然娜·卡迪罗娃生于1981年,乌克兰基辅地区布罗瓦里,目前在当地生活和工作。她是“R.E.P.”(革命实验空间)小组的成员。1999年毕业于塔拉斯·谢甫琴科国立美术学校后,她获得了卡兹米尔·马列维奇艺术奖和基辅雕塑项目大奖(均为2012年)。她还获得了PinchukArtCentre的特别奖(2011年)、主要奖(2013年)和特别奖 - 未来一代国际奖(2014年)。

 

卡迪罗娃的创作从一开始就涉及雕塑、摄影、视频、表演等不同领域,深度关注展览场地和空间。在她的作品中,背景问题被揭示出来,展示了不断变化的历史节奏——这是一个多层次的世界,其层次在直接性面前消失。的视角部分受到城市建筑材料的塑性和象征性价值的影响,经常转化社会主义理想的美学规范,这些规范仍然存在于当代乌克兰的遗产中。因此,陶瓷、玻璃、石材和混凝土成为她作品的亮点。

 

卡迪罗娃曾专注于多个特定场所项目,直到2022年2月俄罗斯对乌克兰发动的战争改变了她的所有计划。她开始在喀尔巴阡山的新家中开展人道主义项目PALIANYTSIA,该项目已经在全球范围内展出(意大利、德国、挪威、日本、法国、美国、瑞典、奥地利、格鲁吉亚、罗马尼亚、泰国、印度)。Zhanna 现在回到基辅,并创作了有关战争的新作品,这些作品在她的首个重要回顾展中展出,该展览于汉诺威Kunstverein(德国)开幕。另一个重要展览《飞行轨迹》于2023年6月在基辅的Pinchuk Art Centre(乌克兰)展出。卡迪罗娃目前参与了由PinchukArt Centre策展的“来自乌克兰:敢于梦想”展览,该展览是第60届国际美术展——威尼斯双年展的附属活动。

 

卡迪罗娃参加了众多国际展览,包括2023年科钦双年展(印度)、2022年曼谷双年展、第58届、第56届(国际项目)和第55届(乌克兰馆)威尼斯双年展、2017年基辅双年展以及“CrackUpCrackDown”、第33届卢布尔雅那平面艺术双年展(斯洛文尼亚)。近年来,她专注于特定场所项目,包括奥地利Semmering山的户外装置、意大利Tolfa村的广泛干预和永久雕塑,以及中国上海的上海静安国际雕塑项目(JISP)的雕塑项目。

 

她的作品在国内外展出,包括德国汉诺威Kunstverein、挪威斯塔万格博物馆、奥地利维也纳艺术论坛、以色列特拉维夫Eretz以色列博物馆、法国蓬皮杜中心、巴黎东京宫、穆尔豪斯艺术馆、奥地利因斯布鲁克Kunstraum、匈牙利布达佩斯路德维希博物馆、波兰华沙现代艺术博物馆和乌亚兹多夫斯基城堡、德国莱比锡Spinnerei、卡尔斯鲁厄Badischer Kunstverein、柏林DAAD、古巴哈瓦那国家古巴建筑师和建筑工程师联盟、芬兰坦佩雷Sara Hilden博物馆、乌克兰利沃夫市立艺术中心、乌克兰国家艺术博物馆以及基辅PinchukArtCentre。

 

 
 
个展节选
 
2024       UnexpectedGalerie Rudolfinum, Prague, (Czech Republic) 

                 Border Memory, Uppsala Art Museum, Uppsala (Sweden)

 

2023

Munich Documentation Center for the History of National Socialism, Munich (Germany)

Flying Trajectories, Pinchuk Art Centre, Kiev (Ukraine)

Daily Bread, A first Retrospective, Kunstverein, Hannover (Germany)

 

2022

Traditional Replays, Zhanna Kadyrova and Lada Nakonechna, Druh Druha, BWA, Warsaw (Poland)

Palianytsia, Galleria Continua, Paris (France)

Material Evidence, Stavanger Kunstmuseum, Stavanger (Norway)

Palianytsia, Konig Gallery, Berlin (Germany)

Palianytsia, Echigo-Tsumari Triennale (Japan)

Palianytsia, Riva San Biasio, Venezia (Italy)

Palianytsia, Berezovo Village, Transcarpathia (Ukraine)

 

2021

Market- Extra Dolce, Rhinoceros Gallery, Fondazione Alda Fendi Esperimenti, Rome (Italy)

Landmarks, Una Boccata d’Arte, Fondazione Elpis and Galleria Continua, Tolfa, Lazio (Italy)

 

2020

(Almost) Involuntary Sculptures, with Jiří Kovanda, Zahorian & Van Espen Gallery, Bratislava (Slovakia)

It was forbidden to swim in the water area of the plant, Invogue gallery, Odessa (Ukraine)

Market, site specific performance and installation, Ukrainian Institute, New York (USA)

Market, site-specific performance, Armory Show, New York (USA)

 

2019

Permiso para el coctel, GALLERIA CONTINUA / Havana (Cuba)

Animalier, Villa Pacchiani Centro Espositivo, Santa Croce sull'Arno, Pisa (Italy)

Extra Dolce, Fondazione MACC, Sardinia (Italy)

Resistance of Matter, Galleria Continua, Les Moulins (France)

Resistance of Matter, Zahorian & Van Espen Gallery, FOAF Prague (Czech Republic)

 

2018

Market, site specific project-performance, Kyiv Art Week, Kyiv (Ukraine)

Market, site specific project-performance, PULSE Miami, Florida (USA)

 

2017

Market, site-specific project-performance, in collaboration with Izolyatsia - Platform for Cultural Initiatives, Art Fair Monte-Carlo, Monte Carlo

Zhilmassiv, artist-run space, Apartment 14, Kyiv, Ukraine    

 

2016

Perfomance V, Nikola Đurković  Cultural Center, Kotor (Montenegro)

Mia casa, mia fortezza, GALLERIA CONTINUA / San Gimignano (Italy)

Hohulya with Denys Ruban, Detenpula gallery, Lviv (Ukraine)

Crypsis with Alice Nikitinova, PLATO – platform for contemporary art, Ostrava (Czech Republic)

Yours/Mine Бükü – Bureau for Cultural Translations, Leipzig (Germany)

Ostrava City , Gallery, Ostrava (Czech Republic)

 

2015

Yours/Mine, Small Gallery Art Arsenal, Kiev (Ukraine)

Experiments with Lada Nakonechna, BWA gallery, Warsaw (Poland)

Performance  The School of Kyiv - Kyiv Biennial 2015 National Pedagogical Dragomanov University, Kiev (Ukraine)

Second hand Art , Zavod Platforma, Kiev (Ukraine)

Alterations, Kunstraum Innsbruck, Innsbruck (Austria)

 

2014

Street Collection, residency, Baro Gallery, Sao Paolo (Brazil)

 

2013

Data Extraction, GALLERIA CONTINUA / San Gimignano (Italy)

 

2012

Crowd, Pinchuk Art Center, Kyiv (Ukraine)

Asphalt, Centre for Contemporary Art Ujazdowski Castle, Warsaw (Poland)

 

2011

City Project, Black Square Gallery, Miami (USA)

Invisible Forms, Mala Galereya of Mystetskyi Arsenal, Kyiv (Ukraine)

Form of Light, public art, Kyiv ( Ukraine)

 

2010

The Guide, Lavra Gallery, Kyiv (Ukraine)

Apple, public art, Lenin St., Perm (Russia)


 

2009

Monument to a New Monument, public art, Sharhorod (Ukraine)

Calculation, Regina Gallery, Moscow (Russia)

Calculation, Pop-up project, Kyiv (Ukraine)

 

2008

Graphs, public art, under the auspices of “City – Territory of Art” project, Kyiv (Ukraine) 

 

2007

Prace [Work] (together with Alice Nikitinova), Nod Gallery, Prague, Czech Republic and Mala Galereya of Mystetskyi Arsenal, Kyiv (Ukraine)

 

2006

ORANGE SUMMER ‘06, Regina Gallery, Moscow (Russia)

Diamonds (together with Andriy Sagaidakovsky), Center for Contemporary Art, National University of “Kyiv-Mohyla Academy,” Kyiv (Ukraine)

 

2005

ORANGE SUMMER II (together with Lesia Khomenko), Regina Gallery, Moscow (Russia)

 

 

 

 

2024

 

 

群展节选

 

From Ukraine: Dare to Dream, presented by the Victor Pinchuk Foundation and the PinchukArtCentre, Collateral Event of the 60th International Art Exhibition — La Biennale di Venezia, (Italy)

 

2023

Contemporary Summer, Bechyne Castle, Bechyne (Czech Republic)

Kaleidoscope of story(s). Ukrainian Art 1912-2023, Albertinum, Dresden (Germany)

Kaleidoscope of story(s). Ukrainian Art 1912-2023, Museum de Fundatie, Zwolle (The Netherlands)

Romantic Route 3 Arts Festival, Taiwan

Chronic Hunger – Chronic Desire, Timișoara 2023 European Capital of Culture, Timisoara (Romania) 

Exhibition of 27 world artists, MOT, Kyiv (Ukraine)

Kochi - Muziris Biennale 2022, Kochi (India)

 

2022

The Pain of Others, curated by Tomáš Glanc, DOX Praha (Czech Republic)

We No Longer Feel the Future, MUZA – Eretz Israel Museum, Tel Aviv (Israel)

Ukraine, Une donation contemporaine, Centre Pompidou, Paris (France)

War art, Nikitos, Paris (France)

Stolen sun gallery New York (USA)

What is depicted here? Working room residency, Folkwang Museum, Essen (Germany)

24.02.2022 A.D AD Curatorial, Berlin (Germany)

Tod und das Mädchen / Death and the Maiden, curated by Lizaveta German, Maria Lanko and Bettina Biusse, Kunstforum Wien (tresor space), Vienna (Austria)

Bangkok Biennale 2022 Chaos-Calm, Bangkok (Thailand)

War in the distance, Neue Galerie, Steirischer Herbst ’22, Graz (Austria) 

Renewal [Odnowa] Biennale Zielona Góra  2022, Zielona Góra (Poland)

UKRAINA Rikstolvan, Simrishamn (Sweden)

Women at War curated by Monika Fabijanska, Fridman Gallery, New York (USA)

The Artist as a Witness Parlamentarium of the European Parliament  , Brussels (Belgium)

State of emergency Catinca Tabacaru gallery , Bucharest (Romania)

Unfolding landscapes Art &history museum , Brussels (Belgium)

War diaries gallery Artbeat , Tbilisi (Georgia)

War diaries Contemporary Art Space , Batumi (Georgia)

Corridor Zemstvo Museum of Chisinau , Chisinau (Moldova)

Working room. Residence exhibition Ivano-Frankivsk (Ukraine)

 

2021

Swimming Wasn't Allowed in the Plant's Aquatorium, M17 Contemporary Art Center, Kyiv, Ukraine

Kyiv-Ichihara, Ichihara Art & Mix Festival, Goi Station, Ichihara (Japan)

Look! Exposing Art and Fashion, Marta Herford Museum, Herford (Germany) 

Land, Property and Commons Semmering Mountains, Vienna (Austria) 

Truc a’ faire, curated by JR, Galleria Continua, Paris (France)

 

2020

Why there will be women artists in Lvyv, Lvyv Municipal Art Centre, Lvyv (Ukraine)

Fear, Galeria Arsenal, Bialystok (Poland)

WBS70 — fünfzig Jahre danach. Kunst off Plattenbau, Raskolnikow Kunsthaus, Dresden (Germany)

Fruits, Shanghai International Sculpture Project JISP, Shanghai (China)

Le Monument, le Labeur et l’Hippocampe, Kunsthalle Mulhouse, Mulhouse (France)

Still Still Life, Sara Hilden Museum, Tampere (Finland)

Fantastic Utopias, curated by Ilaria Bonacossa, Rocca di Angera (Italy)

Redemption Sale, Fondazione MACCA, Cagliari (Italy)

Crack Up, Crack Down, 33rd Biennial of Graphic Arts, Uyazdovski castle, Warsaw (Poland)

 

2019

May you live in interesting times, 58th International Art Exhibition curated by Ralph Rugoff, Venice Biennale, Venice (Italy)

Hotel Europa, Tbilisi (Georgia)

Crack Up, Crack Down, The 33rd Biennial of Graphic Arts, Ljubljana (Slovenia)

 

2018

The Fabric of Felicity, Garage Museum of Contemporary Art, Moscow (Russia)

A space of one’s own, PinchukArtCentre, Kyiv (Ukraine)

Brave Factory festival, Kyiv (Ukraine)

Fantazery festival , Dragobrat (Ukraine)  

Porto Franko, Ivano-Frankivsk (Ukraine)

Permanent revolution, Ludwig museum, Budapest (Hungary)

 

2017

The Invisible Cities, UNAICC = National Union of Cuban Architects and Construction Engineers, Havana (Cuba)

The Festivities Are Cancelled!, Kyiv Biennial 2017, Ukrainian Institute of Scientific, Technical and Economic Information, Kyiv (Ukraine)

Anonymous Society, PinchukArtCentre, Kyiv (Ukraine)

Montezuma, Fontana, Mirko. La scultura in mosaico dalle origini a oggi, MAR - Museo d’Arte della città di Ravenna, Ravenna (Italy)

Museum of the city of Svetlograd, Lisichansk Local History Museum, Lisichansk (Ukraine)

Biruchiy Festival 2017, Biryuchyi Island (Ukraine)

Gogolfest, Kyiv (Ukraine)

Urbs Sacra, Mains d’Œuvres, Saint-Ouen (France)

Stan zagrozenia, Pracownia duzy pokoi, Warsaw (Poland)

Continua Sphères Ensemble, Le CENTQUATRE-Paris, Paris (France)

Reconstruction of Memory, DOX Centre for Contemporary Art, Prague (Czech Republic)

Art Prospect Bishkek: Breathing new life into green zones, Gareev Botanical Garden, Bishkek (Kyrgyzstan)

The Story about Certain Histories, Galeria Labirynt, Lublin (Poland)

 

2016

The School of Prosperity. A Class of the School of Kyiv, Kyiv Biennial 2015, MUSA, Vienna (Austria)

Переведіть мене через майдан (Make me cross the Maidan), Modern Art Research Institute of the Ukainian National Academy of Arts, Kyiv (Ukraine)

NaViyane, Shishaki Fest, Cinema O. Dovzhenko, Shishaky, Poltava, UA

Social contract, Izolyatsia. Platform for Cultural Initiatives, Kyiv, UA

Bud'mo!, BWA Zielona gora, Zielona Góra, PL

On/Off. Museum (science) fictions, Centre Georges Pompidou, Paris, FR

The School of Prosperity. A Class of the School of Kyiv, Kyiv Biennial 2015, MUSA, Vienna, AT

 

De ne DeInstitute of Scientific-Technical and Economic Information, Kyiv (Ukraine)

 

2015

Follia Continua! 25 years of Galleria Continua, Le CENTQUATRE-Paris, Paris (France)

Hope! Ukrainian Pavilion, 56th Venice Biennale, Venice (Italy)

The School of Kyiv. Leipzig Class, Seminar: Politics of Form, Leipzig (Germany)

The School of Kyiv. Karlsruhe Class, Lecturer: Alexandra Exter Badischer Kunstverein, Karlsruhe (Germany)

Biruchiy 10×15, 10th International symposium of contemporary art in Ukraine, Biruchiy (Ukraine)

Nad Bogom, cultural and artistic residence,  Cinema Rossiya, Vinnitsa (Ukraine)

Zone of peace and freedom Shishaki Fest, cinema O.P.Dovzhenko, Shishaki, Poltava region (Ukraine)

Recreation, Symposium of Contemporary Art, Irshansk, Zhytomyr region (Ukraine)

Master Art, Vozdvizhenka Art House, Kyiv (Ukraine)

Trotz allem, Polish institute, Dusseldorf (Germany)

Borderlands, Grad gallery, London (United Kingdom)

 

2014

Post Pop. East meets West, Saatchi Gallery, London (United Kingdom)

R.E.P. 10 lat . O metodzie, Galeria Labirynt, Lublin (Poland)

Through Maidan and Beyond, Architekturzentrum, Vienna (Austria)

21 Artists Shortlisted for the Future Generation Art Prize 2014, PinchukArtCentre, Kyiv (Ukraine)

Sister europe, Kunstraum Lakeside, Klagenfurt (Austria)

Everything and Nothing, Skuc Gallery, Lubljana (Slovenia)

Open City, Art Festival in Public Spaces, Lublin (Poland)

The Ukrainians*, DAAD, Zimmerstrabe, Berlin (Germany)

Occupation art, Artists Union, Ternopil (Ukraine)

Places, National History Museum of Ukraine, Kyiv (Ukraine)

Fear and Hope, PinchukArtCentre, Kyiv (Ukraine)

Upstairs, Museum of Moscow, Moscow (Russia)

 

2013

Exhibition of the 20 shortlisted artists for the PinchukArtCentre Prize 2013, Pinchuk Art Centre, Kiev (Ukraine)

Contemporary Ukrainian art scene, Uyazdovsky Castle, Warsaw (Poland)

Nouvelles Vagues, Palais de Tokyo, Paris (France)

Izolyatsia. Platform for Cultural Initiatives, Donetsk, Ukraine, Donetsk (Ukraine)

Monument to the Monument, Ukrainian Pavilion, 55th Venice Biennale, Venice (Italy)

Sopromat [strength of materials], ArtPlay, Moscow (Russia)

In the Heart of the Country, Museum of Modern Art in Warsaw (Poland)

Ukrainian News, Centre for Contemporary Art Ujazdowski Castle, Warsaw (Poland)

Coordinate System, Yermilov Centre, Kharkiv (Ukraine)

 

2012

Practice, Lavra gallery, Kyiv (Ukraine)

Spheres 5, Galleria Continua/Le Moulin (France)

Biryuchi012, Biryuchi Island (Ukraine)

Kyiv Sculpture Project, Grishko Central Botanical Garden, Kyiv, Ukraine

Contemporary Art Storage, courtyard of Lavra Gallery, Kyiv, Ukraine

Double Game, Special Project, First Kyiv International Biennale of Contemporary Art ARSENALE 2012, Kyiv, Ukraine 

False Mirrors, Lavra Gallery, Kyiv, Ukraine

Myth: Ukrainian Baroque, National Art Museum of Ukraine, Kyiv (Ukraine)

GENDER - the Right to Self-construction in Patriarchy, Izolyatsia. Platform for Cultural Initiatives, Donetsk (Ukraine)

Apartment Exhibition Days “Zero Budget”, Kharkiv (Ukraine)

Angry birds, Museum of Modern Art, Warsaw (Poland)

Women’s Guild, Visual Culture Research Center, Kyiv (Ukraine)

 

2011

Exhibition of the 20 shortlisted artists for the PinchukArtCentre Prize 2011, PinchukArtCentre, Kyiv (Ukraine)

On/Off, Art House, Moscow (Russia)

Art Training: join the urban game!, Wroclaw, Poland and Kyiv (Ukraine)

Impossible Community, Moscow Museum of Modern Art, Moscow (Russia)

3+6, apartment exhibition, Moscow (Russia)

"Independent", Mystetskyi Arsenal, Kyiv (Ukraine)

Phantom Monuments, Garage Center for Contemporary Culture, Moscow (Russia)

 

2010

Ukrainian Art Platform, ART Paris, Paris (France)

Great Surprise, National Art Museum of Ukraine, Kyiv (Ukraine)

Tape it, Оui Gallery, Grenoble (France)

Abstract Vision Test, Ya Gallery, Kyiv (Ukraine)

Those who arrived in the 2000s, CCA М17, Kyiv (Ukraine)

Eurorenovation in Europe, Kunstraum, Munich (Germany)

From City to City, Musical Theatre, Kyiv (Ukraine)

ЯКЩО / ЕСЛИ / IF, Museum of Contemporary Art PERMM, Perm (Russia) 

 

2009

The Conquered City, Regina Gallery, Moscow (Russia)

New History, Kharkiv Art Museum, Kharkiv (Ukraine)

Views, Center for Contemporary Art, National University of “Kyiv-Mohyla Academy”, Kyiv (Ukraine)

On the Wall, LABgarage Gallery, Kyiv (Ukraine)

MoskwApolice,  Museum of Contemporary Art PERMM, Perm (Russia)

No More Reality: Crowd and Performance, Depo Gallery, Istanbul (Turkey)

 

2008

Art as a Gift, PinchukArtCentre, Kyiv, Ukraine (REP)

Transit, Ya Gallery, Kyiv, Ukraine

Another city. Another life, Zacheta Gallery, Warsaw, Poland (REP)

No more reality, De Appel Art Centre, Amsterdam, the Netherlands (REP)

Satellite Tunes,  National University of Fine Arts, Budapest, Hungary (REP)

Alphabetical Order, Index Gallery, Stockholm, Sweden

The Invisible Difference, Art Strelka Projects Gallery, Moscow, Russia

 

2007

ArchShargorod Festival, Shargorod, Ukraine

XV years, Vinzavod, Moscow (Russia) 

Communities Project, Center for Contemporary Art, National University of “Kyiv-Mohyla Academy”, Kyiv (Ukraine)

Generation UsA, PinchukArtCentre, Kyiv (Ukraine)

 

2006

Report Project, Center for Contemporary Art, National University of “Kyiv-Mohyla Academy”, Kyiv (Ukraine) 

Modus R: Russian Formalism Today, The Newton Building, Miami Design District, Miami (USA)

Testing station, Skulpture Hus, Stockholm (Sweden)

Postorange, Kunsthalle, Vienna (Austria)

You?!, TSEKH Gallery, Kyiv (Ukraine)

8=8, L-Gallery, Moscow (Russia) 
“Intervention” part of the project

24 Hours. Ukraine, Centre for Contemporary Art Ujazdowski Castle, Warsaw (Poland)

Contested Spaces in Post-Soviet Art,Contested Spaces in Post-Soviet Art, Sidney Mishkin Gallery, New York (USA)

hot ukraine cool ukraine, Moscow Center of Art, Moscow (Russia)

 

2005

Ukrainian Art and the Orange Revolution, Ukrainian Institute of Modern Art, Chicago (USA)

Intervention, Center for Contemporary Art, National University of “Kyiv-Mohyla Academy”, Kyiv (Ukraine)

Control, Center for Contemporary Art, National University of “Kyiv-Mohyla Academy”, Kyiv (Ukraine)

Do It Yourself, Art Strelka, David Ter-Oganyan’s showcase, Moscow (Russia)

Do It Yourself, Tomacz Vanek showcase, Prague (Czech Republic)

Orange Summer, Regina Gallery, Moscow (Russia) 

Ukrainian Hermitage, Center for Contemporary Art, National University of “Kyiv-Mohyla Academy”, Kyiv (Ukraine) 

Lost, Center for Contemporary Art, National University of “Kyiv-Mohyla Academy”, Kyiv (Ukraine) 

 

2004

R.E.P. (Revolutionary Experimental Space), Center for Contemporary Art, National University of “Kyiv-Mohyla Academy”, Kyiv (Ukraine)

Romanticism, Ukrainian-Polish project, exhibition hall of Ukrainian Artists Union, Kyiv (Ukraine) 

1st prize - Playing with archetypes, National Center of Folk Culture “Ivan Honchar Museum”, Kyiv, (Ukraine)

 

2003

21 Views, Soviart Gallery, Kyiv (Ukraine)

"Art-Klyazma", International Art Festival, Moscow (Russia)

 

2002

BiBikov Boulevard, Soviart Gallery, Kyiv (Ukraine) 

Blue Mud, Guelman Gallery, Kyiv (Ukraine)

“较量之魔”,2024,展览现场,Palazzo Chigi Zondadari 基金会,意大利锡耶纳,摄影:Ela Bialkowska, OKNO Studio

“较量之魔”,2024,展览现场,Palazzo Chigi Zondadari 基金会,意大利锡耶纳,摄影:Ela Bialkowska, OKNO Studio

“较量之魔”,2024,展览现场,Palazzo Chigi Zondadari 基金会,意大利锡耶纳,摄影:Ela Bialkowska, OKNO Studio

“较量之魔”,2024,展览现场,Palazzo Chigi Zondadari 基金会,意大利锡耶纳,摄影:Ela Bialkowska, OKNO Studio

“焦虑”,常青画廊展览现场,圣吉米那诺,2024,摄影:Ela Bialkowska, OKNO Studio

“焦虑”,常青画廊展览现场,圣吉米那诺,2024,摄影:Ela Bialkowska, OKNO Studio

《面包(特拉维夫)》2022,河石现成品,50公斤,摄影:Ela Bialkowska, OKNO Studio

《焦虑》2022,手工刺绣、手工和机器刺绣的文字,40 x 30.1 x 1.1厘米,摄影:Ela Bialkowska, OKNO Studio

《无题》2014–2023,砖块、水泥、木材、壁纸,装置,尺寸可变。“日常面包:首次回顾展”,汉诺威艺术协会,2023,摄影:Andre Germar

《实验》2014,3幅印刷作品的组合、喷墨打印、酸蚀,220 x 110厘米。《日常面包:首次回顾展》,汉诺威艺术协会,2023,摄影:Andre Germar

《数据提取:伊尔平》Data Extraction Irpin,2023,沥青、聚苯乙烯、环氧树脂,222 x 189 x 11厘米 / 194 x 156 x 11厘米。《日常面包:首次回顾展》,汉诺威艺术协会,2023,摄影:Andre Germar

《焦虑 绘画》2022,21幅绘画、纸上墨水,20 x 20厘米。《日常面包:首次回顾展》,汉诺威艺术协会,2023,摄影:Andre Germar

“面包”,常青画廊展览现场,巴黎,摄影:Oak Taylor-Smith

《面包(巴黎)》2022,河石现成品,尺寸可变,摄影:Oak Taylor-Smith

《面包(巴黎)》2022年,找到的河石,尺寸不一,摄影:Oak Taylor-Smith

《面包(巴黎)》2022年,找到的河石,尺寸不一,摄影:Oak Taylor-Smith

“面包”,常青画廊展览现场,巴黎,摄影:Oak Taylor-Smith

《汉堡(巴黎)》2022,河石现成品,尺寸可变,摄影:Oak Taylor-Smith

《汉堡(巴黎)》2022,河石现成品,尺寸可变,摄影:Oak Taylor-Smith

《汉堡(巴黎)》2022,河石现成品,尺寸可变,摄影:Oak Taylor-Smith

“面包”,常青画廊展览现场,巴黎,摄影:Oak Taylor-Smith

《面包》2022,视频,18分钟56秒,摄影:Oak Taylor-Smith

《面包》2022,视频,18分钟56秒,摄影:Oak Taylor-Smith

“乌克兰”,展览现场,Rikstolvan,Järrestad,瑞典

“乌克兰”,展览现场,Rikstolvan,Järrestad,瑞典

“物质证据” Material Evidence,展览现场,斯塔万格博物馆,2022,摄影:Oddbjørn Erland Aarstad

“物质证据” Material Evidence,展览现场,斯塔万格博物馆,2022,摄影:Oddbjørn Erland Aarstad

“物质证据” Material Evidence,展览现场,斯塔万格博物馆,2022,摄影:Oddbjørn Erland Aarstad

“物质证据” Material Evidence,展览现场,斯塔万格博物馆,2022,摄影:Oddbjørn Erland Aarstad

“物质证据” Material Evidence,展览现场,斯塔万格博物馆,2022,摄影:Oddbjørn Erland Aarstad

“物质证据” Material Evidence,展览现场,斯塔万格博物馆,2022,摄影:Oddbjørn Erland Aarstad

“面包”,越后妻有三年展,2022

“面包”,越后妻有三年展,2022

《面包》2022,乌克兰紧急情况筹款项目,Castello 2145, Riva San Biasio, 30122 威尼斯,摄影:Natalka Diachenko

《面包》2022,乌克兰紧急情况筹款项目,Castello 2145, Riva San Biasio, 30122 威尼斯,摄影:Natalka Diachenko

《面包》2022,乌克兰紧急情况筹款项目,Castello 2145, Riva San Biasio, 30122 威尼斯,摄影:Natalka Diachenko

《面包》2022,乌克兰紧急情况筹款项目,Castello 2145, Riva San Biasio, 30122 威尼斯,摄影:Natalka Diachenko

“水果”,2021,M17当代艺术中心常设展览,乌克兰基辅

“水果”,2021,M17当代艺术中心常设展览,乌克兰基辅

“水果”,2021,M17当代艺术中心常设展览,乌克兰基辅

“水果”,2021,M17当代艺术中心常设展览,乌克兰基辅

《水果》,2020,上海国际雕塑项目JISP,上海(中国)

《水果》,2020,上海国际雕塑项目JISP,上海(中国)

《水果》,2020,上海国际雕塑项目JISP,上海(中国)

《地标(发现的柱子)》Landmarks (Found Column),2021,收集的屋顶瓦片、混凝土、金属,60 x 60 x 250厘米。托尔法(RM),2021年,Una Boccata d'Arte - Fondazione Elpis与常青画廊合作,摄影:Monkeys Video Lab

《地标(发现的马赛克)》Landmarks (Found Mosaic),2021,收集的天然石材、混凝土。2件元素:68 x 37厘米;110 x 120厘米。托尔法(RM),2021,Una Boccata d'Arte - Fondazione Elpis与常青画廊合作,摄影:Monkeys Video Lab

《地标(发现的村庄)》Landmarks (Found Village),2021,收集的屋顶瓦片、混凝土,5件元素:尺寸不一。托尔法(RM),2021,Una Boccata d'Arte - Fondazione Elpis与常青画廊合作,摄影:Monkeys Video Lab

《额外的甜蜜(市场)》EXTRA DOLCE (MARKET),2019-2021(细部),发现的建筑墙壁、地板、沥青、混凝土、陶瓷砖、石材、石膏、玻璃,尺寸可变 ©Rhinoceros Gallery

《额外的甜蜜(市场)》EXTRA DOLCE (MARKET),2019-2021(细部),发现的建筑墙壁、地板、沥青、混凝土、陶瓷砖、石材、石膏、玻璃,尺寸可变 ©Rhinoceros Gallery

《额外的甜蜜(市场)》EXTRA DOLCE (MARKET),2019-2021(细部),发现的建筑墙壁、地板、沥青、混凝土、陶瓷砖、石材、石膏、玻璃,尺寸可变 ©Rhinoceros Gallery

《额外的甜蜜(市场)》EXTRA DOLCE (MARKET),2019-2021(细部),发现的建筑墙壁、地板、沥青、混凝土、陶瓷砖、石材、石膏、玻璃,尺寸可变 ©Rhinoceros Gallery

《市场》2017-2019,陶瓷砖、水泥、镜子和天然石材 ©艺术家和常青画廊(圣吉米那诺 / 北京 / 莱穆兰 / 哈瓦那)摄影:Ela Bialkowska, OKNO Studio. 然娜·卡迪罗娃,受邀参加第58届威尼斯国际艺术展“愿你生活在有趣的时代”,装置现场,吉阿尔迪尼,2019

《市场》2017-2019,陶瓷砖、水泥、镜子和天然石材 ©艺术家和常青画廊(圣吉米那诺 / 北京 / 莱穆兰 / 哈瓦那)摄影:Ela Bialkowska, OKNO Studio. 然娜·卡迪罗娃,受邀参加第58届威尼斯国际艺术展“愿你生活在有趣的时代”,装置现场,吉阿尔迪尼,2019

《市场》2017-2019,陶瓷砖、水泥、镜子和天然石材 ©艺术家和常青画廊(圣吉米那诺 / 北京 / 莱穆兰 / 哈瓦那)摄影:Ela Bialkowska, OKNO Studio. 然娜·卡迪罗娃,受邀参加第58届威尼斯国际艺术展“愿你生活在有趣的时代”,装置现场,吉阿尔迪尼,2019

《市场》2017-2019,陶瓷砖、水泥、镜子和天然石材 ©艺术家和常青画廊(圣吉米那诺 / 北京 / 莱穆兰 / 哈瓦那)摄影:Ela Bialkowska, OKNO Studio. 然娜·卡迪罗娃,受邀参加第58届威尼斯国际艺术展“愿你生活在有趣的时代”,装置现场,吉阿尔迪尼,2019

《二手》Second Hand,2019,威尼斯All’Angelo酒店,收集的陶瓷、环氧树脂、金属、水泥 ©艺术家和常青画廊(圣吉米那诺 / 北京 / 莱穆兰 / 哈瓦那)摄影:Ela Bialkowska, OKNO Studio. 然娜·卡迪罗娃,受邀参加第58届威尼斯国际艺术展“愿你生活在有趣的时代”,装置现场,吉阿尔迪尼,2019

 

《二手》Second Hand,2019,威尼斯All’Angelo酒店,收集的陶瓷、环氧树脂、金属、水泥 ©艺术家和常青画廊(圣吉米那诺 / 北京 / 莱穆兰 / 哈瓦那)摄影:Ela Bialkowska, OKNO Studio. 然娜·卡迪罗娃,受邀参加第58届威尼斯国际艺术展“愿你生活在有趣的时代”,装置现场,吉阿尔迪尼,2019

《二手》Second Hand,2019,威尼斯All’Angelo酒店,收集的陶瓷、环氧树脂、金属、水泥 ©艺术家和常青画廊(圣吉米那诺 / 北京 / 莱穆兰 / 哈瓦那)摄影:Ela Bialkowska, OKNO Studio. 然娜·卡迪罗娃,受邀参加第58届威尼斯国际艺术展“愿你生活在有趣的时代”,装置现场,吉阿尔迪尼,2019

“鸡尾酒许可”PERMISO PARA EL CÓCTEL,常青画廊展览现场,哈瓦那。背景中:安尼施·卡普尔《当我怀孕时》1992-2016,玻璃纤维、木材和油漆,600 x 600 x 150厘米,摄影:Nestor Kim

“鸡尾酒许可”PERMISO PARA EL CÓCTEL,常青画廊展览现场,哈瓦那。背景中:安尼施·卡普尔《当我怀孕时》1992-2016,玻璃纤维、木材和油漆,600 x 600 x 150厘米,摄影:Nestor Kim

“鸡尾酒许可”PERMISO PARA EL CÓCTEL,常青画廊展览现场,哈瓦那。背景中:安尼施·卡普尔《当我怀孕时》1992-2016,玻璃纤维、木材和油漆,600 x 600 x 150厘米,摄影:Nestor Kim

“鸡尾酒许可”PERMISO PARA EL CÓCTEL,常青画廊展览现场,哈瓦那。背景中:安尼施·卡普尔《当我怀孕时》1992-2016,玻璃纤维、木材和油漆,600 x 600 x 150厘米,摄影:Nestor Kim

《二手 - 系列》Second Hand - series,2019,来自老哈瓦那街头的陶瓷、水泥、木材、摄影图片(与每件衣服相对应),尺寸可变,摄影:Nestor Kim

《二手 - 系列》Second Hand - series,2019,来自老哈瓦那街头的陶瓷、水泥、木材、摄影图片(与每件衣服相对应),尺寸可变,摄影:Nestor Kim

《二手 - 系列》Second Hand - series,2019,来自老哈瓦那街头的陶瓷、水泥、木材、摄影图片(与每件衣服相对应),尺寸可变,摄影:Nestor Kim

《填充》Filling In,2016,各种厨房和家用搪瓷容器、瓷砖,尺寸可变,摄影:Oak Taylor-Smith

《填充》Filling In,2016,各种厨房和家用搪瓷容器、瓷砖,尺寸可变,摄影:Oak Taylor-Smith

《无题》2016,水泥、石膏、支架,25 x 41厘米,摄影:Ela Bialkowska

《你的 / 我的》Yours / Mine,2016,9块有机玻璃砖、UV打印,137 x 40 x 36厘米(包括底座),摄影:Ela Bialkowska

《你的 / 我的》Yours / Mine,2016,9块有机玻璃砖、UV打印,137 x 40 x 36厘米(包括底座),摄影:Ela Bialkowska

《你的 / 我的》Yours / Mine,2016,9块有机玻璃砖、UV打印,137 x 40 x 36厘米(包括底座),摄影:Ela Bialkowska

《你的 / 我的》Yours / Mine,2016,9块有机玻璃砖、UV打印,137 x 40 x 36厘米(包括底座),摄影:Ela Bialkowska

《你的 / 我的》Yours / Mine,2016,9块有机玻璃砖、UV打印,137 x 40 x 36厘米(包括底座),摄影:Ela Bialkowska

《无题》2016,水泥、石膏、支架,67 x 116厘米,摄影:Ela Bialkowska

《无题》2016,水泥、石膏、支架,67 x 116厘米,摄影:Ela Bialkowska

《二手》2015,13块独特的苏联时期瓷砖系列、木材,尺寸可变,摄影:Rémi Lavalle

《二手》2015,13块独特的苏联时期瓷砖系列、木材,尺寸可变,摄影:Rémi Lavalle

《二手》2015,苏联时期瓷砖、木材,尺寸可变,摄影:Rémi Lavalle

《二手》2015,苏联时期瓷砖、木材,尺寸可变,摄影:Rémi Lavalle

《二手》2015,13块独特的苏联时期瓷砖系列、木材,尺寸可变,摄影:Rémi Lavalle

《不可见的形式》Invisible Forms,2015,监控摄像头、木梁、混凝土,尺寸可变,摄影:Marc Domage

《不可见的形式》Invisible Forms,2015,监控摄像头、木梁、混凝土,尺寸可变,摄影:Marc Domage

《不可见的形式》Invisible Forms,2015,监控摄像头、木梁、混凝土,尺寸可变,摄影:Marc Domage

 

 

然娜·卡迪罗娃:揭示影响社会的视觉系统

 

然娜·卡迪罗娃出生于1981年,地点是当时的乌克兰苏维埃社会主义共和国布罗瓦里。她的青少年时期正值苏联解体与乌克兰独立恢复的转折点。卡迪罗娃在乌克兰的“橙色”革命以及全球知名的2013年迈丹抗议活动中活跃于艺术创作,因此她的艺术作品在这些背景下具有重要意义。她的作品具有集体视角,深入考虑其社会和政治含义。2004年,她共同创办了“革命实验空间”(R.E.P.)小组,该小组的目标是通过与乌克兰社会经济历史相关的装置艺术和行动,鼓励重新审视公共空间,并发展对其的批判性意识。

她的创作涉及历史、共产主义宣传材料、后共产主义现代性、社区观念、公共空间的概念(无论是与个人还是集体的关系),以及艺术作品与观众之间的关系,通常是在城市的、集体的维度中进行的处理。

她使用的材料,如混凝土、砖块和瓷砖,往往远离传统,并与建筑和建筑行业相关。她的作品不仅仅是向观众展示图像或文明元素的再现,而是积极批判并揭示用于传达信息和影响社会的视觉系统。