当今最具影响力的概念艺术家之一,切尔多·梅雷莱斯创作了复杂的装置和雕塑,这些作品吸引观众并挑战政治、哲学和美学观念。
梅雷莱斯的艺术实践受到 1960 年代和 70 年代巴西独裁统治期间的社会和政治环境的影响,以及新具体主义和先锋艺术家 Lygia Clark 和 Hélio Oiticica 的影响。像他的前辈一样,梅雷莱斯在作品中融合了物理、思维和感官元素,激发观众的参与。虽然梅雷莱斯的作品通常是针对特定政治事件和情况创作的,但它们唤起了通过观众在一个共享的、精心设计和定义的空间中的体验来传达的普遍主题。
梅雷莱斯的作品在多家著名机构举办了几次大型展览。2013 年,由西班牙雷纳索菲亚国家艺术中心博物馆组织的回顾展,次年在葡萄牙 Serralves 基金会和意大利 HangarBicocca 展出。
2008 年,梅雷莱斯在英国泰特现代美术馆举行了全面回顾展;该展览在 2010 年前巡展至西班牙巴塞罗那当代艺术博物馆和墨西哥大学当代艺术博物馆。
他的作品被世界各地的重要博物馆和机构收藏,包括美国伊利诺伊州芝加哥艺术学院;法国巴黎蓬皮杜艺术中心;巴西 Inhotim 当代艺术中心;芬兰 Kiasma 当代艺术博物馆;美国加利福尼亚州洛杉矶县艺术博物馆;西班牙巴塞罗那当代艺术博物馆;美国纽约现代艺术博物馆;比利时斯特德利克现代艺术博物馆;以及英国伦敦泰特现代美术馆。
梅雷莱斯1948年出生于巴西里约热内卢,目前在里约热内卢生活和工作。
个展精选
2019
Cildo Meireles , Entrevendo, SESC Pompeia, São Paulo, Brazil
Cildo Meireles: Close to Far Away, Centro Nacional de Arte Contemporaneo Cerrillos, Cerrillos, Chile
2015
Q & A, GALLERIA CONTINUA San Gimignano
Cildo Meireles, Galerie Lelong, New York, New York
2014
Cildo Meireles. Installations, curated by Vicente Todolì, Hangar Bicocca, Milan, Italy
Pling Pling, Galeria Luisa Strina, São Paulo, Brazil
Like a needle in a haystack, Kunsthal 44 Møen, Askeby, Denmark
2013
Cildo Meireles, Palacio de Velázquez, Parque del Retiro, Madrid, Spain. Organized by Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
Travelling through 2014 to Fundação de Serralves, Porto, Portugal
HangarBicocca, Milan, Italy
Obscure Light, Galeria Luisa Strina, São Paulo, Brazil. Traveled to Galeria Saramenha, Rio de Janeiro, Brazil
2011
Cildo Meireles: Rio OIR, 10th Edition of Projecto Ocupação, Itaú Cultural Center, São Paulo, Brazil
2010
Glovetrotter, Galeria Luisa Strina, São Paulo, Brazil
2008
Cildo Meireles, Tate Modern, London, United Kingdom.
Traveled through 2010 to Museu d’Art Contemporani de Barcelona, Spain;
Museo Universitario Arte Contemporáneo, Mexico City, Mexico.
2006
Babel, Museu Vale do Rio Doce, Vila Velha, Brazil. Traveled to Estação Pinacoteca, São Paulo, Brazil
2005
Algum Desenho [1963-2005], Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
2004
Occasion, Portikus im Leinwandhaus, Frankfurt, Germany
Occasion, Portikus im Leinwandhaus, Frankfurt, Germany
2003
Miami Art Museum, Miami, Florida Musée d’Art Moderne et Contemporain de Strasbourg, Strasbourg, France
2002
Aquisicões essenciais, Museu de Arte Moderna, Rio de Janeiro, Brazil
2001
Arte Futura e Companhia, Brasilia, Brazil Geografia do Brasil, Museu de Arte Moderna Aloísio
Magalhães, Recife, Brazil. Traveled through 2002 to Museu de Arte Moderna da Bahia, Salvador, Brazil;
Espaço Cultural Contemporâneo Venâncio, Brasília, Brazil
2000
Itau Cultural, São Paulo, Brazil
Galeria Luisa Strina, São Paulo, Brazil
Kunstverein Heilbron, Kolnischer, Cologne, Germany Zona Instavel:
Cildo Meireles, Luiz Alphonsus and Alfredo Fontes, Escola de Artes Visuals, Parque Lage, Rio de Janeiro, Brazil
1999
Galerie Lelong, New York, New York
Retrospective, New Museum of Contemporary Art, New York, New York. Traveled through 2000 to Museu de Arte Moderna, São Paolo, Brazil
Museu de Arte Moderna, Rio de Janeiro, Brazil
Studio K, Kiasma Museum of Contemporary Art, Helsinki, Finland
1998
Camelô, Galeria Luisa Strina, São Paulo, Brazil
Desenhos – Cildo Meireles, Artur Barrio and Luis Fonseca, Paco imperial, Rio de Janeiro, Brazil
1997
Atelier Finep, Paço Imperial, Rio de Janeiro, Brazil
Centre d'Art Contemporain Le Creux de l’Enfer, Thiers, France
Eureka/Blindhotland and Fio, Galerie Lelong, New York, New York
1995
Instituto Valenciano de Arte Moderno, Centro del Carme, Valencia, Spain. Traveled through 1996 to Fundação de Serralves, Porto, Portugal;
Institute of Contemporary Art, Boston, Massachusetts
Ouro e paus, Galeria Joel Edelstein, Rio de Janeiro, Brazil
Two Trees, Laumeier Sculpture Park, St. Louis, Missouri
Volatile, Galerie Lelong, New York, New York
1994
Volatile and Entrevendo, Capp Street Project, San Francisco, California
1992
Metros I, Galeria Luisa Strina, São Paulo, Brazil
1990
Projects, The Museum of Modern Art, New York, New York
Cildo Meireles: Missão/Missões How to Build Cathedrals & Cinza, Institute of Contemporary Art, London, England
1989
Atraves, Kanaal Art Foundation, Kortrijk, Belgium
Campos de Jogo, Galeria Luisa Strina, São Paulo, Brazil
1986
Cinza, Galeria Luisa Strina, São Paulo, Brazil. Traveled to Petite Galerie, Rio de Janeiro, Brazil
Desvio para o vermelho, Museu de Arte Moderna, University of São Paulo, São Paulo, Brazil
Red Shift, Museum of Contemporary Art, São Paulo, Brazil
1984
Desvio para o vermelho, Museu de Arte Moderna, Rio de Janeiro, Brazil
Red Shift, Museu de Arte Moderna, Rio de Janeiro, Brazil
Two Collections – Drawings, Sala Oswaldo Goeldi, Brazil
1983
Obscure Light, Galeria Luisa Strina, São Paulo, Brazil. Traveled to Galeria Saramenha, Rio de Janeiro, Brazil
Eureka/Blindhotland, Rio Arte Humaita, Rio de Janeiro, Brazil
1981
Galeria Luisa Strina, São Paulo, Brazil
1979
The Sermon on the Mount: Fiat Lux, Centro Cultural Candido Mendes, Rio de Janeiro, Brazil
Definitives Articles, Galeria Saramenha, Rio de Janeiro, Brazil
1978
Cildo Meireles Drawings from Luiz Buarque de Hollanda and Paulo Bittencourt Collection, Pinacoteca do Estado, São Paulo, Brazil
1977
Casos de Sacos, Museum of Art and Popular Culture, Cuiabá, Mato Grosso, Brazil
1975
Blindhotland/Ghetto: Virtual Spaces: Corners, Galeria Luiz Buarque de Hollanda e Paulo Bittencourt, Rio de Janeiro, Brazil Eureka/Blindhotland, Museu de Arte Moderna, Rio de Janeiro, Brazil
1967
Desenhos, Museu de Arte Moderna, Salvador, Bahia, Brazil
群展精选
2021
Rhe: everything flows; Galerie Lelong & Co., New York, New York
Spatial Affairs, Ludwig Museum, Cologne, Germany
TITAN, kurimanzutto, New York, New York
DECATEGORIZED: Artists from Brazil, Instituto Distrital de las Artes de Bogota (online exhibition)
2019
2ª Bienal Internacional de Arte Contemporáneo de América del Sur, Ushuaia and other towns, Argentina.
Constructions and Geometries – Dulce and João Carlos Figueiredo Ferraz Collection, MuBE, São Paulo, Brazil.
Queda do Céu, Caixa Cultural, Brasília, Brazil.
Lado B: O Disco de Vinil na Arte Contemporânea Brasileira, Sesc Belenzinho, São Paulo, Brazil.
The Source, Fondation Carmignac, Hyères, France.
Arte-Veículo, Sesc Santos, Santos, Brazil.
2018
Conjuro de ríos, Museo de Arte de la Universidad Nacional de Colombia, Bogota, Colombia.
A Sheet of Paper Can Become a Knife, Prince Claus Fund Gallery, Amsterdam, Holand.
Biblioteca Mário de Andrade, Biblioteca Mário de Andrade, São Paulo, Brazil.
Verzuimd Braziel – Brasil Desamparado, Museu de Arte de Santa Catarina, Florianopolis, Brazil.
AI-5 50 Anos – Ainda não terminou de acabar, Instituto Tomie Ohtake, São Paulo, Brazil.
Verzuimd Braziel – Brasil Desamparado, Centro Cultural Dragão do Mar, Fortaleza, Brazil.
Lugares do Delírio, Sesc Pompeia, São Paulo, Brazil.
Memories of underdevelopment: art and the decolonial turn in Latin America, 1960-1985, Museo Jumex, Mexico City, Mexico.
Verzuimd Braziel -Brasil Desamparado, MAC/GO Museu de Arte Contemporânea de Goiás, Goiânia, Brazil.
Visiones de la Tierra / El mundo planeado – Luís Paulo Montenegro Collection, Sala de Arte Santander, Madrid, Spain.
The Matter of Photography in the Americas, Cantor Center for Visual Arts / Stanford University, Stanford, EUA.
2017
Everyday Poetics, Seattle Art Museum, Seattle, USA.
Potência e Adversidade – Art from Latin America in the Portuguese Collections, Museu de Lisboa / Pavilhão Branco e Pavilhão Preto, Lisbon, Portugal.
Past/Future/Present, Phoenix Art Museum, Phoenix, USA.
Jeux, rituels et récréations, lille3000, Lille, France.
14th Lyon Biennial / Mondes Flotantes, France.
OSSO exposição-apelo ao amplo direito de defesa de Rafael Braga, Instituto Tomie Ohtake, São Paulo, Brazil.
Modos de ver o Brasil: Itaú Cultural 30 anos, OCA Ibirapuera, São Paulo, Brazil.
Pedra no Céu: Arte e a Arquitetura de Paulo Mendes da Rocha, MUBE Museu Brasileiro de Escultura, São Paulo, Brasil.
Avenida Paulista, MASP Museu de Arte de São Paulo, São Paulo, Brazil.
2016
The Shanghai Project, Shanghai, China
Os muitos e o um: Brazilian Contemporary Art in the Andrea and José Olympio Pereira Collection, Instituto Tomie Ohtake, São Paulo, Brazil.Instituto Tomie Ohtake, São Paulo, Brazil.
Homo Ludens, Galeria Luisa Strina, São Paulo, Brazil.
Em Polvorosa, Museu de Arte Moderna (MAM-Rio), Rio de Janeiro, Brazil.
A Cor do Brasil: de Visconti a Volpi, de Sued a Milhazes, Museu de Arte do Rio (MAR), Rio de Janeiro.
Site Santa Fe, Santa Fe, USA.
Brazil, Beleza?! Contemporary Brazilian Sculpture, Museum Beelden aan Zee, The Hague, Holland.
Totemonumento, Galeria Leme, São Paulo, Brazil
2015
Situações: A Instalação no acervo da Pinacoteca, Estação Pinacoteca, São Paulo Brazil
How to (…) Things That Don’t Exist, Serralves Museum of Contemporary Art, Porto, Portugal
Resistance Performed – Aesthetic Strategies under Repressive Systems in Latin America, Migros Museum für Gegenwartskunst, Zurich, Switzerland
Imagine Brazil, DHC/ART Foundation for Contemporary Art, Montreal, QC Canada
How to (…) Things That Don't Exist, Serralves Museum of Contemporary Art, Porto, Portugal
Remember Lidice, Edition Block, Berlin, Germany
Cildo Meireles & Various Artists, Galleria Continua, San Gimignano, Italy
Encruzilhada, Parque Lage, Rio de Janeiro, Brazil
Experiência da Arte, Sesc Santo André, Santo André, Brazil
Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, Texas
International Pop, Walker Art Center, Minneapolis, Minnesota
Made in Brasil, Casa Daros, Rio de Janeiro, Brazil
A queda de céua de céu, Paço das Artes, São Paulo, Brasil
From the Object to the World, Inhotim Collection, Itaú Cultural, São Paulo, Brazil
Imagine Brazil, Instituto Tomie Ohtake, São Paulo, Brazil
Possibilities of the Object: Experiments in Modern and Contemporary Brazilian Art, The Fruitmarket Gallery, Edinburgh, United Kingdom
2014
Eu represento os artistas, Galeria Luisa Strina, São Paulo, Brazil
Que coisa é? uma conversa / a conversation, Pivô, São Paulo, Brazil
A pegada Pop, Galeria Carbono, São Paulo, Brazil
artevida: a City wide contemporary art exhibition: artevida (corpo), Casa França-Brasil, Rio de Janeiro, Brazil.
Other sections: artevida (política), Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil
artevida (arquivo), Biblioteca Parque Estadual, Rio de Janeiro, Brazil;
artevida (parque), Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brazil
2013
30 Bienal de São Paulo: Transformações na arte brasileira da 1ª à 30ª edição, Fundação Bienal de São Paulo, São Paulo, Brazil
Imagine Brazil, Astrup Fearnley Museet, Oslo, Norway
Planos de fuga: uma exposição em obras, Centro Cultural Banco do Brasil, São Paulo, Brasil
Circuitos Cruzados: O Centre Pompidou encontra o MAM, Museu de Arte Moderna de São Paulo, São Paulo, Brazil
O abrigo e o terreno, Museu de arte do Rio (MAR), Rio de Janeiro, Brazil
Art Turning Left: How Values Changed Making 1789–2013, Tate Liverpool, Liverpool, UK
Americana: Overview Gallery, Purchasing Power, Pérez Art Museum, Miami, Forida
From Death to Death and Other Small Tales | Masterpieces from the Scottish Lines and Realignments, Simon Lee Gallery, London, United Kingdom
Suspicious Minds, Vermelho, São Paulo, Brazil
Secret Codes, Galeria Luisa Strina, São Paulo, Brazil
National Gallery of Modern Art and the D.Daskalopoulos Collection, Scottish National Gallery of Modern Art, Edinburgh, Scotland
Conceptual Geographies: Frames and Documents: Selections from the Ella Fontanals-Cisneros Collection, Wallach Art Gallery, Columbia University, New York, New York
Pop, Realisms and Politics. Brazil – Argentina, GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo, Bergamo, Italy
Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967 – 1978, The Bertha and Karl Leubsdorf Art Gallery, CUNY Hunter College, New York, New York
The Insides are on the Outside, Glass House, São Paulo, Brazil
2012
Extra Large, Grimaldi Forum, Monaco
Performing Abstraction, Luciana Brito Galeria, Sao Paulo, Brazil
Pop, Realisms and Politics. Brazil – Argentina, Fundación Proa, Buenos Aires, Argentina. Travelling to Museu de Arte Moderna, Rio de Janeiro, Brazil
Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles, California
Air de Lyon, Fundación Proa, Buenos Aires, Argentina
Cildo Meireles & Antoni Muntadas: Salt & Sugar…No SUGAR, No SALT, Kunsthalle Marcel Duchamp, Cully, Switzerland
Spirits of Internationalism: 6 European Collections 1956-1986, simultaneously at Van Abbemuseum, Eindhoven, Netherlands, and M HKA, Antwerp, Belgium
2011
Galería Kurimanzutto, San Miguel Chapultepec, México
Athena Galería de Arte, Rio de Janeiro, Brazil
Systems, Actions and Processes: 1965-1975, Fundacion Proa, Buenos Aires, Argentina
A Rua (The Street), Museum van Hedendaagse Kunst Antwerpen, Antwerpen, Belgium
Paradigm Shift: Serralves Collection 60’s 70’s, Museo de Arte Contemporáneo de Castilla y León France
Distant Star / Estrella Distante, Regen Projects, Los Angeles, California
The Spiral and the Square: Exercises in Translatability, Bonniers Konsthall, Stockholm, Sweden
A Terrible Beauty is Born, 11th Biennale de Lyon, Lyon, France
Art and Confrontation in Latin America: 1910-2010, Palacio de Bellas Artes and Ex Teresa Arte Actual, Mexico City, Mexico
Interventions in the Landscape, Galerie Lelong, New York, New York
2010
Amazonia, A Arte, Museu Vale, Vila Velha, Espirito Santo, Brazil
Os 70’s, Progetti, Rio De Janeiro, Brazil
First and Last, Notes on the Monument, Galería Luisa Strina, São Paulo, Brazil
On Line: Drawing Through the Twentieth Century, Museum of Modern Art, New York, New York
Contemporary Art from the Collection, Museum of Modern Art, New York, New York
29ª Bienal de São Paulo, São Paulo, Brazil
Snapshots of Tourism, Gallery Augusta, HIAP Suomenlinna, Helsinki, Finland
Like Tears in Rain, Palacio das Artes – Fabrica de Talentos, Porto, Portugal
185th Annual: An Invitational Exhibition of Contemporary Art, National Academy Museum & School of Fine Arts, New York, New York
2009
Los Impoliticos, Palazzo delle Arti Napoli, Naples, Italy
Grito e Escuta, 7th Mercosul Biennial, Porto Alegre, Brazil
À Contre-Corps / Countering the Body, Frac Lorraine, Metz, France
Brazilian Summer. Art & the City, Museum Het Domein, Sittard, the Netherlands
On the Margins of Art. Creation and Political Engagement, Museu d’Art Contemporani de Barcelona, Spain
Making Worlds, 53rd Italian Pavilion, International Art Exhibition, Venice Biennale, Venice, Italy
Unbuilt Roads, Based on the book Unbuilt Roads: 107 Unrealised Projects, Hatje Cantz (1997) edited by Hans Ulrich Obrist and Guy Tortosa, e-flux project space, New York, New York
NÓS, Museu da República, Rio de Janeiro, Brazil
The Collection, Siobhan Davies Dance Studio & Victoria Miro Gallery, London, United Kingdom
2008
When Lives Become Form – Contemporary Brazilian Art: 1960 – Present, Museum of Contemporary
Art Tokyo, Tokyo, Japan. Traveled to Yerba Buena Center for the Arts, San Francisco, California
Trazos Humanos [Human Traces], University Gallery, University of Essex, Colchester, Essex, United Kingdom
Arte ≠ Vida: Actions by Artists of the Americas, 1960-2000, El Museo del Barrio, New York, New York
No Es Neutrala – Daros Latinamerica Collection, Tabakalera, Donostia-San Sebastian, Spain
2007
New Perspectives in Latin American Art, 1930-2006: Prints, Photographs, and Media Works, Museum of Modern Art, New York, New York
Face to Face, The Daros Collections, Zurich, Switzerland Arte para Crianças [Art for Children], Museu de Arte Moderna, Rio de Janeiro, Brazil
Transactions, Blanton Museum of Art, University of Texas, Austin, Texas
Time Present Time Past: Highlights from 20 Years of the International Istanbul Biennial, Istanbul
Modern, Istanbul, Turkey. Exhibition concurrent with the 10th International Istanbul Biennial, Istanbul, Turkey 6th Mercosul Biennial, Porto Alegre, Brazil.
New Economy, Artists Space, New York, New York
2006
The Disappeared (Los Desaparecidos), North Dakota Museum of Art, Grand Forks, North Dakota. Traveled through 2010 to El Centro Cultural Recoleta, Buenos Aires, Argentina; Museo Nacional de Artes Visuales, Montevideo, Uruguay; El Museo del Barrio, New York, New York; Museo de Arte de San Marcos, Lima, Peru; SITE Santa Fe, Santa Fe, New Mexico; Central Cultural Matacuna 100, Santiago, Chile; The Museum of Modern Art, Bogotá, Colombia; Art Museum of the Americas OAS, Washington, D.C.; University of Wyoming Art Museum, Laramie, Wyoming; Weisman Museum of Art, Minneapolis, Minnesota; the Stanlee and Gerald Rubin Center for the Visual Arts, Centennial Museum, and the Union Exhibition Gallery, University of Texas at El Paso, Texas
Contrabando, Galeria Luisa Strina, Sao Paulo, Brazil
Seduçoes: Valeska Soares, Cildo Meireles, Ernesto Neto, Daros-Latinamerica, Zurich, Switzerland
2005
20 Desarranxos: Panorama da Arte Brasileira, Museo de Arte Contemporanea de Vigo, Vigo, Spain
Collection Fundacion ‘la Caixa’: New Acquisitions, Fundacion la Caixa, Barcelona, Spain
Espaço Brasil, Le Carreau du Temple, Paris, France
Open Systems: Rethinking Art c.1970, Tate Modern, London, England
Venice Biennale, Venice, Italy Paralela 2004, São Paulo Biennial, São Paulo, Brazil
Populism, Stedelijk Museum, Amsterdam, Netherlands; Exhibited concurrently at Nordic Institute for Contemporary Art, Helsinki; Frankfurter Kunstverein, Frankfurt; Contemporary Art Centre, Vilinius; andthe National Museum of Art, Oslo, Norway
2004
Beyond Geometry: Experiments in Forms 1940s-70s, Los Angeles County Museum of Art, Los Angeles, California; Traveled to Miami Art Museum, Miami, Florida Inverted Utopias, Museum of Fine Arts, Houston, Texas
Liverpool Biennial, Liverpool, England
2003
50 Biennale di Venizia, Venice, Italy
A Nova Geometria, Galeria Fortes Vilaca, São Paulo, Brazil
Layers of Brazilian Art, Faulconer Gallery, Bucksbaum Center for the Arts, Grinnell College, Grinnell, Iowa
Panorama da Arte Brasileira, Museu de Arte Moderna, São Paulo, Brazil. Traveled to Paco Imperial, Rio de Janeiro, Brazil
Poetic Justice: 8th Istanbul Biennial, Istanbul, Turkey
The Paper Sculpture Show, Sculpture Center, Long Island City, New York. Traveled through 2007 to The Contemporary Arts Center, Cincinnati, Ohio; Austin Museum of Art, Austin, Texas; The Contemporary Arts Center, Cincinnati, Ohio; Austin Museum of Art, Austin, Texas
Uneasy Space, SITE Santa Fe, Santa Fe, New Mexico
2002
Arte All’ Arte 10: Arte Architettura Paesaggio, Associazione Arte Continua, Siena, Italy
Desenhistas e Coloristas, Galeria Luisa Strina, São Paulo, Brazil
Documenta XI, Kassel, Germany
Fluxus and the Folgen, Strojectburo Stadtmuseum, Wiesbaden, Germany
Parallels: Brazilian Art of the Second Half of the Twentieth Century in Context – Colección Cisneros, Museu de Arte Moderna, São Paulo Brazil. Traveled to Museu de Arte Moderna, Rio de Janeiro, Brazil
Tempo, Museum of Modern Art, New York, New York
Vivencias – Dialogues between the works of Brazilian artists from 1960-2002, New Art Gallery, Walsall, England. Traveled to Sainsbury Center for Visual Art, University of East Anglia, Norwich, United Kingdom
2001
Ars 01 – Unfolding Perspectives, Kiasma Museum of Contemporary Art, Helsinki, Finland
Da Adversidade Vivemos, Musee d’Art Moderne de la Ville de Paris, Paris, France
El Final del Eclipse – el arte de America Latina en la Transicion al Siglo XXI, Fundacion Telefonica, Madrid, Spain
Marking time/ Making memory, Miami University Art Museum, Oxford, Ohio
Espelho Cego – Selcoes de uma Colecao Contemporanea, Paco Imperial, Rio de Janeiro, Brazil; Traveled to Espaco Cultural Venancio, Venancio Aires, Brazil
Minimalism Past And Presence, Galerie Lelong, New York, New York
The Public Garden – The Enclosure and the Disclosure of the Public Garden, Witte de With, Rotterdam, Holland
Rembrandt to Rauschenberg, Jack S. Blanton Museum of Art, University of Texas, Austin, Texas
Shopping, Generali Foundation, Vienna, Austria
Trajetoria da luz na arte brasileira, Itau Cultural, São Paulo, Brazil
Versiones del Sur: Eztetyka del sueno, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
2000
Beyond Preconceptions: The Sixties Experiment, National Gallery of Prague, Prague, Czech Republic. Traveled through 2001 to Zacheta National Gallery of Contemporary Art, Warsaw, Poland; Museo de Arte Moderno, Buenos Aires, Argentina; Paco Imperial, Rio de Janeiro, Brazil; Museu de Arte Moderna, São Paulo, Brazil; Freedman Gallery, Albright Center for the Arts, Reading, Pennsylvania; Samuel P. Harn Museum, University of South Florida, Gainesville, Florida; Berkeley Art Museum, University of California, Berkeley, California; Düsseldorf Kunsthalle, Düsseldorf, Germany
Extetyka del Sueno, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Iron+Grid+Void: Art of the Americas from the Chase Manhattan Collection, The Americas Society, New York, New York
Jornal Aberto, Museo do Telefone/Espaco Telemar, Rio de Janeiro, Brazil
Kwangju Biennale 2000: Man + Space, Kwangju, South Korea
Making Choices, Museum of Modern Art, New York, New York
Mostra do Redescobrimento, São Paulo, Brazil
Others Modernities, London Institute, London, England
Outros 500 – Highlights of Brazilian Contemporary Art in UECLAA, University of Essex, Collection of Latin American Art, Colchester, England
South Korea Biennial, South Korea Stuacoes – Arte Brasileira Anos 70, Casa Franca-Brasil, Rio de Janeiro, Brazil
The Song of the Earth, Museum Fridericianum, Kassel, Germany
Versiones del Sur – Fricciones, Museo Nacional Centro de arte Reina Sofia, Madrid, Spain
Versiones del Sur – Heterotopias, Museo Nacional Centro de arte Reina Sofia, Madrid, Spain
Versions del Sur - No es Sólo lo Que Ves: Pervirtiendo el Minimalismo, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Vivências (Life Experiences), Generali Foundation, Vienna
Worthless (Invaluable), Museum of Modern Art, Ljubljana, Slovenia
1999
Circa 1968, Fundacao de Serralves, Porto, Portugal
Das Vanguardas ao Fim do Milenio, Culturegest, Lisbon, Portugal
Global Conceptualism: Points of Origin, 1950s-1980s, Queens Museum of Art, Flushing, New York. Traveled to Walker Art Center, Minneapolis, Minnesota; Miami Art Museum, Miami, Florida
Horizontes Cambiantes, Casa da America, University of Essex, Colchester, United Kingdom
Museum of Modern Art, Rio de Janeiro, Brazil
S.M.A.K., Museum of Contemporary Art, Gand, Belgium
Why Duchamp? , Paco des Artes, São Paulo, Brazil
1998
XXIV São Paulo Biennale, São Paulo, Brazil
Horizonte Reflexivo, Centro Cultural Light, Rio de Janeiro, Brazil
Insertions. Notes Towards the Dematerialization of the Art Exhibition, Nordika Museet/Teknisha Museet, Stockholm, Sweden
Out of Actions: Between Performance and the Object 1949-1979, The Museum of Contemporary Art, Los Angeles. Traveled through 1999 to Museum fur Angewandte Kunst, Vienna, Austria; Museu d'Art Contemporani, Barcelona, Spain; Museum of Contemporary Art, Tokyo; The National Museum of Modern Art, Osaka
Puntos Cardinales, Museo Alejandro Otero, Caracas, Venezuela
1997
2nd Johannesburg Biennale – Trade Routes, Johannesburg, South Africa
Asi Esta la Cosa, Centro Cultural/Arte Contemporaneo, Mexico City, Mexico
Face of History, Centre Georges Pompidou, Paris, France
I Bienial de Artes Visuais do Mercosul, Porto Alegre, Brazil
Re-aligning Vision: South American Drawings 1960 – 1997, El Museo del Barrio, New York, New York. Traveled to Archer M. Huntington Art Gallery, University of Texas, Austin, Texas
You are Here, Royal College of Art, London, England
1996
Face à l'Histoire, Centre Georges Pompidou, Paris, France
Sin Fronteras-Arte Latinoamericano Actual, Museo Alejandro Otero, Caracas, Venezuela
1995
Art From Brazil in New York, Galerie Lelong, New York, New York
Arteieku Colisiones, Saint Sebastien, Spain
Panaramas, Museo de Arte Moderna, São Paulo, Brazil. Traveled to Museum of Modern Art, Rio de Janeiro, Brazil
Temporarily Possessed. The Semi-Permanent Collection, New Museum of Contemporary Art, New York, New York
1994
20 Anos de Arte Brasileira, Museum of Modern Art, São Paulo, Brazil
Bienal Brasil Sculo XX, Bienal de São Paulo, São Paulo, Brazil
Espaco Namour, Colectiva de Esculturas, São Paulo, Brazil
Impressoes, Escola de Artes Visuais, Parque Lage, Rio de Janeiro, Brazil
1993
Body to Earth – Three Artists from Brazil, Fischer Gallery, University of Southern California, Los Angeles, California
Emblemas do Corpo – Desenhos, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
L’autre a Montevideo – Homenaje a Isidore Ducasse, National Museum of Visual Arts, Montevido, Uruguay
Time and Tide. The II Tyne International Exhibition of Contemporary Art, Newcastle-Upon-Tyne, England
1992
Documenta IX, Kassel, Germany
America, Bride of the Sun, Royal Museum of Fine Arts, Antwerp, Belgium
Encounters/Displacements, Archer M. Huntington Art Gallery, University of Texas, Austin, Texas
Latin American Artists of the Twentieth Century, Estacion Plaza de Armas, Seville, Spain; Traveled through 1993 to Fondation Nationale des Arts, Paris, France; Museum Ludwig at Josef- Haubrich- Kunsthalle, Cologne, Germany; Museum of Modern Art, New York, New York
Pour la Suite du Monde, Museum of Contemporary Art, Montreal, Canada
1991
Denonciation, Ecole d'Architecture de Normandie, Normandy, France
1990
Casino Fantasma, Casino Municipal, Venice. Traveled to Institute of Contemporary Art, New York, New York
The Rhetorical Image, The New Museum of Contemporary Art, New York, New York
Transcontinental: Nine Latin American Artists, Ikon Gallery, Birmingham, England; Traveled to Cornerhouse, Manchester, England
Uncover/Discover – New Works for Different Places, Derry, Northern Ireland. Traveled to Glasgow, Scotland; Newcastle, England; Plymouth, England
1989
XX Bienal Internacional de São Paulo, São Paulo, Brazil
Magiciens de la Terre, Centre Georges Pompidou, Paris, France
1988
Brazil Projects, P.S. 1, Long Island City, New York
Broken Music, Daadgalerie Gemeentemuseum, Berlin, Germany. Traveled to The Hague, The Netherlands; Le Magasin, Grenoble, France
Expressão e Conceito/anos 70, Galeria Centro Empresarial Rio, Rio de Janeiro, Brazil
Modernidade – Brazilian art of the 20th century, Museum of Modern Art, São Paulo, Brazil
The Debt, Exit Art, New York, New York
The Latin American Spirit: Art and Artists in the United States, 1920 –1970, The Bronx Museum, The Bronx, New York
1987
Missoes: 300 Anos – Visão do Artista, National Theater, Brazil. Traveled through 1988 to Parque Laje, Rio de Janeiro, Brazil; Traveled to Museum of Modern Art, São Paulo, Brazil; Reitoria da Universade Federal do Rio Grande do Sul, Porto Alegre, Brazil
Modernidade - Art Brésilien du 20 Siècle, Musee d’Art Moderne de la Ville de Paris. Traveled through 1988 to Museum of Modern Art of São Paulo, Brazil
Non Magic World, Museu de Arte Moderna, São Paulo, Brazil
1986
12 years of Trabalho Juntos, Galeria Luisa Strina, São Paulo, Brazil
Depoirnento de uma Geracao: 1969 – 1970, Rio de Janeiro, Brazil
1984
Private Symbols: Social Metaphor, V Sydney Biennale, Art Gallery of New South Wales, Sydney Australia; Ivan Dougherty Gallery, Paddington, Australia
Tradicao e Ruptura, Fundação Bienal de São Paulo, São Paulo, Brazil
1983
Bread in Meters, Sul America, Rio de Janeiro, Brazil
Eureka/Blindhotland, Rio Arte Humasta, Rio de Janeiro, Brazil
1982
From Modern Art to Contemporary Art, Gulbenkian Foundation, Lisbon, Portugal
1981
XVI Bienal de São Paulo, Parque do Ibirapuera, São Paulo, Brazil
From Modern Art to Contemporary Art, Museum of Modern Art, Rio de Janeiro, Brazil. Traveled to Gulbenkian Foundation, Lisbon, Portugal
The Sermon of the Mountain: Fiat Lux, Museum of Modern Art, Medellin, Colombia
1979
Escala: Aquila, Núcleo de Arte Contemporânea, João Pessoa, Paraiba, Brazil
Figuracao Referencial – XI Salao Nacional de Arte, Museum of Art, Belo Horizonte, Brazil
1977
Biennale de Paris, Paris, France
1976
International Actuality, Venice Biennale, Venice, Italy
1975
Novas Tendencias, Paco das Artes, São Paulo, Brazil
1974
Desenho Brasileiro – IX Salao de Arte Contemporânea de Campinas, Museum of Contemporary Art de Campinas, São Paulo, Brazil
1973
Expo-Projecião, Galeria Grife, São Paulo, Brazil
1970
Agnus Day: Thereza Simoes, Guilharme Vaz and Cildo Meireles, Petite Gallerie, Rio de Janeiro, Brazil
Information, Museum of Modern Art, New York, New York
From Body to Earth, Palacio das Artes, Belo Horizonte, Brazil
1969
Salao de Bussola, Museum of Modern Art, Rio de Janeiro, Brazil
Pre-Bienial de Paris, Museum of Modern Art, Rio de Janeiro, Brazil
1965
Il Salao de Arte Moderna do Distrito Federal, Brasilia, Brazil
群展
切尔多·梅雷莱斯, 内科·索拉科夫
作品来自Mário Teixeira da Silva收藏
Serralves收藏博物馆
Rua D. João de Castro 210
波尔图, 葡萄牙
https://www.serralves.pt/en/ciclo-serralves/2811-cancao-contemporanea/
《水金属》Aquaurum,2014-2015,2个玻璃杯、钛、水、黄金。摄影:Ela Bialkowska
《水金属》Aquaurum,2014-2015,2个玻璃杯、钛、水、黄金。摄影:Ela Bialkowska
《水金属》Aquaurum,2014-2015,2个玻璃杯、钛、水、黄金。摄影:Ela Bialkowska
《水金属》Aquaurum,2014-2015,2个玻璃杯、钛、水、黄金。摄影:Ela Bialkowska
《下雨了雨》Chove Chuva,1995-1997,4个屏幕、4个投影仪、充满水的透明塑料枕头,尺寸可变。摄影:Ela Bialkowska
《下雨了雨》Chove Chuva,1995-1997,4个屏幕、4个投影仪、充满水的透明塑料枕头,尺寸可变。摄影:Ela Bialkowska
《下雨了雨》Chove Chuva,1995-1997,4个屏幕、4个投影仪、充满水的透明塑料枕头,尺寸可变。摄影:Ela Bialkowska
《下雨了雨》Chove Chuva,1995-1997,4个屏幕、4个投影仪、充满水的透明塑料枕头,尺寸可变。摄影:Ela Bialkowska
《下雨了雨》Chove Chuva,1995-1997,4个屏幕、4个投影仪、充满水的透明塑料枕头,尺寸可变。摄影:Ela Bialkowska
《下雨了雨》Chove Chuva,1995-1997,4个屏幕、4个投影仪、充满水的透明塑料枕头,尺寸可变。摄影:Ela Bialkowska
《下雨了雨》Chove Chuva,1995-1997,4个屏幕、4个投影仪、充满水的透明塑料枕头,尺寸可变。摄影:Ela Bialkowska
《下雨了雨》Chove Chuva,1995-1997,4个屏幕、4个投影仪、充满水的透明塑料枕头,尺寸可变。摄影:Ela Bialkowska
《KU KKA, KA KKA》1990-1999,开花植物、塑料仿制开花植物、排泄物、塑料仿制排泄物、搪瓷碗、金属和玻璃,展示单元,尺寸可变。摄影:Ela Bialkowska
《KU KKA, KA KKA》1990-1999,开花植物、塑料仿制开花植物、排泄物、塑料仿制排泄物、搪瓷碗、金属和玻璃,展示单元,尺寸可变。摄影:Ela Bialkowska
《KU KKA, KA KKA》1990-1999,开花植物、塑料仿制开花植物、排泄物、塑料仿制排泄物、搪瓷碗、金属和玻璃,展示单元,尺寸可变。摄影:Ela Bialkowska
《KU KKA, KA KKA》1990-1999,开花植物、塑料仿制开花植物、排泄物、塑料仿制排泄物、搪瓷碗、金属和玻璃,展示单元,尺寸可变。摄影:Ela Bialkowska
《KU KKA, KA KKA》1990-1999,开花植物、塑料仿制开花植物、排泄物、塑料仿制排泄物、搪瓷碗、金属和玻璃,展示单元,尺寸可变。摄影:Ela Bialkowska
《KU KKA, KA KKA》1990-1999,开花植物、塑料仿制开花植物、排泄物、塑料仿制排泄物、搪瓷碗、金属和玻璃,展示单元,尺寸可变。摄影:Ela Bialkowska
《KU KKA, KA KKA》1990-1999,开花植物、塑料仿制开花植物、排泄物、塑料仿制排泄物、搪瓷碗、金属和玻璃,展示单元,尺寸可变。摄影:Ela Bialkowska
《KU KKA, KA KKA》1990-1999,开花植物、塑料仿制开花植物、排泄物、塑料仿制排泄物、搪瓷碗、金属和玻璃,展示单元,尺寸可变。摄影:Ela Bialkowska
《KU KKA, KA KKA》1990-1999,开花植物、塑料仿制开花植物、排泄物、塑料仿制排泄物、搪瓷碗、金属和玻璃,展示单元,尺寸可变。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1968 - 1969 - 2015,木材,120 x 120 厘米。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1968 - 1969 - 2015,木材,120 x 120 厘米。摄影:Ela Bialkowska
《虚拟体积项目》Project for Virtual Volumes,1968-1969,打印在纸上,26.8 x 37.5 厘米。摄影:Ela Bialkowska
《虚拟体积项目》Project for Virtual Volumes,1968-1969,打印在纸上,26.8 x 37.5 厘米。摄影:Ela Bialkowska
《虚拟体积项目》Project for Virtual Volumes,1968-1969,打印在纸上,26.8 x 37.5 厘米。摄影:Ela Bialkowska
《虚拟体积项目》Project for Virtual Volumes,1968-1969,打印在纸上,26.8 x 37.5 厘米。摄影:Ela Bialkowska
《虚拟体积项目》Project for Virtual Volumes,1968-1969,打印在纸上,26.8 x 37.5 厘米。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
《虚拟体积》Virtual Volumes,1967-2015,羊毛纱线,特定场地尺寸。摄影:Ela Bialkowska
切尔多·梅雷莱斯:对空间和感知的挑衅性探索
切尔多·梅雷莱斯以其多样的艺术实践而闻名,涵盖了装置艺术、雕塑、概念作品和干预艺术。在他的职业生涯中,梅雷莱斯涉猎了各种媒介,从大型环境到复杂、发人深省的物件。他的装置作品常常挑战观众对空间和现实的感知,邀请他们从多个层面参与艺术作品。梅雷莱斯的作品以对细节的精细关注和对观众在艺术体验中角色的深刻考量为特点。
梅雷莱斯探讨了权力、政治和社会不公等主题,他的艺术作品常常传达强烈的政治信息,旨在引发批判性反思和对话。他将日常物品转化为深刻符号的方式,触及了观众的集体记忆和共享经验。无论是他标志性的装置作品《巴别塔》(2001),其无线电塔广播着喧闹的声音,还是他强有力的概念作品系列《插入意识形态电路》(1970),梅雷莱斯始终挑战艺术和社会的边界。
梅雷莱斯创造沉浸式环境的能力,使观众成为艺术作品的主动参与者,这证明了他在模糊现实与虚构界限方面的技巧。无论是通过大规模装置还是细腻的雕塑,梅雷莱斯的作品继续激发沉思和对话,鼓励我们质疑支配我们世界的结构。