of China, Neuer Berliner Kunstrerein, Berlin, Germany
1996
In the Name of Art, Liu Haisu Art Museum, Shanghai, China
Phenomenon/Image: Video Art in China, Gallery of Zhejiang Academy of Fine Art, Hangzhou, China
1995
From the Central Kingdom: Chinese Avant-garde Artists, Santa Monica Art Center, Barcelona, Spain
1994
The Third Documents Exhibition of Chinese Contemporary Art, East-China Normal University, Shanghai, China
1993
New Art In China: Post-1989, City Hall, Hong Kong, China
1992
The Second Documentary Exhibition of Chinese Contemporary Art, Guangzhou Fine Art Academy, Guangzhou, China
生态实验室
邱志杰 - “生态实验室”（Eco-Lab），常青画廊展览现场，北京，2024，摄影：小恐龙影像工作室
邱志杰 - “生态实验室”（Eco-Lab），常青画廊展览现场，北京，2024，摄影：小恐龙影像工作室
邱志杰 - “生态实验室”（Eco-Lab），常青画廊展览现场，北京，2024，摄影：小恐龙影像工作室
邱志杰 - “生态实验室”（Eco-Lab），常青画廊展览现场，北京，2024，摄影：小恐龙影像工作室
邱志杰 - “生态实验室”（Eco-Lab），常青画廊展览现场，北京，2024，摄影：小恐龙影像工作室
“讲演”，常青画廊展览现场，北京，2020，摄影：董林
“讲演”，常青画廊展览现场，北京，2020，摄影：董林
“讲演”，常青画廊展览现场，北京，2020，摄影：董林
“讲演”，常青画廊展览现场，北京，2020，摄影：董林
“讲演”，常青画廊展览现场，北京，2020，摄影：董林
“讲演”，常青画廊展览现场，北京，2020，摄影：董林
《骷髅幻戏》“讲演”系列演讲第二场，常青画廊展览现场，北京，2020，摄影：董林
《独角兽工作坊》“讲演”系列演讲第六场，常青画廊展览现场，北京，2020，摄影：董林
《地球4：意识形态地理》，2018，中国水墨、纸质地球仪、铜，直径30厘米。摄影：董林
《地球5：兴趣爱好地理》，2018，中国水墨、纸质地球仪、铜，直径47厘米。摄影：董林
《中国 - 阿拉伯地图》，2019，纸本水墨，370 x 880厘米，145.66 x 346.45英寸。摄影：Sun Shi
《中国 - 阿拉伯地图》，2019，纸本水墨，370 x 880厘米，145.66 x 346.45英寸。摄影：Sun Shi
《国际汉学地图》，2019，纸上水墨，5个部分：每个1.25 x 3.3米（49.21 x 129.92英寸）。摄影：Sun Shi
《神话地图》，2019，纸本水墨，245 x 125厘米。摄影：Ela Bialkowska
《神话地图》，2019，纸本水墨，245 x 125厘米。摄影：Ela Bialkowska
“与时间赛跑”，常青画廊展览现场，圣吉米那诺，2016，摄影：Ela Bialkowska
“与时间赛跑”，常青画廊展览现场，圣吉米那诺，2016，摄影：Ela Bialkowska
“与时间赛跑”，常青画廊展览现场，圣吉米那诺，2016，摄影：Ela Bialkowska
“与时间赛跑”，常青画廊展览现场，圣吉米那诺，2016，摄影：Ela Bialkowska
“与时间赛跑”，常青画廊展览现场，圣吉米那诺，2016，摄影：Ela Bialkowska
《世界的尽头（红）》，2016，传统纸上擦墨，170 x 71厘米。
《世界的尽头（红）》，2016，传统纸上擦墨，170 x 71厘米。
《世界的尽头（绿）》，2016，传统纸上擦墨，79 x 186厘米。
《世界的尽头（绿）》，2016，传统纸上擦墨，79 x 186厘米。
《金陵剧场角色绣像 - 系列》，2010-2015，多类项目（包括写作、绘画、装置和戏剧表演），装置展览现场，威尼斯军械库、威尼斯双年展，2015。
《金陵剧场角色绣像 - 系列》，2010-2015，多类项目（包括写作、绘画、装置和戏剧表演），装置展览现场，威尼斯军械库、威尼斯双年展，2015。
《金陵剧场角色绣像 - 系列》，2010-2015，多类项目（包括写作、绘画、装置和戏剧表演），装置展览现场，威尼斯军械库、威尼斯双年展，2015。
《金陵剧场角色绣像 - 系列》，2010-2015，多类项目（包括写作、绘画、装置和戏剧表演），装置展览现场，威尼斯军械库、威尼斯双年展，2015。
《金陵剧场角色绣像 - 系列》，2010-2015，多类项目（包括写作、绘画、装置和戏剧表演），装置展览现场，威尼斯军械库、威尼斯双年展，2015。
《我本不是货币》，装置，2015，浮雕花纹纸，中国水墨，178 x 118 厘米
《扩张》，装置，2015，浮雕花纹纸，中国水墨，134 x 176 厘米
《扩张》，装置，2015，浮雕花纹纸，中国水墨，134 x 176 厘米
《高塔战争》，装置，2015，浮雕花纹纸，中国水墨，450 x 199 厘米（3件，每件150 x 199 厘米）
《高塔战争》，装置，2015，浮雕花纹纸，中国水墨，450 x 199 厘米（3件，每件150 x 199 厘米）
《问候》，装置，2013，纸质面具、硅胶面具，300 x 330 x 26 厘米
《问候》，装置，2013，纸质面具、硅胶面具，300 x 330 x 26 厘米
《神话生物地图》，绘画，2013，纸上擦墨，7件，每件120 x 240 厘米
《神话生物地图》，绘画，2013，纸上擦墨，7件，每件120 x 240 厘米
《禁书》，2013，焚书灰烬，尺寸可变
《禁书》，2013，焚书灰烬，尺寸可变
《禁书》，2013，焚书灰烬，尺寸可变
《100只独角兽计划》，2012-2013，木材，107 x 120 x 65 厘米
《100只独角兽计划》，2012-2013，木材，107 x 120 x 65 厘米
《100只独角兽计划》，2012-2013，木材，71 x 135 x 55 厘米
《100只独角兽计划》，2012-2013，木材，71 x 135 x 55 厘米
《100只独角兽计划》，2012-2013，木材，107 x 120 x 65 厘米
《100只独角兽计划》，2012-2013，木材，107 x 120 x 65 厘米
《100只独角兽计划》，2012-2013，木材，107 x 120 x 65 厘米
《100只独角兽计划》，2012-2013，木材，29 x 58 x 25 厘米
《100只独角兽计划》，2012-2013，木材，29 x 58 x 25 厘米
邱志杰：全方位艺术，融合不同哲学并考虑泛文化体系的文化新意义
邱志杰于1969年出生在中国福建省漳州。他是概念艺术和新媒体领域的领军人物。这位艺术家、作家、策展人和教师因其“全方位艺术”的思想和实践而获得了全球的高度评价，这种艺术形式从各种哲学和思想体系中创造出新的文化意义。邱志杰的初期探索为多媒体装置艺术奠定了基础，这些作品使用有机材料、古老和发现的物件、摄影和视频，常常结合干预和表演。
自2010年左右起，邱志杰开始绘制他社会学、哲学、文化、政治和认识论研究的想象网络。作为一位高超的书法家、墨画家和风景制图师，邱志杰受委托为纽约古根海姆博物馆的“1989年后的艺术与中国”展览创作了《世界剧场地图》（2017）。在目前我们北京画廊展出的《中阿地图》中，邱志杰继续进行他的“全球映射计划”。这一项目使艺术家通过大型、详细且美丽的地图“绘制世界”。这些地图中，政治、宗教、神话和社会以及思想、关系、物品和文化等主题相互交织，提供了一种理解它们之间关系的不同方式，最终揭示了我们彼此之间的关系。
邱志杰也是一位知名的艺术作家和策展人，他策划了重要的展览，如2012年上海双年展和2017年威尼斯双年展。他是中央美术学院实验艺术学院的院长和教授，同时也是中国美术学院新媒体艺术学院的教授。
