卡德尔·阿提亚(Kader Attia)生于1970年,出生于法国圣丹尼斯(Senna-Saint-Denis)。目前,他在柏林和阿尔及尔生活和工作。
卡德尔·阿提亚在阿尔及利亚和巴黎郊区成长,他利用这一双文化的生活经验作为起点,发展出一种动态的艺术实践,反映不同文化的美学和伦理。他以诗意和象征性的方式探讨西方现代文化霸权和殖民主义对非西方文化的广泛影响,研究历史和殖民时代的身份政治,从传统到现代,结合全球化的背景,为其创建一种谱系。近年来,他的研究重点集中在“修复”这一概念上,作为人性中的一种常态,现代西方思想与传统的非西方思想对其有着相对立的看法。从文化到自然,从性别到建筑,从科学到哲学,任何生活系统都是一个无限的修复过程。
他曾获得2017年胡安·米罗奖(Joan Miró Prize),并在2016年赢得了马塞尔·杜尚奖(Prix Marcel Duchamp)。
他最近的展览包括:在蓬皮杜中心举办的“反射记忆”(Reflecting Memory),法兰克福现代艺术博物馆的个展“牺牲与和谐”(Sacrifice and Harmony),洛桑美术馆的个展“伤痕就在这里”(The Injuries are Here),安特卫普中世纪博物馆的个展“文化,另一种修复自然”(Culture, Another Nature Repaired),贝鲁特艺术中心的个展“反自然”(Contre Nature),伦敦怀特教堂画廊的个展“修复的连续:雅各布的梯子之光”(Continuum of Repair: The Light of Jacob’s Ladder),柏林当代艺术KW研究所的个展“修复:五个行动”(Repair. 5 Acts),巴黎市现代艺术博物馆的个展“建造、解构、重建:乌托邦的身体”(Construire, Déconstruire, Reconstruire: Le Corps Utopique),达喀尔双年展,卡塞尔的文献展(dOCUMENTA(13)),以及纽约现代艺术博物馆的展览“表演历史(1)”(Performing Histories (1))。
教育背景
1996-1998
Ecole Nationale Supérieure des Arts Décoratifs, Paris, France
1993-1994
Escola de Artes Applicades "La Massana", Barcelona, Spain
1991-1993
Ecole Supérieure des Arts Appliqués "Duperré", Paris, France
个展节选
2021
Kader Attia: On Silence, Mathaf, Doha, Qatar
Fragments of Repair, BAK, basis voor actuele kunst, Utrecht, Netherlands
Kader Attia: The Museum of Repair, State of Concept, Athens, Greece
2020
Irreparáveis Reparos, Sesc Pompeia, São Paulo, Brazil
Kader Attia. Remembering the Future, Kunsthaus Zürich, Switzerland
2019
Kader Attia, Berkeley Art Museum and Pacific Film Archive, Berkeley, USA.
Kader Attia, Le BAL, Paris / France.
The Museum of Emotion, The Hayward Gallery, London, UK.
2018
Kader Attia. Roots Also Grow In Concrete, Culturgest Fundação Caixa Geral de Depòsitos, Lisbon, Portugal
Open your Eyes, Museo de Arte de São Paulo / Brasil
Mémoire de l'Oubli, Fondation Francès, Senlis, France
Kader Attia. Scars Remind Us That Our Past Is Real, Premio Joan Miró, Fundació Joan Miró, Barcelona, Spain
Les racines poussent aussi dans le béton, MAC VAL, Musée d’art contemporain de Val-de-Marne, Vitry-sur-Seine, France
The Field of Emotion, The Power Plant, Toronto, Canada
Kader Attia. Reason’s Oxymorons, Hood Museum of Art, Darmouth College, Hanover, USA
2017
Reflecting Memory, Galleria Continua, San Gimignano, Italy
Kader Attia, Australian Centre for Contemporary Art, Melbourne, Australia
Kader Attia. Architektur der Erinnerung, Museum Ludwig Koblenz, Germany
Repairing The Invisible, SMAK, Gent, Belgium
Kader Attia, MCA, Sydney, Australia
Reason’s Oxymorons, Kemper Art Museum ; Washington University, St. Louis, USA
Reflecting Memory, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, US Biennale di Venezia, Venice, Italy
Narrative Vibrations, La Biennale di Venezia, Venice, Italy
Kader Attia. Architektur der Erinnerung, Museum Ludwig, Koblenz, Germany
Reason’s Oxymorons, Kemper Art Museum, Washington University, St. Louis, US
Dispossession, mima Middlesbrough Institute of Modern Art, Middlesbrough, UK
2016
Sacrifice and Harmony, MMK Museum für Moderne Kunst, Frankfurt am Main, Germany
2015
Reason’s Oxymorons, Galerie Nagel Draxler, Berlin, Germany
Scarification, Self Skin’s Architeture, Galerie Nagel Draxler, Berlin, Germany
The Injuries are here, Musée Cantonal des Beaux Arts de Lausanne, Lausanne, Switzerland
Complementary Conversations, Galerie Krinzinger, Vienna, Austria
Ghost, Stiftelsen 3,14, Bergen, Norway
2014
Kader Attia, Galleria Continua , Les Moulins, Paris, France
Continuum of Repair : The Light of Jacob’s Ladder, Palais des Beaux-Arts de Bruxelles, Belgium
Culture, Another Nature Repaired, Middelheim Museum, Antwerpen, Belgium
Show your Injuries, Lehmann Maupin Gallery, New York
Beginning of the world, Galleria Continua /Beijing
2013
Continuun of Repair: The Light of Jacob’s Ladder, Whitechapel Gallery, London, UK
REPAIR. 5 ACTS, Kunst Werke Museum, Berlin, Germany
Les Terrasses, Public Commission, outdoor work, La Digue du Large, Marseille, France
2012
Construire, Déconstruire, Reconstruire: Le Corps Utopique, Musée d'Art Moderne de la Ville de Paris, Paris, France
Collages, Galerie Christian Nagel, Berlin, Germany
Essential, Galleria Continua, San Gimignano, Italy
2011
Ghost, Galerie Christian Nagel, Antwerp, Belgium
2010
Holy Land, Galleria Continua, San Gimignano, Italy
2009
Signs of Reappropriation, The Savannah College of Art and Design, Savannah, USA
As a fold, Horizon is not a space, Galerie Christian Nagel, Berlin, Germany
Kasbah, Centre de Création Contemporaine de Tours, Tours, France
Po(l)etical, Krinzinger gallery, Vienna, Austria
Failures, Noga gallery, Tel Aviv, Israel
2008
Signs of Reappropriation, The Savannah College of Art and Design, Atlanta, USA
Black & white : signs of times, Centro de Arte Contemporaneo Huarte, Huarte, Spain
Kader Attia – New Works, Henry Art Gallery, Faye G. Allen Center for the Visual Arts, University of Washington, Seattle, USA
2007
Momentum 9, ICA, Boston, USA
Square Dreams, BALTIC Center for Contemporary Art, Newcastle, UK
Who cares ? , Haïfa Museum of Art, Haïfa, Israel
Do what you want but don’t tell anybody, Christian Nagel gallery, Berlin, Germany
2006
Tsunami, Magasin, CNAC, Grenoble, France
Kader Attia, Musée d’Art Contemporain de Lyon, Lyon, France
Sweet sweat, Andréhn-Schiptjenko gallery, Stockholm, Sweden
2005
The Gallery, Sketch, London , UK
2004
HALLAL, Kamel Mennour gallery, Paris, France
2002
Alter Ego, Kamel Mennour gallery, Paris, France
2001
2000
La Piste d’Atterrissage, l’Atelier, Centre National de la Photographie, Paris, France
1997
Instants Urbains, Galerie L’œil du huit, Paris, France
1996
Humanistes au Congo, Centre culturel Français de Brazzaville, Brazzaville, Congo
群展节选
2023
Thinking Historically in the Present, Sharjah Biennial 15, Sharjah, United Arab Emirates.
2022
On Caring, Repairing and Healing, Gropius Bau, Berlin, Germany
Still Alive, AICHI Triennale, Nagoya, Japan
May 18 Democratization Movement, Gwangju Biennale Foundation, Venice, Italy
Espressioni. Con frazioni, Castello di Rivoli, Turin, Italy
Objets Migrateurs, Centre de la Vieille Charité, Marseille, France
2021
Mindbombs. Visuelle Kulturen politischer Gewalt, Kunsthalle Mannheim, Germany
OIL. Beauty and Horror in the Petrol Age, Kunstmuseum Wolfsburg, Germany
Bon Voyage. Reisen in der Kunst der Gegenwart, Ludwig Forum, Aachen, Germany
Dance?, Centro Atlàntico de Arte Moderno, Las Palmas, Spain
The 13th Gwangju Biennial, Gwangju, South Korea
2020
Time Present. Photography from the Deutsche Bank Collection, Palais Populaire, Berlin, Germany
Empört euch! Kunst in Zeiten des Zorns, Kunstpalast, Düsseldorf, Germany
Transhuman. Von der Prothetik zum Cyborg, Museum Ulm, Ulm, Germany
Tell me about yesterday tomorrow, NS Dokumentationszentrum München, Germany
Mythologies – The Beginning and End of Civilizations, Aarhus Art Museum, Aarhus, Denmark
Schall und Rauch. The Roaring 20s, Kunsthaus Zürich, Switzerland
Image Wars. The Power of Images, Künstlerhaus, Halle für Kunst & Medien, Graz, Austria
Down to Earth, Gropius Bau, Berlin
Our World is Burning, Palais de Tokyo, Paris, France
Participation Mystique, Shanghai Ming Contemporary Art Museum, Shanghai, China
When Home Won’t let You Stay. Migration Through Contemporary Art, Minneapolis Institute of Art, Minneapolis, USA
Daily Nightshift, Kunsthal Extra City, Antwerpen, Belgium
2019
Phantom Limb, Jameel Arts Center, Dubai, United Arab Emirates
When Home Won’t let You Stay. Migration Through Contemporary Art, ICA Institute of Contemporary Art, Boston, USA
bauhaus imaginista, Zentrum Paul Klee, Bern, Switzerland
Clapping with Stones: Art and Acts of Resistance, Rubin Museum of Art, New York, USA
Love and Ethnology. The Colonial Dialectic of Sensitivity (after Hubert Fichte), Haus der Kulturen der Welt, Berlin, Germany
Maske, in der Kunst der Gegenwart, Aargauer Kunsthaus, Aarau, Switzerland
Open Your Eyes, University of Essex, Colchester Essex, UK
This Skin of Ours, Miller Institute for Contemporary Art, Carnegie Mellon, Pittsburgh, USA
10th Cinemigrante International Film Festival, Buenos Aires, Argentina
Zeig mir deine Wunde, DOM Museum, Vienna, Austria
how the light gets in, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, USA
16e Momenta Biennale d’image, La vie des choses, Montréal, Canada
Xenos, Museum of Contemporary Art, Tallinn, Estonia
No, you won’t be naming no buildings after me, TENT, Rotterdam, The Netherlands
Homeless Souls, Louisiana Museum of Modern Art, Humlebaek, Denmark
The Warmth of Other Suns: Stories of Global Displacements, The Phillips Collection, Washington DC, USA
Maske. Kunst der Verwandlung, Kunstmuseum, Bonn, Germany
History of Faces: Belting Variations, Museu Coleção Berardo, Lisbon, Portugal
Psyche and Politics, Staatliche Kunsthalle, Baden-Baden, Germany
bauhaus imaginista, Haus der Kulturen der Welt, Berlin, Germany
Chennai Photo Biennial 2019, Chennai, India
2018
Mental Models: The psyche as political arena, Staatliche Kunsthalle, Baden-Baden, Germany.
Bauhaus Imaginista: Learning From, Haus der Kulturen der Welt, Berlin, Germany.
Bemis Center for Contemporary Arts, Omaha, USA.
Proregress, The 12th Shanghai Biennial, Shanghai, China.
Show Me Your wound, Dom Museum, Wien
Lydia Cabrera and Edouard Glissant: Trembling Thinking, Americas Society, New York, US
Survival Kit 10 Art Festival, Riga, Latvia
The 12th Gwangju Biennial, Gwangju, South Korea
Trans-Justice: Paracolonial@technology, MoCA, Taipei, Taiwan
The Fabric of Felicity, Garage Museum of Contemporary Art, Moscow, Russia
Migrant Bauhaus. Bauhaus Imaginista: Learning From, Sesc Pompeia, Sao Paulo, Brasil
SeMA Bunker, Seoul Museum of Modern Art, Seoul, Korea
Il Giardino Planetrario. Coltivare la coesistenza - Manifesta 12, Forcella de Seta, Palermo, Italy
Blind Faith: Zeitgenössische Kunst zwischen Intuition und Reflexion, Haus der Kunst, Munich, Germany
Talismans, Fondation Calouste Gulbenkian, Paris, France
Re: Celebrating the Body, MacKenzie Art Gallery, Regina, Canada
Gegen die Strömung. Reise ins Ungewisse, Museum Morsbroich, Leverkusen, Germany
L'Un et l'Autre, Palais de Tokyo, Paris, France
Le Grand Ecart, 10 nommés du Prix Marcel Duchamp, Tsinghua University Art Museum, Beijing, China
Anche le statue muoiono, Fondazione Sandretto Re Rebaudengo / Fondazione Museo delle Antichità Egizie, Torino, Italy
THE SHYNESS OF THE CROWNS, Sogn Og Fjordane Kunstmuseum, Førde, Norway
Against the Current. Journey into the Unknown, Museum Morsbroich, Leverkusen, Germany
2017
Prospect 4, Triennial of Contemporary Art, New Orleans, US
Folklore. Eine Kontroverse mit Werken aus den Sammlungen, Museum der Moderne, Salzburg, Austria
New Region of the World, Bunkier Sztuki Gallery, Cracow, Poland
Réparations, Les Turbulences, FRAC Centre, Orléans, France
How To Live Together, Kunsthalle Wien, Vienna, Austria
Beyond The Pleasure Principle, Zacheta National Gallery of Art, Warsaw, Poland
Sharjah Art Biennial 13, Tamawuj, Sharjah
The Shyness of the Crowns, Fonds régional d’art contemporain Lorraine, Metz, France
The Flow Of Forms, Pinakothek der Moderne, Munich, Germany
Jaguars and Electric Eels, Julia Stoschek Collection, Berlin, Germany
Doublethink/Doublevision, Pera Museum, Istanbul, Turkey
The Restless Earth, Triennale di Milano, Milan, Italy
Kathmandu Triennale, The Siddhartha Arts Foundation, Kathmandu, Nepal
Seht, da ist der Mensch, Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany
Sans bride, ni mors, ni rêne, PHAKT - Centre culturel Colombier, Rennes, France
THE WHITE HUNTER, African Memories and representations, FM Centre for Contemporary Art, Milan, Italy
A look at the French scene, Centre d’Art Hangar H18, Bruxelles, Belgium
Anozero - Bienal de Arte Contemporânea de Coimbra, Coimbra, Portugal
Where History Begins, Void Contemporary Art Centre, Derry, Ireland
VIVA ARTE VIVA– La Biennale di Venezia, 57. Esposizione Internazionale d'Arte, Venezia, Italy
L'Afrique des routes, Musée du quai Branley, Paris, France
Kader Attia e Daniel Buren, Spazio 22, Milano, Italy
Beautiful Stranger, Museum De Wieger, Deurne, Netherlands
HIGH-TENSION – A look at the French scene, Red Brick Art Museum, Beijing, China
Utopia/Dystopia Part II, MAAT, Museum of Art, Architecture and Technology, Lisbon, Portugal
HIGH-TENSION – A look at the French scene, Times Museum, Canton, China
La Terra Inquieta / The Restless Earth, Triennale di Milano, Milano, Italy
Réparations, Les Turbulences, FRAC Centre, Orléans, France
Contemporary Locus, Ex Albergo Diurno, Bergamo, Italy
Citynature: From Vilnius Further On, National Gallery of Art of Lithuania, Vilnius, Lithuania
2016
Lines of Flight, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, US
Utopia/Dystopia Part II, Museum of Art, Architecture and Technology, Lisbon, Portugal
Atlas [of the ruins] of Europe, Centro Centro Cibeles, Madrid, Spain
Par tibi, Roma, nihil, Le Palatin, Roma, Italia
The City in the Blue Daylight, Dak’Art 2016, 12th Dakar Bienniale, Dakar, Senegal
But a Storm is Blowing from Paradise, Solomon R. Guggenheim Museum, New York, US
Still (the) Barbarians, EVA International Ireland’s Biennial, Limerick City, Ireland
Not New Now, 6th Marrakech Biennale, Marrakech, Morocco
Forum Expanded, 66th Berlinale, Akademie der Künste, Berlin, Germany
Traversing The Phantasm, Berlinale Berlin International Film Festival, Akademie der Künste, Berlin, Germany
La fine del mondo, Centro per l’Arte Contemporanea Luigi Pecci, Prato, Italy
Foreign Gods, Leopold Museum, Wien, Austria
Marcel Duchamp Prize, Centre Pompidou, Paris, France
Finnish Landscape, Contemporary Art at Seurasaari Open-Air Museum, Checkpoint Helsinki, Finland
The City in the Blue Daylight, Dak’Art 2016, The 12th Biennale of Contemporary African Art in Dakar, Musee de l’Ifan, Dakar, Senegal
Lines of Flight, The Miriam and Ira D. Wallach Art Gallery, Columbia University, USA
But a Storm is Blowing from Paradise, Solomon R. Guggenheim Museum, New York, USA
2016 : Not New Now, The Marrakech Biennale, Marrakech, Morocco
Still (the) Barbarians, EVA International – Ireland’s Biennial, Limerick City, UK
IMPERMANENCIA. La mutación del arte en una sociedad materialista, XIII Cuenca Biennial, Cuenca, Ecuador
Ein Knacks im Leben Wir scheitern... und wie weiter? , Vögele Kultur Zentrum, Pfäffikon, Switzerland
Historycode Scarsity and Supply, Nanjing International Art Festival, Bajia Lake Museum, Nanjing, China
2015
Nel Mezzo del Mezzo, Museo Riso / Albergo di poveri, Palermo, Italy
After Babel, Moderna Museet, Stockholm, Sweden
Invisible Violence, Salzburger Kunstverein, Salzburg, Austria
Streamlines, Deichtorhallen, Hamburg, Germany
A fendre le coeur le plus dur, Centre Photographique d’Ile-de-France, Paris, France
Boundary Objects, CA2M, Madrid, Spain
DEMONSTRATING MINDS, Disagreements in Contemporary Art, Kiasma – Finnish National Gallery, Helsinki, Finland
The Body into Pieces, Centre Pompidou de Malaga, Malaga, Spain
La vie moderne, Biennale de Lyon, Lyon, France
After Picasso: 80 Contemporary artists, Wexner Center for the Arts, Columbus, USA
A story within a story…, Göteborg International Biennial for Contemporary Art, Göteborg, Sweden
Sortir du Livre – Suspended Spaces, Mains d’Oeuvres, Paris, France
History Lesson, Centro Atlántico de Arte Moderno, CAAM, Las Palmas de Gran Canaria, Canary Islands
Springer, nochmals, Humboldt Lab Dahlem, Dahlem, Germany
Boundary Objects, Kunsthaus Dresden, Dresden, Germany
After Babel, Moderna Museet, Stockholm, Sweden
EUROPA, Kunsthaus Zurich, Zurich, Switzerland
After year Zero, Museum of Modern Art, Warsaw, Poland
A fendre le coeur le plus dur, FRAC Alsace, Strasbourg, France
IN/VISIBLE, ikob – Museum for contemporary art, Eupen, Belgium
Catcontent, Stadtpalais Stadt Erlangen, Erlangen, Germany
Michel Leiris & Co: Picasso Mirò, Giacometti, Bacon…, Centre Pompidou-Metz, Metz, France
Picasso in Contemporary Art, Deichtorhallen, Hamburg, Germany
Concrete, Tophane-I Amire Culture and arts Center, Mimar Sinan Güzel Sanatlar Üniversitesi, Istambul, Turkey
The body into pieces, Centre Pompidou de Malaga, Malaga, Spain
Le Corbusier dans l’Art Contemporain, Fondation Le Corbusier, Paris, France
Chercher le garçon – Exposition collective d’artistes homes, MAC/VAL, Vitry-sur-Seine, France
Invisible Violence, Salzburger Kunstverein, Salzburger, Austria
Kochi-Muziris Biennale, Kochi, India
2014
Rainbow in the Dark, SALT Galata, Istanbul , Turkey
Fragments of Empire, Momentum, Berlin , Germany
On the beginning of the short 20th century, Recent European art on World War I , Motorenhalle, Projektzentrum für zeitgenössische Kunst, Dresden , Germany
Whorled Explorations, Kochi-Muziris Biennale, Kochi, India
When Nowhere becomes Here, Poznan Biennale, Poznan, Poland
The Reluctant Narrator: A survey of narrative practices across media, Museu Coleção Berardo, Lisbon, Portugal
The Divine Comedy: Heaven, Purgatory, and Hell Revisited, Savannah College of Art and Design, Savannah, GA
Time Present- Contemporary Photography from the Deutsche Bank Collection, Singapore Art Museum, Singapore
Cut, Paste, Repair: A Hundred Years of Collage, Sicardi Gallery, Houston, TX
Il delitto quasi perfetto, Pac, Milan, Italy
Art Histories, MdM Salzburg, Salzburg, Austria
Transfigurations, curatorial and artistic Research in an Age of Migrations, MACBA, Barcelone , Spain
Concrete, MUMA, Monash University, Melbourne , Australia
La disparition des lucioles, Collection Lambert, Prison Sainte-Anne, Avignon , France
Project Hlysnan: The Notion and Politics of Listening, Casino Luxembourg - Forum d'Art Contemporain, Luxembourg , Luxembourg
Invisible Violence, Artium, Basque Museum-Centre of Contemporary Art, Vitoria , Spain, and Museum of Contemporary Art, Belgrade, Serbia
Double Jeu, FRAC Centre - Orléans, Orléans, France
Precarious Imaging, Raw Material Company, Dakar , Senegal
Hajj, le pèlerinage à La Mecque, Institut du Monde Arabe, Paris, France
Divine Comedy, MMK Museum für Moderne Kunst, Frankfurt, Germany
Tranka Episode #1 - Sextant et plus, La Friche La Belle de Mai, Marseille, France
The Crime was almost perfect, Witte de With, Rotterdam, Nederlands
The Theory of Colour, Museo Universitario Arte Contemporáneo-UNAM, Mexico DF, Mexico
Dak'Art 2014, 11ème Biennale de l'Art Africain Contemporain, Dakar, Senegal
Where are we now? , 5th Marrakech Biennial, Marrakech, Morocco
2013
After Year Zero, Haus der Kulturen der Welt, Berlin, Germany
Salon der Angst, Kunsthalle Wien, Vienna, Austria
43 Salón (inter) Nacional de Artistas, Medelin, Colombia
Territori instabili / Unstable Territory, Centre for Contemporary Culture Strozzina, Palazzo Strozzi, Florence, Italy
Museum off Museum, Bielefelder Kunstverein, Bielefeld, Germany
Le Pont, Musée d’Art Contemporain de Marseille, Marseille, France
Art Unlimited, ArtBasel 44, Basel, Switzerland
Every day matters, Faurschou Foundation, Copenhagen, Denmark
Le CAPC a 40 ans, CAPC, Bordeaux, France
Rethinking Modernity, Istanbul Modern, Istanbul, Turkey
Ici, ailleurs, La Friche La Belle de Mai, Marseille, France
The World Turned Inside Out, Witte de With, Rotterdam, Netherlands
Terms and Conditions, the Singapore Art Museum, Singapore, China
Altérité, Je est un Autre, Espace Culturel Louis Vuitton, Paris, France
2012
Fruits de la Passion, Centre Pompidou, Paris, France
Performing Histories (I) , Museum of Modern Art, New York, USA
The Repair from Occident to Extra-Occidental Cultures, Fridericianum Museum, DOCUMENTA(13), Kassel
Newtopia. The state of Human Rights, Menchelen, Belgium
Liverpool Biennial, Thresholds, works from the Tate Collection, Liverpool, UK
Glissement de terrain: impertience-Resistance-Survivance, Le musée lanchelevici, La Louviére, Belgium
Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art Chicago, Chicago, USA
Where is the time? , Foundation Izolyatsia, Donetsk, Ucraina
Spaces of Remembrance, Kunsthalle of Dusseldorf, Germany Biennale Kiev, Kiev
Hajj, Journey to the heart of Islam, the British Museum, London, UK
The Rituals of Chaos, The Bronx Museum, New York, USA
Erinnerungsräume, Kunsthalle Düsseldorf, Düsseldorf, Germany
The Best of Times, The Worst of Times, 1st Kiev International Biennale of Contemporary Art, Kiev, Ukraine
Chkoun Ahna, National Museum of Carthage, Carthage, Tunisia
In Other Words, NGBK, Berlin, Germany
10 ans du Projet pour l'Art Contemporain, Centre Pompidou, Paris, France
Mirages d'Orient, grenades et figues de barbarie, Chassé-croisé en Méditerranée, Collection Lambert, Avignon, France
The Far and the Near: St Ives and International Art, Tate St Ives, St Ives, UK
Die Stadt, die es nicht gibt, Ludwig Forum für Internationale Kunst, Aachen, Germany
Cartographies of Hope: Change Narratives, DOX - Centre for Contemporary Art, Prague, Czech Republic
Vivement demain, Mac/Val, Vitry-sur-Seine, France
The Margulies Collection at the Warehouse, Art Basel Miami Beach 2012, Miami, USA
Newtopia: The State of Human Rights, exhibition for the City of Mechelen, Mechelen, Belgium
The Rituals of Chaos, The Bronx Museum, New York / USA
Räume der Erinnerung, Kunsthalle Düsseldorf, Düsseldorf, Germany
The Best of Times, The Worst of Times, 1st Kiev International Biennale of Contemporary Art, Kiev, Ukraine
Unheimliche Reisen, Archiv trifft Gegenwart, Dienstgebäude, Zurich, Switzerland2011
Beijing Online Inlive - 10 Hands 100 Fingers, Galleria Continua, Beijing / China
After the Rage, Beton7, Athens, Greece
J'ai Deux Amours, Cité nationale de l'histoire de l'immigration, Paris, France
Drift- an exploration of urban and suburban landscapes, Sharjah Art Foundation, Sharjah, UAE
The Walls That Divide Us, Apexart, New York, USA
Magreb: Dos Orillas, Círculo de Bellas Artes de Madrid, Madrid, Spain
SPHERES 2011, 7 énergies autour d’une nouvelle expérience d’exposition, Galleria Continua, Le Moulin, France
Collector, Collection of the Fond National d’Art Contemporain, Le Tri Postal, Lille, France
Rewriting Words, 4th Moscow Biennale, Moscow, Russia
Wunder. Kunst, Religion und Wissenschaft vom 4. Jahrhundert bis zur Gegenwart, Deichtorhallen Hamburg, Hamburg, Germany
The Global Contemporary. Art Worlds after 1989, ZKM, Karlsruhe, Germany
Dublin Contemporary, Biennale of Dublin, Dublin, Ireland
Entre Temps, Taipei Fine Arts Museum, Taipei, Taiwan
Contested Terrains, Tate Modern, London / UK
French Art Today: Marcel Duchamp Prize, National Museum of Contemporary Art Korea, Gwacheon, South Korea
The Future of a Promise - Collateral exhibition, Venice Biennale 2011, Magazzini del Sale, Venice, Italy
Evergreen, Crédit Agricole de Montrouge, Montrouge, France
Paris – Delhi – Bombay, Centre Georges Pompidou, Paris, France
Entre-Temps, Minsheng Art Museum Shanghai, Shanghai, China
French Window, Mori Museum, Tokyo, Japan
PAX, Fondation Francès, Senlis, France
Strike Oppose, Barjeel Art Foundation, Sharjah, UAE
Living Room Exotica, Kunsthaus Glarus, Glarus, Switzerland
PROJECT EUROPA: Imagining the (Im)possible, The Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, USA
2010
La Route de la Soie, New Chinese, Indian and middle eastern art from the Saatchi Gallery, Lille 3000, Tri Postal, Lille, France
PICHA festival, Lubumbashi Image Encounters, Lubumbashi, Democratic Republic of Congo
Living in Evolution, Busan Biennal 2010, Busan Yacht Center, Gwangalli Beach, South Corea
Make Yourself at Home, Kunsthal Charlottenborg, Copenhagen, Denmark
Geo-graphics, A Map of Art Practices in Africa, Past and Present, Bozar, Brussels, Belgium
THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age, Biennale of Sydney, Sydney, Australia
Dreamlands, Beaubourg - Centre Georges Pompidou, Paris, France
Told/Untold/Retold, Arab Museum of Modern Art, Doha, Qatar
The Future of Tradition - The Tradition of Future, Haus der Kunst, Munich, Germany
Street & Studio – From Basquiat to Séripop, Kunsthalle Wien, Wien, Austria
The Flower of May, Kunsthalle Gwangju and City Museum, Gwangju, Korea
Art Unlimited, Art Basel 41, Basel, Switzerland
PastPresentFuture – Highlights from the UniCredit Group Collection, Centro Culturale Yapı Kredi, Istanbul
SUD 2010, Salon Urbain de Douala, festival triennal d'art public, Espace doual'art centre d'art contemporain Place du Gouvernement Bonanjo, Douala, Camerun
Centenary of Museo Nacional de Bellas Artes, Santiago de Chile, Chile
PROJECT EUROPA: Imagining the (Im)possible, The Samuel P. Harn Museum of Art - University of Florida, Gainesville, USA
Utopia and Monument II. On Virtuosity and the Public Sphere, Exhibition for the public space, Graz, Austria
SPHERES 2010, 7 énergies autour d’une nouvelle expérience d’exposition, Galleria Continua, Le Moulin, France
Lo spazio del sacro, Galleria Civica di Modena, Modena, Italy
De leur temps (3), FRAC d’Alsace – Sélestat, Grenoble, France ; Musée d'Art Moderne et Contemporain, Strasbourg, France
FotoGrafia IX Festival Internazionale di Roma, MACRO Testaccio, Rome, Italy
Living in Evolution, Busan Biennale, Busan, South Korea
Biennale de Belleville, Paris, France
Make Yourself at Home, Kunsthal Charlottenborg, Charlottenborg, Denmark
Unerwartet. Von der islamischen Kunst zur zeitgenössischen Kunst, Kunstmuseum Bochum, Bochum, Germany
Entre Temps, LoftProject ETAGI, Saint Petersburg, Russia
2009
Disorientation II, Abu Dhabi, UAE
Los de arriba y los de abajo, Sala de Arte Público Siqueiros, Mexico DF, Mexico
FIAC, Musée national d'art moderne et contemporain, Algiers, Algeria
Frontières, 8th African Biennale of Photography, Bamako, Mali
Sphères, Galleria Continua / Le Moulin, Boissy-le-Châtel, France
Dispositifs optiques, Centro Andaluz de Arte Contemporáneo, Seville, Spain
Cargo, Autocenter, Berlin, Germany
Pulsioni Performative Nell’Arte Contemporanea, Torrione Passari, Molfetta, Italy
Entre-Temps, Espaço Cultural Oi Futuro, Rio de Janeiro, Brazil
Time out of Joint : Recall and Evocation in Recent Art, The Kitchen, New York, USA
Praxis, Art in Times of Uncertainty, Thessaloniki Biennale, Thessaloniki, Greece
La Force de l’Art 02, Paris Triennial, Grand Palais, Paris, France
Entre-Temps, MIS - Museu da Imagem E Do Som, Sao Paulo SP, Brazil
Integration and resistance in the global era, 10th Havana Biennale, Havana, Cuba
ART TEL AVIV 09, Tel Aviv, Israel
Louis Vuitton: A Passion for Creation, Hong Kong Museum of Art, Hong Kong, SAR
Nation State, The Goodman Gallery, Johannesburg, South Africa
Looking Inside-out, Kunstnernes, Oslo, Norway
Unveiled: New Art from the middle east, Saatchi Gallery, London, United Kingdom
Collection 10, IAC - Institut d´art contemporain - Frac Rhône-Alpes, Villeurbanne, France
Gagarin the Artists in their Own Words – The first Decade, SMAK, Gent, Belgium
Mehr als ein T-Shirt, Bielefelder Kunstverein, Bielefeld, Germany
Praxis, Art in Times of Uncertainty, Thessaloniki Biennale, Thessaloniki, Greece
Louis Vuitton: A Passion for Creation, Hong Kong Museum of Art, Hong Kong, SAR
Calling Forth, The Kitchen; New York, USA
FIAC 2009, Tuileries Gardens, Paris, France
The Other, Cairo Biennale, Cairo, Egypt
Crossings Traversees, Darb 1718 Contemporary Art and Culture Center, Cairo, Egypt
Travesia, Centro Atlántico de Arte Moderno, las Palmas de Gran Canaria, Canary Islands, Spain
Réfléchir le Monde, La Centrale Electrique, Brussels, Belgium
In the Desert of Modernity, Haus der Kulturen der Welt, Berlin, Germany
Defense, Skeppsholmen, Stockholm, Sweden
Pontevedra Biennale, Pontevedra, Spain
Representations of the artist as an intellectual, D21 Kunstraum, Leipzig, Germany
2008
Traversées / Crossings, Darb 1718 Contemporary Art and Culture Center, Cairo, Egypt
The Other, 11th Cairo Biennale, Cairo, Egypt
Travesia, Centro Atlántico de Arte Moderno, las Palmas de Gran Canaria, Canary Islands, Spain
Réfléchir le Monde, La Centrale Electrique, Brussels, Belgium
In the Desert of Modernity, Haus der Kulturen der Welt, Berlin, Germany
Defense, Skeppsholmen, Stockholm, Sweden
Iaspis Open House, Autumn 2008, International Artist Studio Programme Sweden, Stockholm, Sweden
Pontevedra Biennale, Pontevedra, Spain
Representations of the artist as an intellectual, D21 Kunstraum, Leipzig, Germany
Traversée, Art Paris, Paris, France
Elefante Negro, Diego Rivera Museum, Mexico DF, Mexico
2007
The Big Easy, ACC Galerie Weimar, Weimar, Germany
The Big Easy: Relocating the Myth of the "West", Stiftung Federkiel - Halle 14, Leipzig, Germany
Les Rencontres Internationales Paris/Berlin/Madrid , Galerie nationale du Jeu de Paume, Paris, France
Suite Française, Krinzinger Projekte, Vienna, Austria
Alles klar? Zeitgenössische Kunst aus Ägypten, Kunstverein Salzburg, Salzburg, Austria
Theater of Cruelty, White Box, New York, USA
New Economy, Artists Space, New York, USA
Suite Française, Krinzinger Projekte, Vienna, Austria
Temporally, The Israeli Center of Digital Art, Holon, Israel
De leur Temps (2), Musée de Grenoble, Grenoble, France
Dialogues méditerranéens, St. Tropez, France
Accélération, Centre d’Art Neuchâtel, Neuchâtel, Switzerland
L‘Emprise du Lieu #4, Domaine Pommery, Reims, France
Politics of Fear, Albion, Londres, UK
Sculpture Park, Frieze Art Fair, London, UK
Equatorial Rhythms, Sternersen Museum, Oslo, Norway
Signes d’Existence, MAC Museo de Arte Contemporáneo, Universidad de Chile, Santiago, Chile
2006
1st Art, Landscape & Architecture Biennial, Canary Islands, Spain
BLACK PARIS. Kunst und Geschichte einer schwarzen Diaspora, Iwalewa-Haus, Bayreuth, Germany
Nuit Blanche, Paris, France
Arabic views, Kunstforeningen GL Strand, Copenhagen, Denmark
Notre histoire : une scène artistique française émergente, Palais de Tokyo, Paris / France, 2006
Infinities, Art Unlimited, Art Basel 37, Basel, Switzerland
Take a walk on the wild side, de Pury & Luxembourg gallery, Zurich, Switzerland
2005
Regards des photographes arabes contemporains, Institut du Monde Arabe, Paris, France
In between times, Tramway, Glasgow, UK
Meeting Point, Stenersen Museum, Oslo, Norway
Expérience de la durée, 8th Lyon Biennale, Lyon, France
SingulierS, Guangdong Museum of Art, Canton, China
Big Bang, Jewish Art and History Museum, Paris, France
Living for the City, J. Shainman gallery, New York, USA
The Loop, Art Unlimited, Art Basel 36, Basel, Switzerland
2004
Near East Project, Schirn Kunsthalle, Frankfurt, Germany
Continental Breakfast, Belgrade, Serbia
Shake, OK Centrum für Gegenwartskunst, Linz, Austria
Shake, Villa Arson, Nice, France
2003
Fault Lines, Contemporary African Art and shifting landscapes, 50th Venice Biennale, Venice, Italy
Voyages d’Artistes, Foundation Electra, Paris, France
Ouvertures Algériennes : créations vivantes, La Criée, Rennes, France
2002
Les vertus sont des titres, les souffrances sont des droits, FRAC Poitou-Charentes, Angoulême / France
2001
L’Alchimie de la rencontre, FRAC Champagne-Ardenne, Reims / France
The State of Things, part.1, KW Institute for Contemporary Art, Berlin / Germany
《世界的大镜子》Le grand miroir du monde,2017,镜子,特定场地尺寸。摄影:Ela Bialkowska
《世界的大镜子》Le grand miroir du monde,2017,镜子,特定场地尺寸。摄影:Ela Bialkowska
《噪音,寂静》Noise, silence,2017,金属、织物、泡沫、木材,特定场地装置。摄影:Ela Bialkowska
《欲望的对象》Objects of desire,2017,填充动物、木雕、古董面具、金属支架、镀锌架,特定场地装置。摄影:Ela Bialkowska
《环理论》Ring Theory,2015,镜子、铁、金属线,100 x 500 x 500 厘米。摄影:Oak Taylor-Smith
《环理论》Ring Theory,2015,镜子、铁、金属线,100 x 500 x 500 厘米。摄影:Oak Taylor-Smith
《反思记忆》Réfléchir la Mémoire / Reflecting Memory,2016,高清视频,48分钟。摄影:Vanni Bassetti
《反思记忆》Réfléchir la Mémoire / Reflecting Memory,2016,高清视频,48分钟
《处理记忆 #2》Work on memory #2,2017,拼贴画,82 x 102 x 3 厘米。摄影:Ela Bialkowska
《受伤的士兵,疾病面具》Soldat Blessé, Masque de Maladie,2013,卡拉拉大理石半身像、刚果彭德面具(20世纪初),可变装置尺寸。摄影:Sebastiano Pellion di Persano
《修复》The Repair,2012,80张幻灯片的双联画,15',循环。摄影:Sebastiano Pellion di Perano
《永恒的承诺》Eternelle promesse,2017,金属字母,特定场地尺寸。摄影:Ela Bialkowska
通过他的艺术作品,卡德尔·阿提亚将我们带入伴随着失落与剥夺历史的骄傲与反抗的双重困境之中。在此,他试图揭示一个矛盾:21世纪的困境,它残留着对现代主义那被污染、腐烂的文明不满的迷恋,与当代崇尚卫生、超越接触状态的英雄主义相对立。他充满政治色彩的作品引导我们注意到伤害与修复之间的循环性冲突。当今从阿富汗、利比亚、伊拉克和叙利亚逃难至法国及其他欧洲城市的难民,他们失去肢体、身受重创,不仅象征着社会秩序的破裂,还展现了几个世纪宗教冲突与工业剥削所留下的心理病理学疤痕。过去秘密背后的幽灵若被压抑,只会释放出更多的鬼魂和幻影般的记忆。
卡德尔·阿提亚的艺术作品在执行上坚决物质化,但却极具概念性,为公众提供了在政治、社会与认知领域之间的动态纽带。人类学、神经科学和医学的规范性框架被扭曲成一种新的诗意牵引力。不像 Guillaume Apollinaire 的象形诗或 Pierre Albert-Birot 在“Nous sommes des circonférences”(我们是圆周)中的写作,甚至像 Lou Reed 在“I’ll be your mirror”中的歌词那样,Attia 的作品对语言、图像和体积进行着无休止的手术。他在艺术中对幻肢的概念介于 Paul Valéry 的“模糊物体”和 Marcel Duchamp 的“现成品”之间。Valéry 的诗意不确定性模糊了自然与文化的界限,让物体处在未知的边缘。与之对比,杜尚的作品是可互换的,工业化制造且本质上是匿名的。相反地,对于卡德尔·阿提亚而言,被修复的物体依然是一个器官。它展示了自身形态的活跃DNA、归属的印记以及时间流逝的诗意刻痕。
因此,卡德尔·阿提亚作为艺术家的实践,谈及了对美学和心理失衡的强烈关注,关注着由完美与消费主义的意识形态所创造的失衡。无论我们是在凝视那些只能反射部分影像的钉合镜片,还是在思考一辆装配了纸板底盘的滑板车,阿提亚都指向了定义我们这一紧密相连的后殖民现状的意识形态缺陷与物质破损。他的装置作品看似光滑连贯,他的物体诱人且完美,但他以敏锐的感受力表达了历史扭曲的困扰和个人记忆破裂的方式,使他的作品集既具时代性、严谨性,又充满诗意。
Clémentine Deliss,摘自《艺术中的幻肢》,2018。
i René Girard 写道:“人体是一个解剖学差异的系统。如果残疾,即使是偶然的,也让人感到不安,那是因为它给人一种动态不稳定的印象。它似乎威胁着系统本身。人们试图将其控制住,但却无法做到;它扰乱了周围的差异,这些差异变得怪异,它们加速、碰撞、混合,最终可能威胁到自身的存在。系统外的差异令人恐惧,因为它暗示了系统的真相,它的相对性、脆弱性和致命性!” 选自《替罪羊》,Grasset 1982,第34页。
ii Pierre Albert-Birot,《献给死者的诗》,《月亮或诗歌之书》,1924年,选自 Pierre Albert-Birot,《诗歌 1916-1924》,Mortemart: Rougerie,1992,第199-202页。
iii Paul Valéry 写道:“偶然,在我手中,放置了世界上最模糊的物体。它让我进行了无限的思考,这些思考同样可以将我引向我曾经是的哲学家,或者将我引向我未曾成为的艺术家。” 选自《EUPALINOS或建筑师》,1921年,第49页。